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Donostia San Sebastián + Maitasuna

Hot Girls’ Spring

Eneko Goia Laso is a Spanish politician of the Basque Nationalist Party. He was elected to the City Council of San Sebastián in 2011 as the party’s leader, and was Mayor from 2015 to 2025. He says, “Donostia San Sebastián is renowned worldwide for its very special charm. It’s a different type of city: strikingly beautiful, packed with contrasts, traditional yet firmly embracing the future, while always maintaining that cosmopolitan ambiance that has characterised it through the annals of history.”

He finishes, “Due to its proximity to France and to having been the European nobility’s preferred holiday destination down the years, the Capital of Gipuzkoa certainly exudes an international air. It’s a city where visitors feel privileged to have had the smarts to pick this magical place as their holiday destination. At the seaside yet close to the mountains, it combines world class culture, exceptional cuisine and breathtaking architecture to offer a truly unique experience for all!”

The city hasn’t looked back since Queen Regent Maria Cristina selected it as her summer holiday destination following the death of her husband King Alfonso XII in 1885. She transferred the whole court temporarily each year to Miramar Palace which is perched on the Pico del Loro overlooking La Concha Bay, set in a landscape designed by Pierre Ducasse. Two years later a casino was built for the royal holidaymakers. Parks, courses for horses (Zubieta) and cars (Lasarte) and a golf course would follow. It’s where all the big hitters are headed this spring.

Higher again than Miramar Palace is Satrústegui Palace. The former is (brick and timber) Queen Anne meets Tudor; the latter, (stone) castellated Adam. Their share of Albion essence is not coincidental: English architect Ralph Selden Wornum contemporaneously designed both palaces. Satrústegui Palace was the summer residence of diplomat Joaquín Marcos de Satrústegui. Plans are afoot to convert it into a boutique hotel.

A sign in the garden of Miramar Palace helpfully sets out: “After the death of King Alfonso XIII in Rome in 1941, the estate was conjointly inherited by his four living children, Jaime, Beatriz, Cristina and Juan, all of whom lived in exile. In 1958 the property was split: the palace and gardens were passed to Prince Juan, Count of Barcelona. The other three siblings inherited the rest of the estate and sold this land to developers.” Skipping a few sentences, it transpires that after a conservation campaign, the City Council purchased the house and garden in 1972.

Iñaki Egaña writes in A Brief History of the Basque Country, 2016, “The Basque language, Euskara in Basque and Euskera in Spanish, is spoken by the people who have always inhabited the shores of the Cantabrian Sea and both sides of the Pyrenees. The expression Pays Basque has been used in France since at least 1710 to refer to the Basque Country, and the German traveller and statesman Wilhelm von Humboldt contributed greatly to the spread of the name.” The Basque language is unique; nobody knows where it originated. The 20th century dictator Francisco Franco banned Basque.

There are seven Basque provinces: Biscay Bizkaia (the Capital being Bilbao), Guipúzcoa Gipuzkoa (Donostia San Sebastián) and Labourd Lapurdi (Bayonne) all share Atlantic coastline. Álava Araba (Vitoria-Gasteiz), Navarre Nafarroa (Pamplona- Iruñea), Lower Navarre Behe Nafarroa (populated with villages) and Soule Zuberoa (Mauléon-Licharre) are all inland. The French Northern Basque Country includes Labourd Lapurdi, Lower Navarre Behe Nafarroa and Soule Zuberoa. The Spanish Southern Basque Country includes Álava Araba, Biscay Bizkaia, Guipúzcoa Gipuzkoa and Navarre Nafarroa. Easy. The million inhabitants of Greater Bilbao make up one third of the Basque Country population. San Sebastián’s headcount is nearly 200,000.

The knowledgeable Mila Caro of Devour Tours leads visitors around Old Town on a pints and pintxos evening. “In pintxo bars we stand to eat and drink: there are no tables, no reservations. The drain below the counter is for mussel shells. Bar owners like to see dozens of discarded shells at the end of a night. It’s a sign business is good! Basque cider was considered nutritious. It’s sour and dry and was good for sailors’ scurvy. San Sebastián cheesecake is creamy with no crust. It’s not sweet like American cheesecake. That bar 1813 is named after the year when the British army burnt the city after defeating the French troops who had occupied here for several years. This street is named 31 de Agosto after the exact date of the fire: it was the only street to survive the fire.”

“We’re now in Plaza de la Constitución which is the very heart of the Old Town. If you look up you can see numbers over the doors that open off the long rows of balconies on the upper floors. The flats were originally owned by the City Council and were leased out to members of the public for watching big events held on the plaza. The tenants had to agree to their sitting rooms being leased out every so often!”

“The foodie revolution of San Sebastián came about with the Gang of 12, a group of Basque chefs led by Juan Mari Arzak and Pedro Subijana in the 1970s. There are now three Basque restaurants with three Michelin stars and a total of 19 stars in the city. My brother’s restaurant Zelai Txiki received a Green Michelin star in 2023.”

“The Gilda is the original Basque pintxo and was created in the 1940s in Bar Casa Vallés. A regular customer named Joaquín Aramburu had the habit of threading the bar’s loose olives, anchovies and pickled peppers onto a single toothpick. At the same time the film Gilda starring Rita Hayworth was released. The film was considered hot and spicy! So is the appetiser and the name stuck. A Gilda these days usually is made up of Manzanilla olives, Cantabrian anchovies, Guindilla peppers and Extra Virgin olive oil. Sometimes sweet blueberry jam is put on top of the salty anchovies. Another local delicacy is black ink squid croquettes. Rioja became very popular in the 19th century. That wine region is a one hour 20 minutes drive from San Sebastián.”

Canapés or rather pintxos for breakfast (Aitana), sunset cocktails (Hotel Londres), a private afternoon boat ride (Ciudad Catamaran), an 800 year old church filled with ecclesiastical artefacts and contemporary art and the world’s largest miniature nativity scene (St Mary’s), two golden strands (Las Concha and Ondarreta), an island lighthouse (Santa Clara), a mountain top statue of Christ (Sacred Heart): Donostia San Sebastián is a city of culture. And partying. It’s almost midnight. The local football team Real Sociedad is playing Atlético Madrid in the final of the Copa del Ray, the Royal Spanish Football Federation’s annual knockout competition.

Blue and white flags are draped from every other balcony. The football colours are everywhere and on everyone. The match is beamed on mega screens throughout the city. It’s almost midnight. It’s a two-two draw. The tension is palpable. Penalties. Three-three. Seconds later the roar of nearly 200,000 fans ricochets across the squares and rockets down the streets, reverberating over the bay. Fireworks explode across the sky. The night is about to really begin.

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Architects Architecture Art Country Houses Design Developers Hotels Luxury People Restaurants Town Houses

Hôtel du Palais + La Rotunde Restaurant Biarritz

If You Know You Know

It’s the best address in town: One Avenue de l’Impératrice. Well, if it was good enough for Romy Schneider (performing in Tournage de La Banquiere 1980); Ernest Hemingway (Il passe l’ete 1959 a sillonner l’Espagne a bord de sa vielle Lancia suivant l’itineraire tauromachique du Mano à Mano de Luis Miguel Dominguin et d’Antonio Ordonex, preparant ainsi un livre sur la rivalite des deux plus grands Matadors de l’epoque. Sur la route, venant du Havre, Hemingway et sa femme Mary s’arreterent a Biarritz a L’Hôtel du Palais), Wallis Duchess of Windsor and Edward Duke of Windsor (inauguration of Biarritz Polo Grounds 1951) …

Dame Rosalind Savill, the relaunching Director of The Wallace Collection London, once quipped, “I hate the term ‘hidden gem’!” Hôtel du Palais, by anyone’s standards, isn’t a hidden gem. It’s the crown on the coast. The tiara atop the hill. Hidden gem, low key, undiscovered: none of these descriptions have ever been used for the finest hotel in Basque Country. The names of the salons of Hôtel du Palais recall its royal connections: Alphonse XIII, Edouard VII, Impérial, Mathilde. Second Empire style prevails throughout the hectarage of splendour.

A timber marquetry surfboard in the entrance hall crafted by artist Joël Roux is a reminder Biarritz is the capital of European surf. A hand painted surfboard in La Rotunde restaurant depicting the Emperor and Empress suggests deep down they really wanted to do more than fight wars and build palaces. Of course, they were dreaming of riding the waves fantastic.

The homogeneity of the architecture is deceiving, especially when viewed through a blaze of buddlejas. The current giant number three footprint is the outcome of several distinct building sprees. Architect Hippolyte Durand was appointed in 1854 to design a villa for the Empress Eugénie. Some things don’t change in the development industry: he was sacked the following year and replaced by the 27 year old Louis-Auguste Couvrechef. Three years later, Louis-Auguste died and was succeeded by Gabriel-Auguste Anclete. At least a few architects were kept employed. It’s still the best example of Louis the Hooey on the Bay of Biscay, new extensions included.

