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Kitty Fisher’s Restaurant + Shepherd Market Mayfair London

Generations Come and Generations Go

Last autumn we somehow found ourselves invited to lunches in the private dining rooms of London restaurants on a weekly basis. Nice work, and all that. Six Park Place, Green Park, was all about white truffle and parmesan risotto in an Art Deco setting. Skipping the steak at Smith and Wollensky off The Strand we went for the seared hand dived scallops in the Martin Brudzinski designed basement dining room. Upping the grandeur, we’d gnocchi, ajo blanco, kale, feta crumble and sunflower seeds in the top storey dining room of The Ned under the plasterwork ceiling with its central MB for Midland Bank. The first floor private dining room of 34 was the setting of our The Not The What invitation to enjoy wild mushroom risotto, pecorino and summer truffle surrounded by Tracey Emin paintings. Not a beige buffet in sight.

The What House Awards are the biggest gongs in the housebuilding industry. So far, so mainstream. Much more fun are The Not The What parties contemporaneously thrown across Mayfair. After Champagne fuelled lunches everyone crashes The Red Room bar of The Grosvenor House Hotel. That’s before rounding off the night in Mount Street’s pub The Audley. Mayfair and its environs are not short of high end restaurants: Coya, Hide and Sexy Fish for starters, main course and pudding. In contrast to those three temples to Bacchus, the eateries of Shepherd Market are positively low key – and petite.

Oliver Bradbury records in The Lost Mansions of Mayfair, 2008, “Shepherd Market, named after Edward Shepherd, was laid out on the Curzon family owned waste ground north of Piccadilly and near Hyde Park Corner.” It’s a stretch to call somewhere a few dozen metres away from Green Park off the beaten track but Shepherd Market lends that impression. The short walk down White Horse Street along the side of Cambridge House (shrouded in scaffolding for years – when will the Reuben Brothers’ conversion of the In and Out Club to a hotel be finished?) opens into another world.

Narrow streets radiating off a square are lined with an array of international brasseries. In between are a few high end shops like Simon Carter menswear. Fancy Lebanese? Head to Al Hambra. Channelling Francophilia? There’s L’Artiste Muscle or Ferdi. Le Boudin Blanc closed in 2022. You can enjoy French cheese at Shepherd Market Wine House or pasta at Misto. Go Turkish at Fez Mangal. Iran Restaurant is what it says. Feeling adventurous? Try L’Autre, the capital’s only Polish Mexican. Or Middle Eastern food at our school night regular Sofra.

On the square itself is Kitty Fisher’s offering the best of British fare. Architect Chris Dyson provides some background, “Our practice’s first restaurant project was at 10 Shepherd Market for Penelope and Michael Milburn. The building is located in the northeastern corner of the market square, tucked away between Piccadilly and Curzon Street in Mayfair. In the early part of last century, Shepherd Market was a fashionable address. The writer Michael Arlen rented rooms opposite The Grapes pub, possibly this building, and used Shepherd Market as the setting for his bestselling 1924 novel The Green Hat, later made into a film starring Greta Garbo.”

“The building is essentially 18th century with a rebuilt mid 19th century brick façade.” Chris continues, “The fenestration dates from this partial rebuilding and is surrounded by alternating bands of yellow and red brick. The ground floor shopfront retains two carved stone corbels to either side. There are six floors in total. The basement extends under the pavement with two sizeable brick vaults.”

Typical of Shepherd Market restaurants, the ground floor is narrow fronted and deep in plan creating an intimate atmosphere. Precipitous stairs lead from the restaurant and bar down past the kitchen, fully on display through internal windows, to the rest of the restaurant. Cast iron ovens are retained in the basement thick walls. Cooking these days comes from a wood grill. Kitty Fisher’s was the toast of town when it opened in 2014 – one of its owners is the brother-in-law of then Prime Minister David Cameron who frequented it with his wife Samantha. The Nigella Lawson era of celebs has waned allowing this restaurant to settle into being a thriving slightly in-the-know establishment. On a Friday, especially today, the weekend before Christmas, the 75 covers are turned twice for lunch and twice for dinner. We’re perched on stools at the window in Edward Hopper’s Nighthawks fashion.