The words of Min Hogg, Founding Editor of The World of Interiors, echo across the marble halls, “Beautiful décor will always be one of life’s greatest pleasures.” She invented the phrase “shabby chic”. Hôtel du Palais is incroyablement chic.

Breakfast at the top table – centrally positioned in the vast semicircle that is La Rotunde to watch the crashing splashing arc of Atlantic – makes life worth living. Service à la Russe and buffet cater for the best of both worlds. Local delicacies include Gâteau Basque à la Cerise and Gâteau Basque à la Crème as well as Ossau Iraty and Bleu des Basques cheeses. A rainbow of juices covers apple, kiwi and spinach; apple, lemon and charcoal; lemon, carrot and orange. Eggs are easy like Friday mornings.

Later, Chef Christopher Scheller will share some epicurean seafood tips: “I love caviar particularly from Aquitaine, the world’s only caviar with Protected Geographical Indication status. We enjoy it Russian style in its purest form or served with ultra fresh peas for a subtle interplay between richness and vegetable sweetness.” He continues, “I’d heard of Banka trout by name but I only really discovered it when I arrived in the region. We cook it in various ways: home smoked in our own smokehouse, confit in fennel infused oil or simply seared on the plancha.” And, “We serve oysters from my friend Joël Dupuch. They can be enjoyed plain during our brunches or lightly grilled over charcoal at our garden parties, simply seasoned with a pinch of crushed Sarawak pepper. A real explosion of flavour.”

Much later, Christopher will share some epicurean vegetable tips: “Courgette flowers are true seasonal delights. We treat them like sweets. Raw and garnished with a delicate spider crab meat in the fining dining restaurant or as tempura in summer, to be savoured overlooking the ocean by the Sunset Pool.” He continues, “I discovered Les Cressonnières d’Aquitaine during my local research. I like to use their watercress in a fine hot cream to accompany scallops or serve it raw in a salad to add a touch of freshness to devilled eggs.” And, “White asparagus is this region’s signature produce. We prepare these Queens of the Sands in every possible way: poached and served with a citrus infused mousseline or pan seared and lightly caramelised with honey.”

Hôtel du Palais Biarritz: fit for an empress. Always.

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Architecture Art Design Luxury People Restaurants Town Houses

Après Demain Restaurant Biarritz + Les Mains

Repas du Siècle 

Service pouvant être compose de: Ail des Ours. Algues. Anchois de Getaria. Anguille. Asperges de la Ferme Henri. Bourgeons de Pin des Landes. Blé. Caviar d’Aquitaine Impérial Petrossian. Céleri. Champignons. Chiperons de St Jean de Luz. Chocolat. Choux. Clémentine. Cochon Kintoa de Pierre Oteiza. Coriandre. Framboise. Fromages. Fruit à Coque. Fruit de la Passion. Fruits de Mer et Crustacés. Groseille. Gin Drouin. Litchi. Moutards. Noix de Coco. Oeuf et Lait de Ferme. Olives. Petit Pois. Piment d’Espelette. Piquillos. Pomme. Poissons selon la criée. Rose. Safran. Sésame. Shiso. Soja. Tequila. Tournesol. Truffe.

We get around the pneumatic galaxy. Paris, London, Barcelona: L’Ambroisie, Core, Lasarte. Three restaurants with three stars. Biarritz. Après Demain. One star, but how it glows. Never has the nod of approval from France’s finest vulcanised rubber factory been more deserved. Such vitality, energy, brightness, floating on daylight until twilight purples the evening. We glide up the steps from stylish Avenue Louis Barthou and sail across the jasmine scented terrace before landing at our table. The décor is reductivist rustic. It’s all about exposure: stone walls, timber suspended ceiling, linen free tables, raw talent. A wealth of artisanal flair contributed to the interior: cabinetmakers Quentin Delion and Adrien Mantel-Brotherwood; floral designer Estelle Ducasse; ceramicist Isabelle Lamourelle; florist Claire Perrin; and knifemaker Christophe Lauduique.Dinner is everything a meal should be: inventive, ingenious, original, unpredictable, zany, crepuscular. The last adjective is possibly venue specific. Our wonderfully well informed waitress explains, “The name of the restaurant is a pun, un jeu de mots. The first restaurant was called Demain so this is literally Après Demain. It also refers to a hand – le main – theme. The name also suggests the next better thing to come – après.” Hands down, the best triple entendre ever! So even the name of this three year old restaurant is avantgarde, a French portmanteau that somehow sneaked into English parlance.Chef Patron Matthias Leuliette tells us, “Today’s dreams will be tomorrow’s realities. We are the day after tomorrow. We want the name of our project to be a promise to support positivity and protective agriculture. More than just organic, we work collaboratively with our suppliers, respecting the land of our children and taking responsibility for their animals. In the spirit of a guesthouse, we want each guest to feel unique, and so we carefully craft your personalised experience in the moment with what nature has provided.” At Après Demain style goes hand in hand with substance.

The sommelier pops €92 Pessac Léognan Château La Louvière 2019 (Sauvignon Blanc, Sémillon). Experiénce en Nine Temps €105 is a culinary celebration – is that the right word? – of the Seven Deadly Sins. Matthias suggests, “The Seven Deadly Sins are the roots of our desires. Tame them, and you’ll discover not your flaws but your humanity. Each sin, is part of you and all of humanity. But it’s not the sins that define who you are: it’s the choices you make in the face of them.” A stack of cards illustrated by local artist Katang, placed on a petite easel on our table, is an aide memoire.

Our waitress arrives holding a glowing full moon. What sin could this be? A flick of a card reveals: “Greed, avaritae. Greed is the art of keeping everything to yourself. But tonight, who among you will be the greediest? Since, by definition, not everything is meant to be shared, you’ll need to choose or fight for it. It’s up to you and your negotiation skills.” She confirms, “The whole of the moon represents greed!” French band Air plays in the background. Aha! The album Moon Safari.

Matthias elaborates, “For millennia, the moon has guided humanity, lighting up the night and setting the rhythm of our cycles. But did you know it also influences the earth, plants and even wine? Used by winemakers and farmers practising biodynamics, the lunar calendar divides days into four elements: leaf, root, fruit and flower. Each element corresponds to the optimal time to cultivate, harvest or taste in harmony with natural cycles. It’s a balance between earth and sky, a subtle dance orchestrated by the moon. But mankind, in its pride, sometimes seeks to rise above these cycles, dreaming or mastering nature and perhaps even reaching for the moon itself. Tonight, we invite you to explore these lunar influences through a gastronomic experience that connects your plate to the earth and the stars.” Now that we’ve seen it, we’re ready to eat the whole of the moon.Another course, another card: “Anger, ira. The oceans are exhausted. Fish stocks are disappearing. Political silence echoes louder than the waves. Here, anger becomes a dish. Cuttlefish, a sustainable resource, takes centre stage. A scorching marine broth is poured over lava stone. It shivers, cracks, evaporates, like a boiling sea. This hotpot is an echo of warming waters, pollution, depletion of life. Anger does not ask for forgiveness: it compels.” A wildly imaginative consommé bubbles in front of us.

The sommelier pops €45 Bergerac Barouillet 2024 (Sauvignon Blanc, Sauvignon Gris, Sémillon, Chenin, Muscadelle). Perhaps it was the Louvière or perhaps it is the Bergerac but the sins are sliding into a blur. We all get a different plate for the next course. Focus; card time: “Envy, invidia. Here, every plate is different. You have yours, but the other one catches your eye. Is it better? Prettier? Envy creeps in without warning – subtle, sharp, irresistible. One glance, and doubt is born. Envy is a game. And here, we play it with every service, that silent game between curiosity and frustration.” Earphones accompany this course: Johnny Halliday is singing his 1986 hit song l’Envie, “Qu’on me donne l’obscurité puis la lumière …”Bread stick trees with beetroot leaves, sorrel ice cream, caviar pudding, lacto fermented white asparagus, samphire and almond, seaweed brioche, watercress cream of garlic chives, lime and gin foam, a Sonia Rykiel inspired duck sorbet … Such pride in the presentation: the kitchen clearly doesn’t suffer fools or slothfulness. One other sin springs to mind during our ninth course. Card time: “Gluttony, gula. That moment when reason fades, giving way to the pleasure of tasting everything. Often seen as excess, it is above all a tribute to the joy of savouring life. Inspired by abundance and the dreams of a child before a table overflowing with sweets and comforting dishes, it invites exploration and sharing. Whether it’s a generous seafood platter or a delicate cascade of bite sized treats, gluttony celebrates both indulgence and comfort – and the irresistible urge to try it all.”

Après Après Demain, where will compare?

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Dunes Blanches + Résidence Victoria Surf + Churches + Villas Biarritz

Whatsoever Things

Destination discovered. That elusive locus of sassitude: Biarritz. We’re lounging outside a café enjoying coffee and the view, our Anglo Catholic work ethic dissipating in the heat. At the table next to us is elegance personified: think Sybil Connolly meets Catherine Denueve. She sends her male companion off and he returns with a box of Dunes Blanches, France’s finest pastries. For us. We’re seeing la vie en plage through sepia tinted glasses. All the vintage glamour of a Lana del Ray music video.

Javier Amézaga and Borja Peñeñori Alfonso write in Big Wave Basque Country (2024), “Coves, bays, cliffs, reefs, beaches, estuaries … in just a few kilometres, the Basque Coast offers a wide spectrum of all kinds of sea beds where you can surf when the biggest swells arrive.” Multiple metres of the white stuff roar and rise towards the golden strand of Biarritz. Nowhere in Britain is 120 kilometres from the coast: nowhere in Biarritz is 120 metres from the coast. Circa.

Putting the ritz into downtown Biarritz, one pub has a sign “Nos Champagnes” outside, listing Bollinger, Bruno Paillard, Dom Pérignon, Henri Giraud, Jacquesson, Krug, Veuve Cliquot. Casual. A two metre tall Hermés sign stands on a rooftop. Everything sounds so much classier in French: check out an estate agents called Une Villa et des Vignes. Not so in English: Banana Moon, Fancy and Oh My Cream don’t convey the same class.

A wine bar goes next level retail nomenclature. L’Art Dit Vin La Cave means Art Says Wine while suggesting it really should be Art is Wine. “Dit” sounds like “de”, the word “of”. The French love puns and this is one such jeu de mots. It’s also a play on the name of the well known chain L’Art de Vin. The roof terrace of Roc Seven Hotel, Veuve Cliquot Sun Club, does what it says on the umbrella awning.

Paris has Montparnasse Tower. Biarritz has Résidence Victoria Surf. The French capital’s tallest and most controversial skyscraper is about to get a £520 million makeover. Former Mayor Anne Hidalgo’s dramatic departing gesture was to secure the funding and commission architectural consortium Nouvelle AOM to get cracking on with cloaking the carapace and propping a greenhouse on top of the 59th floor restaurant.As far as we know, no such plans are in place for the Brutalist Résidence Victoria Surf, the largest and most prominently positioned apartment block in this town. The 350 apartments may have wonderful views but the view of Louis Arretche’s 1970s pyramidal architectural feat is not universally appreciated. Its Art Deco and half timbered farmhouse style neighbours are softer on the eye of the populace.A sign outside the red brick Imperial Chapel states: “This chapel was once located in the landscaped park of the Palais de Biarritz, the seaside retreat of the imperial couple. In 1881, during the subdivision of the park, it was fortunately preserved in a verdant setting. Built between 1864 and 1866 according to the wishes of Empress Eugénie, it commemorates French victories in Mexico. Its Romanesque exterior contrasts with a Moorish interior. Dedicated to Our Lady of Guadalupe, and designed in the style of Andalusian churches, an architecture Eugénie greatly admired, the Imperial Chapel is a unique and rare monument, emblematic of the era and the Empress’s personal tastes.” Architect Émile Boeswillwald clearly knew his French and Iberian onions.

Uphill stands the stone Russian Orthodox Church of the Protection of the Mother of God and St Alexander of the Neva. A plaque quotes Leviticus 19:18 “Aime ton prochain comme toi meme”. Designed by St Petersburg architect Nikolaï Nikititch Nikonov in collaboration with French architect Oscar Tisnès, the church was consecrated in 1892. Byzantine Revival at its sleekest. The original congregation was holidaying Russian nobility.

The skyline of Biarritz is pierced with pepper pot turrets. Towering over Veuve Cliquot Sun Club, the 1903 Villa Goéland is a jewel in the necklace of mini châteaux strung along the coast. Architect Gaston Ernest at his polychromatic best. Villa Belza is equally prominent and dates from the 1880s onwards. While the original architect was Alphonse Bertrand, its medievalisation was carried out to the design of Dominique Morin. Locution location. Destination covered.

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Luxury

Biarritz + Lavender’s Blue

Verving It Up

“One summers in the Hamptons, or the Vineyard, or possibly Biarritz, though I may be wrong about that,” Sarah Kaufman ruminates in Verb Your Enthusiasm (2026). “Is Biarritz for wintering or autumning? Whatever the season, that spot sounds divine. Yet if travellers springed or falled there, the grammar police would drag them in for questioning.” She observes how some verbs start off as proper nouns. Boycott is a 19th century example, originating from the unfortunate Captain Charles Boycott, a British land agent in Ireland. Irish activists urged his employees to stop working for him and for the local community to shun him. A 20th century example is hoovering, derived from the once ubiquitous Hoover vacuums. Dysoning hasn’t quite taken off yet. Sarah quotes Forbes, “You will likely be rewarded for owning that verb for the rest of time.” Now for a 21st century example. Biarritz: you’ve been Lavender’s Blued.

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Rockwell Bistro + Wine Bar Whitehall London

Cruising Through Life

Hilton is wonderful whether en route (Heathrow London) or very much arrived (Waldorf Astoria Beijing) or on television (Kathy Hilton on Housewives of Beverly Hills). So an invitation to lunch at the five star Trafalgar St James Hotel, part of the Hilton Curio Collection, was an easy yes. Even better, the hotel’s Rockwell Bistro and Wine Bar is the chicest place to drink and dine on Trafalgar Square. Plus it’s a croissant’s throw from Buckingham Palace, Downing Street and the River Thames.

This eight storey 1920s corner stone building has historic links to travel. The offices of the Cunard Steamship Company once occupied this site. If the hotel looks a little bit French, that isn’t coincidental. Cunard House was designed by the Anglo French architectural firm Mewès and Davis in its trademark Beaux Arts oeuvre. And if the hotel looks a little bit familiar, that isn’t coincidental. The Ritz London, a flying croissant’s throw from Trafalgar St James, is another Mewès and Davis special.

In 1998 Westminster City Council granted planning permission for demolition of the building and its neighbour, except for façade retention, and change of use to a hotel. In 2025 DLSM reimagined the interiors of the 146 room hotel creating ocean liner luxury. “Today, Cunard is one of the oldest most historic shipping lines still in business,” write Chris Frame and Rachelle Cross in The Cunard Story (2011). “In 1901, Lucania was the first Cunard ship to be fitted with wireless technology.” Arthur Davis and Charles Frederic Mewès had exclusive interior design contracts with Cunard and Hapag. The style du jour? Louis XVI of course.

The 70 cover Rockwell looks over the busy Cockspur Street and the quiet Spring Gardens. The interior design and atmosphere are informal. Small plates are a good way to sample the food: a business people’s tasting menu. It’s only Wednesday, after all. Although Bordeaux Blanc Château Le Tuquet Graves 2023 adheres to the cruising through life theme. Fried cod cheeks, fermented chilli butter sauce, blue cheese, lemon, herb oil; zucchini fritti with grated pecorino; and peanut butter and banana mousse are a timely midweek epicurean highlight.

Rockwell Bistro and Wine Bar is one of several SupperClub Middle East venues in this part of ultra central London. The brainchild of entrepreneurs Mehreen Omar and Muna Mustafa, SupperClub is a platform that offers members access to luxurious experiences and addresses. Discretion, ease and accessibility are its foundations. “SupperClub was launched in November 2020,” says Mehreen. “Our aim was to break the mould and provide members with a single membership with no limitations. It gives access to luxury restaurants, hotels, spas, pools and much more, all at exceptional rates.”

Mehreen believes, “Social attitudes towards such a concept have shifted. We have been able to marry a shared social desire to save money with still enjoying high end restaurants and concepts. SupperClub members book five star experiences on our site. Once the member arrives at the venue, no coupon or voucher is required; the member can simply give their name and they will be expected and welcomed.”

“Another key feature of our platform,” she explains, “is that when a SupperClub member books for guests the discount applies to every person. Imagine a table of 10 with only one person being a SupperClub member yet the discount is given to the entire group. When the bill arrives, the SupperClub discounted price is automatically applied to the bill without a discussion, providing the smooth discreet experience our clients have been craving.” Lunch at Rockwell Bistro and Wine Bar is – as Mehreen foretells – a smooth discreet experience.