This isn’t our first rodeo. Eight years ago, December 2016 to be precise, we dined on the same stools. We were surprised to get dinner without a reservation at the height of Kitty Fisher’s fame. Time to dig into the archives! Viognier Le Paradou 2015 (£30.00), dry with a hint of honeycomb. Whipped cod’s roe, bread and fennel butter (£7.50), Head Chef Tom Parry’s four fingered salute against mediocrity. A textural contrast of creaminess and crustiness. Taleggio, London honey, mustard and black truffle (£9.00), a bittersweet symphony of wood grill smokiness. There’s more. Burrata, beetroot and radicchio (£12.50), a colourful collage of purple and white. Cambridge burnt cream (£7.00) isn’t an undergrad’s baking error but a Cointreau and cinnamon crème brûlée smoothly nestling under a crackly golden lid. These plates are too good for sharing. We observed that currency signs had vanished from fashionable menus as swiftly as pounds disappeared from the wallets of the original Kitty Fisher’s gentlemen callers.

The sharing plates menu has been replaced with a more traditionally laid out version of three courses plus sides. Still currency free. Tom Fairbank is now Head Chef. We stick to Viognier, crisp with floral notes Pays d’Oc Moulin de Gassac 2023 (£34.00). Mountain Bay sardines, Oyster Leaf mayonnaise and pickled green tomatoes (£17), latitudinal extremities. Scottish girolles, lentils and walnut (£30), vegetarian wholesomeness. Chocolate ganache, salted caramel ice cream and honeycomb (£12), sweet and smoky. The boudoir like theme has stayed the same: brown and purple walls, red lampshades, jazz music.

So who was Kitty Fisher? England’s original It Girl, no less. “Without a doubt, Kitty received a good education. She was witty and always known as a good conversationalist,” suggests Joanne Major in Kitty Fisher The First Female Celebrity, 2022. This background – and her natural prettiness – helped her climb up the social ladder with surprising ease. Fame collied with infamy in Kitty’s case due to her high profile affairs and liaisons. “Gossip about her antics reached the drawing rooms, coffeehouses and taverns of every town in the land,” writes Joanne.

In the 18th century painters were the paparazzi. After Sir Joshua Reynolds finished his first likeness, Joanne concludes, “In no time at all, at least four engravers had copied the portrait and Kitty’s likeness was to be had at every print shop in the country.” She lived for a while in Carrington Street to the immediate south of Shepherd Market. Towards the end of her short yet brilliance existence, Kitty found true love and married John Norris MP, Captain of Deal Castle. She died of smallpox aged 26 while visiting Bath. Shepherd Market would continue to have a racy reputation for ladies of the night right up to the mid 20th century.

We’re still up for private dining room lunches but, like Paris, we’ll always have Kitty Fisher’s. And we’ll aim to be back before another eight years have gone.

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Mayfair + The Grosvenor Estate London

All That Glitters

1 Mount Street © Stuart Blakley lvbmag.com

“He walked, as was his custom, through the shaded streets and pleasant squares of Mayfair,” writes Michael Arlen in A Young Man Comes to London, 1932. “This corner of town was our hero’s delight. He loved its quiet, its elegance, its evocation of the past. Of Mayfair he wrote those stories which no editor would publish. In those stories he dwelt on the spacious lives of the rich and on the careless gaieties of the privileged.”

2 Mount Street © Stuart Blakley lvbmag.com

Mayfair has long been celebrated in literature, most famously in the 1890s in Oscar Wilde’s An Ideal Husband and Lady Windermere’s Fan. This compact area, north of Piccadilly and west of Hyde Park, a patchwork of streets linking the generous squares of Grosvenor, Hanover and Berkeley, has been developed by several landlords  over the last few centuries, most notably the Grosvenor family. There are four “golden streets” of the Grosvenor Estate in Mayfair and neighbouring Belgravia: Mount Street, Elizabeth Street, Motcomb Street and Pimlico Road.