 

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Architecture Art Design Developers Hotels Luxury People Town Houses

Bishop’s Palace Gardens + East Walls Hotel Chichester West Sussex

A Vapour That Appeareth

Black Mulberry Blue Colorado Spruce Cabbage Palm Cedar Deodar Chitalpa Copper Beach Cotoneaster Dawn Redwood Dogwood Eucryphia Evergreen Magnolia Fastigata Beech Fig Tree Flowering Cherry Flowering Crabapple Green Beech Handkerchief Tree Hawthorn Holm Oak Honey Locust Hornbeam Hybrid Elm Hybrid Lime Indian Rain Tree Italian Cypress Irish Yew Japanese Hackberry Japanese Red Cedar Judas Tree Laburnum Liquid Ambar Loquat Magnolia North American Indian Bean Tree Persian Ironwood Purple Maple Purple Sycamore Rowan Quince Red Leaved Prunus Sweet Chestnut Trachycarpus Palm Tibetan Cherry Tulip Tree Tupelo Variegated Sycamore Wellingtonia Redwood Wollemi Pine Yellow Buckeye.

Such is the arboretum that is the Bishop’s Palace Gardens of Chichester.

Day dancing to Constant Craving, Don’t Speak, Gloria, Music Box Dancer … in the voluted and cartouche’d and scrolled pedimented city that has a bar called The Ghost at the Feast and a street named Little London and a hotel called East Walls run by Jorge Kloppenburg and Anywhere Thompson. There’s a lot to unpick and unpack. “When there’s a challenge I say bring it on,” declares Anywhere, “and with faith you can do anything. We’ve expanded our chilli farm in Zimbabwe to 65 hectares. Here in Chichester we shop several times a week in the local farmers’ market. Everything is fresh and in season in our hotel. We only serve strawberries in July and August. We specially source Finger Post white wine and Vista Plata red wine for guests.”

Chichester CathedralChichester CathedralChichester CathedralChichesterChichesterChichesterChichesterChichesterChichesterEast Walls Hotel ChichesterEast Walls Hotel ChichesterAnywhere has three degrees. She seeks to be a role model for young women like her daughters, “I was working 40 to 60 hours a week and studying 40 hours a week. That’s how I achieved those degrees and I was running other things in the background. I want to be a voice and I will speak up no matter what it takes. My voice may not be heard today but it will resonate in time. Your colour does not and should not matter. What matters is in the inside.” She puts her beliefs into practice: the chilli farm provides employment for dozens of families and helps fund schooling.Her foundation degree was in physiology. “We were introduced to a morgue where I had to dissect a body,” Anywhere explains. “It’s about studying how organs, tissues and cells work together to maintain health. Then I did a biomedical science degree for four years. You learn about so much such as oxidative stress and how it is involved in age related conditions. Portsmouth University where I studied was the first in the country to introduce biomedical science. It’s known all over the world and so they invited me to specialise in clinical pathology. I now practise this medical specialty which focuses on diagnosing, treating and preventing diseases through analysing bodily fluids, cells and tissues.”

Nothing is a chimera to Anywhere.

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Muse Restaurant Belgravia London + Six Course Tasting Menu

We Are Amused

SupperClub Middle East is the world’s premium culinary and lifestyle concierge as seen on Travel Markets, UA News 247, Business News, Gulf News etcetera. Established in UAE in 2020, three years later SupperClub expanded into Bahrain, Kuwait, Oman and Saudi Arabia. Egypt, Jordan, Pakistan, South Africa and Turkey all then came on board. In 2026, the company now has a strong presence in Australia, Canada, France, Italy, Malaysia, Singapore, USA and UK. Global expansion continues at pace.

How does it work? Members access the SupperClub app and view offers in their region of choice, place a booking request, the selected venue receives an email, and the members pay at the venue with discount automatically deducted. The WhatsApp concierge is on it like a Bentley bonnet. We’re constantly amazed at the millisecond response rate. It’s such a discreet and seamless service. This is really all about luxury positioning for us higher disposable income individuals. They’ve got it sorted.There are three tiers of membership: Gold, Diamond and Platinum. Booking credit varies while all have unlimited reservations and guests as well as that beloved dedicated WhatsApp concierge. Diamond and Platinum have 12 months access to offers; Gold has six months. Platinum includes a generous restaurant spend. Exclusive offers cover food and beverage; spa and health club access; fitness and wellness packages; and crafted coffee. SupperClub’s growth involves ultra high profile partnerships with Adnoc, Emirates Skywards, HSBC, MasterCard, Samsung and Virgin.

“We’re already in Singapore, we’re already in Thailand, we’re looking at Japan,” co founder Muna Mustafa tells us (her business partner is Mehreen Omar). “The expansion is ongoing! SupperClub is also marketed through the Visa Airport Companion app which just recently launched. So this is really exciting because for the first time with Visa, restaurants are going to get visibility direct to consumers on the app. This ability to communicate directly with guests is another boost of visibility for our restaurants and it’s all about location based marketing.” No codes; real benefits.

As a successful entrepreneur, Muna is willing to share lessons learned. Her key guidelines include leveraging industry insights and market experience. “Our understanding of the hospitality industry, consumers, sector insights and customer pain points was a huge advantage in a crowded marketplace.” She also advocates taking a hands on approach from day one and creating the first proof of concept. “We built a hollow minimum viable product to sell our concept and get business of the ground. Focus on progress not perfection.” Pivoting in response to market dynamics and having a strong hold on performance metrics are two more of Muna’s key guidelines.

Many of the restaurants available through SupperClub are Michelin starred. We discuss the merits of the French grading system with Muna. “I love it!” she confides. “My favourite thing is please tell me in what order I should eat the food so that I don’t have to think of that! It never gets old.” Exactly a century ago the first Michelin Star was awarded (Georges Blanc, Vonnas). But it wasn’t until 1974 that Michelin came to Britain. Meals are judged on five criteria: quality of ingredients; mastery of gastronomic techniques; harmony of flavours; personality and emotion conveyed by the chef in the food; and consistency across both the menu and various visits.

One Michelin star is for a very good restaurant in its own category and worth a stop. Two stars is for excellent cooking and worth a detour. Three stars is for exceptional cuisine and worth a special journey. Musing where to go for Saturday lunch doesn’t take long when we realise Muse is on the SupperClub menu. Tom Aikens’ intimate fine dining experience in an exquisite Belgravia mews was barely open before it snapped up a Michelin star. The Chef has form: at 26 he was the youngest ever British chef to be awarded two Michelin stars (Pied-à-Terre, Fitzrovia).

Interior designer Rebecca Körner’s lively hallmarks – abundance of colour, use of eclecticism and fluidity of shape – are evident in fuchsia walls, contemporary design in a period building, and lagoon shaped mirrors. The same hallmarks could be applied to the most marvellous six course tasting menu – pinkish reddish rhubarb, fusing the best of British and finest of French cuisine ideas, and the curves and curls of Tom’s culinary art. “Ever since childhood I’ve been drawn to the unknown,” says Tom, “the thrill of a surprise, the joy of a guessing game, the kind of moment that leaves you speechless. This menu is shaped by that same spirit. You’ll find hints, clues and personal anecdotes woven throughout, each one echoing a chapter from my life and career.”

Are you ready? Tom gives the lowdown on each course. Forever Picking, “Snacks inspired by the seasons. This stems from my recollections of being in the garden with my mother and picking anything that was edible.” Custard, mullet and Montgomery cheese grand amuse bouches are sprinkled with edible flowers from Nurtured in Norfolk. Making and Breaking, “The comfort and satisfaction I get from bread comes from many memories along the way. To me, it means comfort, satisfaction, sharing, connection, love and of course the joy you receive from the actual making and eating of bread.” Leek, marmite and fermented butters accompany treacle flavoured bread. Just Down the Road: ricotta, blood orange, bitter leaves, “Many miles have been travelled and countless hours have been spent during my ongoing quest to find the very best of British producers to supply Muse with ingredients. We celebrate Old Hall Farm as one of them because it’s just down the road from where I grew up in Norfolk.” Three down three to go.

Never Ending Time: cuttlefish, turnip, shiso, “However simple a dish may look, the time it takes to prepare it can go unnoticed. I would always say savour, don’t devour. Many hours disappear in the preparing, cooking and perfecting of the cuttlefish.” The Love Affair: pigeon, bourguignon, wild garlic, “France is very close to my heart. I have spent years in the middle of France as well as the wine regions of the south and the Capital, slowly but surely developing my love affair with food and France. This continued working alongside a few great French chefs. This is my ode to France.” We swap this for an intriguing pescatarian option. Far Too Tempting: rhubarb, custard, ginger, “A love for sweet and sour stems from some of my favourite childhood treats including old fashioned fruit salad chew sweets, moon dust and sticks of rhubarb picked from my mother’s garden and dipped in sugar. This is nostalgic tastes from the past turned into something deliciously refreshing.” Six of the best. Make that six and a half: chocolate and honeycomb canapés end the lunch with aplomb.

Our inner oenophiles are more than satisfied: as SupperClub guests we’re treated to William Saintot Champagne. The well informed sommelier successfully tempts us with Ktima Gerovassiliou 2024, Greek rather than our usual French Viognier. She explains, “It’s rounder, less aromatic.” Our waitress has done her homework and discusses a mutual interest of architecture and travel. “Malaysia is a must,” she advocates, “you have to visit the scenic Tioman Island and the traditional stone buildings of Sarawak in northwest Borneo.”