10 Mount Street © Stuart Blakley lvbmag.com

Mount Street shines the brightest. East to west, it starts opposite Alfred Dunhill off Berkeley Square and ends at Grosvenor House Apartments, Park Lane. The hotel is on the site of the Grosvenor family’s original townhouse or rather town mansion. Edwin Beresford Chancellor records in 1908, “Park Lane is synonymous with worldly riches and fashionable life. Down its entire extent, from where it joins Oxford Street to the point at which it reaches Hamilton Place, great houses jostle each other in bewildering profusion on the eastern side while on the west lies the park with its mass of verdure and, during the season, its kaleidoscopic ever-shifting glow of brilliant colour.” Park Lane is London’s Park Avenue (Manhattan not Bronx).

9 Mount Street © Stuart Blakley lvbmag.com

5 Mount Street © Stuart Blakley lvbmag.com

Between the classical Protestant Grosvenor Chapel on South Audley Street and the Catholic Church of the Immaculate Conception, known to all and sundry as “Farm Street” after its address, lie Mount Street Gardens. First laid out in 1890 on the site of a former burial ground, the gardens are now a sanctuary for locals, travellers and wildlife. Native London Plane trees grow between a more exotic Canary Island Palm and Australian Mimosa in this sheltered oasis.

7 Mount Street © Stuart Blakley lvbmag.com

Close to where Mount Street meets South Audley Street is the Mayfair Gallery. A treasure trove of furniture, lighting, paintings, sculpture and objets d’art, it was founded by Iranian born Mati Sinai who has dealt in antiques since the 70s. “Mayfair was and still is the premier location in London from which to exhibit and sell some of the pieces we have acquired over the years,” he says. “There is a peaceful serenity to the area.” His two sons Jamie and Daniel have joined the family business. “Once upon a time,” Mati says, “90 percent of our sales went to Japan and the US. Whilst we do still get customers from those regions, the growth of Russia, the Middle East and now China has radically changed our business.” A pair of vast vases commissioned by Tsar Nicholas I stand proudly in the shop front. The streets may not literally be paved with gold, but even on the outside of the red brick buildings are blue and white ceramic vases set in terracotta niches.

Mayfair has always attracted the rich and famous. Chesterfield Street alone boasts three blue plaques marking the homes of former Prime Minister Anthony Eden, playwright William Somerset Maugham and dandy Beau Brummell. The Queen was born in Mayfair, 17 Bruton Street to be precise. A Michelin starred Cantonese restaurant called Hakkasan is now at that address. Sketch on nearby Conduit Street is such a fusion of art, music and food that it is an installation itself. Art curator Clea Irving says, “Mayfair has a high concentration of artistically minded people – architects, artists, fashion designers, gallerists.” The fine dining restaurant at Sketch has two Michelin Stars.

4 Mount Street © Stuart Blakley lvbmag.com

A property budget of £1 million will at best stretch to a studio flat in this “golden postcode”. Established over 30 years ago, Peter Wetherell’s eponymous estate agency is on Mount Street. “Wetherell recognises that people from around the world seek Mayfair’s finest properties,” he says.  A few doors down, 78 Mount Street has just been sold by Wetherell for £32 million. This corner mansion, originally built for Lord Windsor in 1896, has five reception rooms, nine bedrooms and nine bathrooms spread over six floors. An international influence is evident in its architecture, from French neoclassicism to Italian Renaissance and English Arts and Crafts. Two of Osbert Lancaster’s architectural idioms originate in Mayfair: “Curzon Street Baroque” and “Park Lane Residential”. Another two could easily be “International Eclecticism” and “Grosvenor Grandeur”.

3 Mount Street © Stuart Blakley lvbmag.com