Ding-a-ling. Greeted by name at the front door we were whisked up the stairs to sit at the bar opposite five chefs at work. This is intimate dining: six bar stools, two snugs and three two seater tables in a space five metres wide by four metres deep. The downstairs lounge and bar with its impressive lime green Brionvega Radiofonografo (an industrial style music system designed in 1965 by Achille and Pier Giacomo Castiglioni) have the same footprint. The top floor of this cute corner mews house contains the restaurant office. A Bibendum maquette takes pride of place on the first floor bar.

“I am a muse, not a mistress,” sings Marianne Faithfull, no mere bauble, in Sliding Through Life on Charm on her masterpiece album Kissin’ Time (2000). “I wonder why the schools don’t teach anything useful nowadays?” she ponders. “Like how to fall from grace and slide with elegance from a pedestal.” Tom Aikens doesn’t need to worry – he continues to slide through life on charm. And running a very good restaurant in its own category which is worth a stop. In our experienced view, Muse is worth a detour. Or even a special journey.

And now for another Borneo. We are delighted that the British Government’s Office for Place has chosen us as one of the main sources for its publication International Design Codes (2024). This guide for local authorities and property developers uses case studies to provide lessons for new schemes and districts. One of the case studies is square kilometres ahead of the rest: our Amsterdam favourite, Borneo Sporenburg.

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Architecture Art Design Fashion Luxury People

Lissan House Cookstown Tyrone + Mary Martin London + Janice Blakley

Jean Pull

“The killing of Cecil was sickening, he was an iconic lion … Mary’s creations are breathtaking and to model this dress is a great honour,” mourned the headline of the 21 November 2018 Belfast Telegraph. Journalist Leona O’Neill reported, “When Cecil the lion was shot and killed in Zimbabwe by American millionaire dentist Walter Palmer in the summer of 2015, it sparked worldwide condemnation. Many took to social media to vent their fury but London fashion designer Mary Martin went one step further and channelled her anger over the senseless death into creating a stunning dress that was then modelled by a Northern Irish animal rights activist.”

Janice Blakley is Chair of Grovehill Animal Trust, a cat and dog shelter in rural County Tyrone. Mary Martin established her eponymous fashion empire based in London over a decade ago. Lissan House outside Cookstown in County Tyrone isn’t the most likely place for these two worlds to collide but there’s a continuity of female power history: its last owner Hazel Dolling kept the place going singlehandedly and set up a Trust to open it to the public after the death. Oh, and the house is ridiculously photogenic – the atmosphere seeps into the photographs.

“It’s a very intricate design full of symbolism like all my dresses,” explains Mary. “Layers of black tulle around the neck and shoulders represent the mane of the lion. I’ve used black sparkling silk for the body of the dress as a reminder of the starlit open sky of Zimbabwe, the last thing Cecil would have seen as he lay dying. God’s creation is intrinsic to all my work.” Mary is well versed in diversity and anti adversity and versatility so she chose a half century year old woman as the ideal 21st century model.

Mary Martin is also heavily involved in charity work. This year alone she has been honoured with the Cultural Impact accolade at the London Fashion Awards and named as one of Africa’s Top 200 Most Influential Women. She was coronated as a Diaspora Queen Mother in Ghana for teaching children to sew and make clothes in schools and orphanages.

The Lion Dress may be one of Mary’s best known creations but why settle for one design when you can have several suitcases full? Once fully ensconced in Lissan House, Janice twirls around a bedroom, runs down a corridor and drinks tea in a ballroom donned in The Floral Dress, The Green Dress, The Black Queen Dress … This story was picked up by a raft of publications and even now social media posts still appear on this memorable meeting of an international fashion artist with an Irish animal rights advocate.

Mary isn’t participating in fashion art; she’s reframing it. Janice isn’t doing a campaign shoot; she’s an anti shooting campaigner.

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Architecture Design Developers Luxury Restaurants Town Houses

Sachi Restaurant + Hibiki Winter Rooftop + Pentechnicon Belgravia London

The King and Us

To Motcomb Street, Belgravia, the ultimate 15 second neighbourhood in west London. All worldly needs are catered for along this 150 metre stretch of stuccoland. Le Café Nac for a cappuccino. The Alfred Tennyson for a pint. Osborne Studio Gallery for highbrow art. Blink Brow Bar for high brows. Carolina Bucci for jewels. Stewart Palvin for dresses. Mayhew Newsagents for every magazine on the planet. And a triple whammy of restaurants: Amélie (French), Luum (Mexican) and Sachi (Japanese Pan Asian). Jessica Mitford’s hilarious 1960 autobiography Hons and Rebels is always ripe for quotes, from relevant to tenuous to abstract. “The very rich and fashionable lived in Mayfair, Belgravia, Park Lane.”

A short walk away is embassy filled Belgrave Square: Austria, Brunei, Germany, Portugal and Spain all have ambassadors housed on the west side alone. A not quite as short a walk away is The Plumbers Arms where a certain Lady Lucan ran into in 1974 covered in blood. Her husband has been missing ever since. The absent apostrophe begs the question was the pub named after one or multiple plumbers? A single male mask above the top floor window suggests the former.

The southwestern half of Motcomb Street is dominated by an impressive neo Grecian façade. Doric columns attached to the elevation support a matching cornice surmounted by a blind attic with the word Pantechnicon looming large in upper case letters. Not to be mixed up with pantheon or pentagon, and probably not panopticon, although possibly panacea, Pantechnicon is a portmanteau invented by the property developer Seth Smith. Looking to the Continent, he linked the Greek word ‘pan’ (all) to ‘techne’ (art). “Travel makes time stand still, like a dream which takes one through a long series of adventures while actually only lasting a few moments.”

He built Pantechnicon in 1831 as a mixed use development with an art gallery, carriages salesroom,  furniture shop and storage all under one roof. The interior was destroyed in a fire 43 years later but the front elevation survived. The furniture storage and an accompanying removal company continued to trade for another century. These days, an archway in the eighth bay leads through to a courtyard garden; an arched entrance in the second bay opens into restaurant spaces over six levels developed by Cubitt House in 2015 on a long lease from Grosvenor Estates.

A lift up to the penthouse level opens into Sachi, a restaurant amidst the rooftops of Belgravia. One side opens onto a long terrace accessed through rows of French doors. The other side has windows framing a Gurskyesque mansion block. A glazed roof floods the interior with natural light. Bouncy piped music adds to a party atmosphere. This slice of paradise is decorated in earthy tones. “Paper napkins would, of course, have been unthinkable, and individual napkin rings too disgusting for words.”

Talking of partying … “I love your fashion – I’m really liking it!” greets the sommelier. He explains, “This season we have partnered with The House of Suntory, Japan’s most iconic whisky house. I’ve mixed special cocktails for you inspired by the colour of your shirts. They are made of Suntory Hibiki, a blended whisky; sparkling wine; French liqueur; cranberry to balance the citric acid of the gin; crème de pêche and rose petals garnish.” The House of Suntory cocktail list starts at £19 and ends at £20. “Blowouts at good restaurants.”

A £60 bottle of Famille Perrin Côtes du Rhône Resérve Blanc 2022 keeps the party going strong. Rehydrating Elra sparkling water is £7. Skipping mains, Head Chef Joonsu Park and Executive Chef Kyung-Soo Moon’s starters are the perfect partying accompaniment priced £11 to £18. Rock Shrimp Tempura (yuzu mayo, lime), Squid Karaage (garlic chilli mayo, lime), Sweetcorn Taco (sweetcorn, avocado, yuzu, red onion, coriander) and Yellowtail Crudo (sesame yuzu dressing, enoki mushroom) put the Pan into Pantechnicon. Matcha Tiramisu (vanilla mascarpone cream, matcha, Savoiardi biscuit) is a £10 box even Pandora would enjoy. “Lunches, teas, the newly imported cocktail parties, dinners, dances.”

Sachi is one of the exclusive London venues discounted for SupperClub Middle East members, the world’s leading personalised concierge service. As winter starts to fade, spring is in the air and so is the allure of travel. SupperClub temptations further afield include lunching in Paak Dang on the Ping Rover in Chiang Mai, Thailand. Dining in Marco Polo, downtown Lahore, Pakistan. Sleeping in Dimore di Mare in the northern Italian seaside town of Arenzano. “The future a great canvas on which anything might appear.”

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Architects Architecture Design Developers Hotels Luxury People Restaurants Town Houses

Grand Central Hotel + Grand Central Hotel Belfast

With Th’Angelic Host

How to Get from Belfast to Heaven written by Lisa McGee of Derry Girls fame and directed by Michael Lennox of dynastic renown is a great tourism advert for Ireland and the Six Counties in particular. This Netflix comedic thriller is also worth watching to play spot the filming location. Buildings of South County Down by Philip Smith (2019) contains two: the 1830s St John’s House (a singular shade of grey) in Killough and the nearby 1840s St John’s Point Lighthouse (black and yellow wasp stripes). One of the early scenes is shot in The Seahorse Restaurant of Grand Central Hotel on Bedford Street, south of Belfast City Hall.

The original Grand Central Hotel opened in 1893 on Royal Avenue, north of City Hall. Erected as the 19th century came to a close, it was a five storey plus attics 200 bedroom hotel with a corner copper dome over an octagonal turret. The elaborate Italianate red brick elevations were dressed with stone ornamentation. Sir Charles Lanyon’s son John was the architect. Octogenarians recall it being the venue for important job interviews, special occasion dinners and high society events. The Grand Central was Belfast’s top hotel until it closed in the late 1960s as The Troubles turned the city centre into a no go zone. Castlecourt shopping centre replaced the hotel in the 1980s.

The London equivalents of the original Grand Central are, or in some cases, were: The Grand, Trafalgar Square (1881, Frederick Francis, Henry Francis and James Ebenezer Saunders, interior scooped out to insert offices and façade thinly reinstated in the late 20th century); The Langham, top of Oxford Street (1865, John Giles and James Murray, extended in the late 20th century); The Ritz, Green Park (1906, Charles Mèwes and Arthur Davis, correctly extended 2026); The Savoy, The Strand (1889, Thomas Colcutt, revamped in the 1920s); and The Strand Palace, The Strand (1909, Sir Henry Tanner, rebuilt two decades later, still there today).

In recent years, Hastings Hotels has flown the flag of high end hospitality in Northern Ireland. The collection includes Ballygally Castle (Ballygally, County Antrim), Culloden (Cultra, County Down), Everglades (Derry City, County Londonderry), Stormont (outer Belfast), Europa (inner Belfast) and since 2018, Grand Central (inner Belfast). Europa and Grand Central hold a similar record: the former as the world’s most bombed hotel and the latter as the world’s most bombed office block. Hastings Hotels also has a 50 percent share of The Merrion, one of Dublin’s finest establishments.

Ballygally Castle, Culloden and Stormont all started life as country houses. The Merrion was once a row of townhouses. Europa is the only purpose built hotel in the collection. Grand Central used to be Windsor House. Marcus Patton describes the building in Central Belfast An Historical Gazetteer, 1993, “Tall office block of 24 storeys including two storey black marble podium and attic level, the upper levels being clad in white mosaic panels; with a narrow frontage to Bedford Street but extending back considerably. At 270 feet, this is the tallest building in Northern Ireland. In 1852 a new stone warehouse had been built on this site for Robert and John Workman, linen and muslin manufacturers, by Sir Charles Lanyon. One of the first developments in the street, this was four storeys high with channelled ground and first floors, central first floor balcony, arched tops to third floor windows, outer bays set slightly forward, and chimneys rising above deep eaves.”

Taggarts architects retained Dennis McIntyre and Devon’s 1970s concrete frame and faced the structure with dark cladding giving it a contemporary £53 million facelift. Above the 300 bedrooms (50 percent more guest accommodation than its namesake) is the penthouse level Observatory Bar and Restaurant with its 360 degree panorama of this small city. Cave Hill looms to the north. Harbour and Laganside to the east under the embrace of the Holywood Hills. Twin peaks of St Peter’s Catholic Cathedral to the west. And surprisingly, the view to the south stretches over the city and on to the Mourne Mountains. The view inside is of the beautiful people.

The Protestant United Irishman freedom fighter Wolfe Tone made this entry in his June 1795 diary: “I remember two days we spent on the Cave Hill. On the first Russell, Neilson, Simms, McCracken and one of two more of us on the summit of MacArt’s Fort took a solemn obligation which I think I may say I have on my part endeavoured to fulfil – never to desist in our efforts until we had subverted the authority of England over our country and asserted our independence.” In his 1955 memoir, the great writer Clive Staples Lewis recalled, “County Down in the holidays and Surrey in the term – it was an excellent contrast.” He saw the Holywood Hills as “an irregular polygon” and the Mournes were famously his inspiration for the land of Narnia.

Grand Central Hotel is linked to the past and not just in name. Its seahorse motif symbolises Belfast’s maritime heritage. Curtain fabric pattern is inspired by the flax flower of Ulster’s linen history. The building has not been restored to its former glory – a depressing Civil Service office block. Instead, it has been reimagined as a symbol of the revification of Belfast as a tourist destination. The interior is filled with literary and artistic references. A framed extract from local poet Paul Muldoon’s composition Belfast Hymn (2018) is on a stairwell: “Known too, the best days begin and end at the Grand Central where we counter the cold and damp with oatmeal, ancient grains, entrecôte aux champignons, champ, a flute of gold Champagne.”

Another extract is engraved on the glass wall of the lift: “The flute on which James Galway soared was really made of gold. Some dwell in the House of the Lord and some on the threshold of hotels like the Maritime. Van Morrison and Team summoning from our glow and grime meticulous mayhem.” Paul explains, “I was tempted by the idea of trying to write a new poem about Belfast for several reasons. The first is that, despite my not having lived here since 1986, I still feel very connected to the city. I came here first as a child in the 1950s, usually traveling by train via Portadown … In 1969, I came to Queen’s University as a student, just as things were hotting up on the streets. On July 21, 1972, a date that would become known as Bloody Friday, Smithfield Bus Station was bombed. Smithfield Market was destroyed by incendiary bombs in 1974. By that stage I was at the BBC, where I worked as a radio and television producer between 1973 and 1986. I spent several of those years in an office in Windsor House. Having long been an admirer of the Hastings family and their profound sense of civic responsibility, I am delighted to offer this poem in the spirit of hope and the idea of home they so wonderfully embody.”

A gigantic artwork Still Life Consommé Cup dominates The Seahorse Bar. Born in Lancashire, artist Neil Shawcross spent his working life teaching at Belfast College of Art. His painting – not dissimilar to Chi Peng’s two cups and saucers Scattered Aesthetic and Concrete Depth in the foyer of Waldorf Astoria Beijing – symbolises the return of dining elegance. A mural by Tandem Design hangs over The Seahorse Restaurant. The illustrated mythology represents Sir Arthur Chichester (who established the city in 1611) as a wolf. A seahorse makes an appearance in the mural. Even the staircase has a life size seahorse wrapped round its newel post.

A trawl through the Public Records Office Northern Ireland reveals highly sensitive documents dating from around the War of Independence era. A memo stamped “Secret” dated 2 June 1922 states, “Owing to the recent activities in the city it appears to be very important that the Night Watchmen be armed, and it is therefore hoped that this matter may be treated as urgent … The matter has been discussed with Mr Harrison and Colonel Goodwin, and it is understood that if no regular constables are available, there would be no difficulty in engaging Special Constables for this work. The Minister of Finance has arranged for the building to be closed to the general public from 5.00pm to 8.45am Monday to Friday, and from 1230pm Saturday to 8.54am Monday, and I am directed to request that suitable protection be afforded, and that, if necessary, additional Special Constables be engaged. A plan of the thrid floor of the building is attached. The remaining floors are almost identical.” John Robinson, Establishment Division, Ministry of Finance.

A Minute Sheet dated 2 June 1922 from the Secretary of Ministry of Finance, to the Secretary of Home Affairs is titled Protection of Grand Central Hotel. It records: “I am directed by the Minster of Finance to state that the question of police protection of the Grand Central Hotel has been under consideration, arising out of a request received from the Ministry of Pensions. The building consists of six floors and has two entrances. It is, however, proposed to close all entrances except the main entrance, and convert the rear and side entrances to emergency exits. The protection of this building was recently considered together with all other Government buildings, and doubt was expressed as to whether effective protection could be afforded.”

It wasn’t just members of the public staying eating and sleeping in the hotel. “As you are no doubt aware, a considerable number of people visit the building daily to attend the undermentioned offices: Ministry of Pensions, Ministry of Labour, Ministry of Finance (Works and Valuation), Inland Revenue Inspector of Taxes and Post Offices Engineer, and it is not possible to institute a system of passes or interview forms. The provision in the building of sleeping quarters for men offering themselves for recruits for His Majesty’s Forces is a very undesirable feature, and the military authorities are being asked to accommodate these men elsewhere.”

Protection for Grand Central Hotel was estimated at £6,000 per annum. “It is considered that the building is most liable to attack between 6.30am and 8.45am during the time the cleaning staff is on duty, from 12.00 noon to 2.15pm when the staff is depleted during the luncheon interval, and from 5.00pm to 8.00pm when the building is almost deserted except for casual attenders at the Ministry of Pensions Clinics and Inland Revenue Office. An armed Night Watchman is on duty from 9.00pm to 7.00am and a caretaker sleeps on the premises. The technical staff has arranged for alarm bells to be installed and a wire screen to be affixed insider the main entrance, and they are of opinion that the two Constables patrolling each corridor from 6.30am to 9.00pm would provide suitable protection. The matter is, however, submitted for the consideration of the police authorities for their opinion, which will be accepted.”

On a brighter note, the Public Records Office Northern Ireland holds a very meaty menu for Christmas Luncheon in the Grant Central Hotel on Friday 25 December 1964 (25 shillings a head). Honeydew Melon, Pâté Maison, Soused Herring. Rich Brown Game Soup, Scotch Broth. Salmon Mayonnaise, Fried Fillet of Sole Tartare Sauce. Roast Irish Turkey Gammon Cranberry Sauce, Roast Leg of Pork Apple Sauce, Roast Sirloin of Beef Horseradish Sauce. Roast Irish Chicken Bacon Bread Sauce. Cold Buffet: Irish Ham, Assorted Meats, Roast Turkey, Brussels Sprouts, Green Peas, Seasonal Salad, Creamed Roast Potatoes. Fresh Jellies, Plum Pudding, Sherry Trifle, Fruit Salad, Dairy Cream, Mince Pie. Assorted English Cheeses and Biscuits. Tea or Coffee. It’s enough to turn the most dedicated carnivore vegetarian.

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Architects Architecture Design Developers Luxury People Restaurants Town Houses

The River Café + The River Café Café Hammersmith London

The Intangible Asset

Last summer Sir John Soane’s Museum in Holborn played host to the first retrospective in Britain of the renowned architect Sir Richard Rogers’ work. South of the River Thames, his widow Lady Rogers continues to run London’s most celebrated Italian restaurant. New York born Ruthie opened The River Café with fellow chef Rose Gray in 1987. A decade later it earned a Michelin Star. Not bad for what started out as a work canteen for the architectural practice. Rose died in 2010; Richard, 2021.

The restaurant is on the ground floor of a repurposed storage warehouse called Thames Wharf Studios which is located on one of the many bends in the Thames. Nothing too fancy, nothing too flash. Understated reddish brick architecture backing onto a quiet residential street south of the leafy Frank Banfield Park yet a short walk from the transport hub of Hammersmith.

A reconnaissance is obligatory for lunch so the first visit is to The River Café Café for a £4 morning Americano and £6 pistachio cake. The little sister is on the ground floor of the neighbouring building and shares the same décor: more to come on that. Guests can create their own River Café Café café experience at home: cookbooks and kitchen items are for sale.

Last year Rogers Stirk Harbour and Partners moved to The Leadenhall Building in Bank, better known as The Cheesegrater. That skyscraper was of course designed by Lord Rogers. Thames Wharf Studios are due to be redeveloped but the owners, London and Regional and Marco Goldschmied (a former business partner of Richard Rogers), are keen for the restaurant to stay on site. So for now The River Café is still close, but not too close, to the blue ribbon heart of the city.

The food stands out on distraction free white paper covers laid on linen tablecloths. Skipping antipasti it’s straight to primi for Capesante in Padella: seared Scottish scallops with grilled pepperoncino, Chianti vinegar and smashed Delica pumpkin. Secondi is Sogliola al Forno: whole Dover sole wood roasted with cedro lemon, marjoram and a forest of Violetta artichokes. The Dover sole is filleted of course – lunch shouldn’t be hard work. An Amalfi Coast of freshness, Rimini ripeness, very Vernazza. There’s always the excitement of pudding and dolci doesn’t disappoint. Lemon Peel Tart is a slice of Sorrento on a plate.

The restaurant is a rectangular space. On one of the long sides, the zinc bar fronted open kitchen faces towards the road. On the other long side, French doors open onto a terrace which backs onto a public walkway abutting … the river. The pattern free interior decoration matches the tablecloths and vice versa. Two white walls; two green walls; blue carpet; silver seats; and a pink wood fired oven. Not just any pink – Hot Pink, Zandra Rhodes’ Hair Pink, Rogers Pink.

Lunch at The River Café isn’t cheap. Even with a bottle of entry level wine (Chianti Roufina Vendemmia 2023) it’s just over £200 a head for three courses. Special occasion pricing or at least an expensive toast to a random Saturday afternoon in January. But that’s the price to be seen at London’s buzziest restaurant. Everyone is dressed to thrill – or at least almost everyone. A customer in jeans winding his way through the tight clustering of circular tables looks distinctly underdressed. Even if they are Versace jeans.

Television producer and screenwriter Jemima Khan is sitting at the next table with a male companion. She’s just celebrated her 52nd birthday and is looking youthfully suave in a monochromatic Chanel suit and Gucci shades. Fellow guests appear vaguely familiar in that café society last spotted at Annabel’s nightclub way.

An architecture model at reception is a reminder of the restaurant’s provenance.

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Architects Architecture Design Developers Hotels Luxury People Restaurants

Shangri-La Hotel The Shard London + Sky Lounge Sunday Brunch

The Sky’s Not the Limit

Where to, where to? Andaz Hotel, Doha? Armani Hotel, Dubai? Bab Al Qasr Garden, Abu Dabhi? Il Baretto, Riyadh? Jumeirah Muscat Bay, Oman? Reyna, Paris? Sachi Milano, Milan? Wassim Aal Baher, Anfeh? Paris (and everywhere else) can wait. We’re off to the Shangri-La Hotel in London’s most striking cloudscraper. The Hall of Abstinence in Beijing’s Forbidden City already a fading memory, today is all about the bottomless Veuve Cliquot Champagne Sunday Brunch in the Sky Lounge on level 34. No rest for the wonderful. SupperClub Middle East has 700 plus exclusive worldwide offers and Shangri-La is just one of them in the English Capital.

Britain’s tallest building – all 95 storeys of it – is the ultimate vertical town. It replaced a titchy 24 storey office block on this valuable site next to London Bridge. Owned by the State of Qatar (95 percent) and Sellar Property Group (five percent), The Shard contains shops, offices, restaurants, bars, apartments, a public viewing gallery and of course the 202 guest room Shangri-La Hotel which takes up the middle 18 floors. Italian architect Renzo Piano took inspiration from the spires of London churches and the masts of tall ships in Canaletto paintings of Venice. On 5 July 2012, The Shard was formally inaugurated by His Excellency Sheikh Hamad Bin Jassem Bin Jabor Al Thani, Prime Minister of the State of Qatar. Its name should really be pluralised: the exterior comprises eight shards of glass slicing through the air.

“Standing at almost 310 metres,” says His Excellency Sheikh Abdulla Bin Saoud Al Thani, Governor of Qatar Central Bank, “The Shard is one of the tallest buildings in Europe. For me, however, the height of The Shard is only a secondary feature. What is special is the solid and continuing relationship between two nations, Qatar and Britain, which was an important factor in completing this project.” Just into its second decade, the point of The Shard is already as integral to the London skyline as the dome of St Paul’s Cathedral. Lunching two years ago in Passionné restaurant, Paris, the waiter and waitress (a couple) excitedly told us about their first visit to London. Where did they head for first? The Houses of Parliament? The National Gallery? The Shard.

The double height Sky Lounge lives up to its name. Fully glazed sloping walls face the ever changing elements while framing views of the Capital far below: Blackfriars Bridge to the west; the City of London to the north; Tower Bridge to the east. Even the bathroom has its own panorama with Southwark Cathedral in the foreground. The three course menu is long enough to satisfy the carnivore to vegan spectrum and short enough not to be hard work on the day of rest. Devon Crab Pancake (avocado, lemon aioli, rainbow relish) and Beetroot Tartare (St Ewe’s organic egg yolk, walnuts, beetroot cracker) are wonderfully light, full of taste and textural contrast. A double buffet follows: The Cheesemonger and Sweet Sensation. Belt bursting Continental and British cheeses vie for attention with irresistible cakes and puddings.

This is our third venture up The Shard. The first was a (very memorable) Royal Town Planning Institute party in December 2019 commandeering the Sky Lounge to crown a year of professional accomplishments. The second (somewhat memorable) was the launch of the Essex Mayoralty Race in December 2025 in the private dining room of Mitie on Level 12. The election was postponed the night before but the breakfast went away anyway. Sunday brunch in the Shangri-La Sky Lounge will soon become a new memory of an elevated afternoon. As winter light glistens over the River Thames in the distance, we raise our crystal Champagne flutes to this 21st century Crystal Palace.

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Corinthia Hotel Whitehall London + Crystal Moon Lounge Sparkling Afternoon Tea

Midday Follies

“Love is patient, love is kind.” Corinthians 13:4

The Victorians were radical about town planning. In 1874 the Jacobean Northumberland House just north of the Thames opposite Waterloo in central London was swept away to create Northumberland Avenue. It would be another seven decades before Listing to protect British heritage would come into place. Manolo Guerci records in London’s Golden Mile (2021), “Northumberland House is the westernmost of the Strand palaces, one of the last to be erected and the last to disappear, with a history that spans nearly three centuries.” Tall buildings sprung up along this broad boulevard running from Trafalgar Square to Victoria Embankment. Metropole Hotel would soon become one of the impressive additions to this new townscape.

Francis Fowler (circa 1819 to 1893) and James Ebenezer Saunders (1829 to 1909) are not household names but they were clearly talented architects. Metropole Hotel commissioned by the Gordons Hotels Group was their design. Both men were members of the Metropolitan Board of Works (the forerunner to London County Council) although later removed for corruption. The 600 bedroom Metropole Hotel swung open the doors in 1886 to Savile Row frock coated gentlemen and their Liberty parasol holding ladies. “Meet at the Metropole” became a high societal signifier saying.

The hotel’s proximity to Whitehall Government Offices and the Palace of Westminster meant it was commandeered in both World Wars. In 1936 the building was purchased by the Ministry of Defence and remained in government use until the Crown Estate sold it in 2007. Four years later, the 283 bedroom Corinthia Hotel swung open the doors of the former Metropole building and the adjoining 10 Whitehall Place to Boss suit wearing gentlemen and their Balenciaga bag holding ladies. “Call by the Corinthia” has become a high societal signifier saying.

A storied site history includes Sir Winston Churchill watching the end of World War I street celebrations on 11 November 1918 from the windows of the building. In the 1920s the Metropole was well known for its Midnight Follies cabaret. Spies used one of the rooms and a network of underground tunnels led to government properties nearby. Another room was dedicated to monitoring UFOs. Sir Conan Doyle was a frequent guest: The Sherlock Holmes Pub on Northumberland Street is named after the author’s most famous literary creation. The press conference in James Bond movie Skyfall is set in the hotel.

Corinthia Hotel is an urban château, an impressive wedge of late Victorian architecture terminated by a bowed corner overlooking Whitehall Gardens. A double height oriel bay window projects over the main entrance on Northumberland Avenue. Pairs of Ionic (not Corinthian!) pilasters with swagged capitals frame the fully glazed doors. The basement and double height ground floor of the main block are faced in white stone; the upper five floors are faced in golden stone. The adjoining block is fully faced in white stone. Francis and James Ebenezer didn’t hold back on ornamentation, designing heavily decorated elevational grids of cornices and pilasters and window surrounds. A double row of dormer windows in the steep pitched roofs (some covered by fish scale tiles) is sandwiched between two storey high chimneystacks.

Afternoon tea is one of the truly quintessential British traditions. Top London hotels like to give it a quirky take and Corinthia is no exception. A chilled bottle of Lysegrøn, a Copenhagen Sparkling Tea, is the original accompanying elixir for the dry curious. As the sommelier pops the cork, a fresh citrus and green tea scent is released. The lively taste has notes of lemon grass and orange peel. There are long lasting hints of Darjeeling and green apple.

Hierarchically uniformed staff lead guests up and into the Crystal Moon Lounge named after the 1,001 crystal Baccarat chandelier hanging from a central seven metre diameter glass dome. “There’s just one red diamond orb,” the restaurant manager points out. “That’s appropriate for Valentine’s Day! We are using red striped fine bone china today too.” Ah, Valentine’s Day, the celebration of romance named after the saint whose remains are in Whitefriar Street Carmelite Church, Dublin. Romantic gestures will end with the party favour: a red box of English breakfast tea. “Would you like newspapers?” The Financial Times and Telegraph are delivered to the table. So is The Column, the hotel magazine. One of the waitresses is a fellow Emerald Fennell fan. “Wasn’t Saltburn just the best film? I’m off to see Wuthering Heights on my own later. I can’t wait!”

A glass of hot black Alfonso tea is the liquid amuse bouche. And then a neat row of finger sandwiches arrives (crusts are for starlings). Clarence Court egg mayonnaise with truffle on sourdough bread; Secret Smokehouse smoked salmon, nori and lime on brioche bread; and salted cucumber, chilli and coconut yoghurt on onion bread. Turns out coronation pepper is the new coronation chicken. The sandwich selection is bottomless: this is gonna take time. Cancel the matinée!

A waitress presents a white box of plain and sultana scones with organic strawberry jam and blackcurrant and Star Anise jam with Cornish clotted cream. For a moment, it’s like being teleported to a Week St Mary tearoom. The serving staff are all rather wonderful and good fun. Linen napkins are continually folded and laid; the tablescape constantly updated. “More Milk Oolong?” China is having a fashion moment.

Somebody strikes up chords and chromatics on the grand piano: I Can’t Help Falling In Love with You; I Will Always Love You; You’re Too Good to Be True … An unfallen avalanche of sweets appears. The yellow fruit finds a theme in lemon drizzle cake (an Irish country house favourite) and calamansi cheesecake (Philippine lemon). Apple and Speculoos (Belgian and Dutch crunchy delights) gâteau; pistachio and white chocolate cookies; salted caramel and milk chocolate tart; and vanilla religieuse all take the biscuit. In a good way.

“Afternoon tea is our signature service,” explains the Director of Food and Beverage Daniele Quattromini. “The Crystal Moon Lounge is right here in the middle of the hotel. It’s such a unique space. And we’re fortunate to have a designated time and space for afternoon tea. Our Baccarat crystal champagne flutes match the chandelier above. We have three antique trolleys from the 1920s.” A temporary display of photographic portraits by Lorenzo Agius adds familiar faces to the surroundings.

Corinthia Sparkling Afternoon Tea is one of hundreds of elevated experiences available through SupperClub Dining and Lifestyle Concierge. The Abu Dhabi based company offers members an international luxury range of buffets and brunches, tables and trips, midweek getaways and weekend spas. Just some of the other participating hotel groups include Four Seasons, Mövenpick, Raffles, Rosewood, Sofitel, Waldorf Astoria. SupperClub always lives up to its tagline: “Exclusive benefits, curated offers and frictionless bookings all in one seamless ecosystem.”

In Betjeman Country (1985), Frank Delaney writes about the poet and architecture critic Sir John Betjeman. Frank notes, “Outside in the sunlight, Whitehall shimmers impersonally … ‘Just as an old church is the history of its parish in terms of stone, so is Whitehall the embodiment of England,’ Betjeman wrote carefully. ‘The weakness of this analogy is that whereas most churches are open for the public to inspect, it is well nigh impossible to see inside Whitehall.’” The conversion of this secretive office block back to a hotel, 140 years after it first opened to the public, allows access once more to one of the vast stone buildings of this historic quarter. Corinthia Hotel has added personality, reinstating palatial glamour to Northumberland Avenue. The Financial Times review of the newly released film Wuthering Heights is a reminder love doesn’t always reach perfection. Unlike Sparkling Afternoon Tea in the Crystal Moon Lounge.

Upon leaving, the pianist Kevin Lee plays Moon River, keeping the crepuscular mood lit. He quips, “I’ve done the maths. You’re too young to remember this!” Quite the exit.

“Love never fails.” Corinthians 13:8

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Beijing Daxing International Airport + Zaha Hadid Architects

Radial Romance

Zaha Hadid never did get to see the finished project. She died in 2016, three years before completion. It’s yet another star in her architectural firmament or rather starfish in her architectural ocean. The world’s largest terminal in a single building. All 700,000 square metres. Current Studio Principal of Zaha Hadid Architects Patrik Schumacher was the co designer. The six storey airport – four above ground; two below – is arranged around a “central orientation space dome” to quote Zaha. Five aircraft piers radiate out from this vast atrium. The tip of the sixth arm is filled by the railway station plaza. Max eight minute walks to departure gates. Patrik this time, “Echoing principles in traditional Chinese architecture that organise interconnected spaces around a central courtyard, the terminal’s design guides all passengers seamlessly through the relevant departure, arrival or transfer zones towards the grand courtyard at its centre – a multilayered meeting space at the heart of the terminal.”

Disciplined, rigorous and highly intellectual, the design achieves a large measure of lyrical beauty from its deeply sensuous sinuous architecture meets sculpture form. Daxing is one hour’s drive south of Tiananmen Square, just round the corner in Beijing distance terms. It strategically and symbolically terminates the Central Axis of Beijing. This line leads from the Throne Room of the Forbidden City down the middle of the roughly symmetrical street plan of the city. Illustrated brass plates across the airport floor mark the city as compass: 48 kilometres from Bell Tower; 47.8 kilometres from Drum Tower; 46 kilometres from Pavilion of Myriad Springtimes Jingshan; 44.2 kilometres from Tian’anmen Rostrum; 43.3 kilometres from Qianmen; 41.4 kilometres from The Temple of Heaven; and 40.2 kilometres from Yongdingmen.

Under one of the vast mushrooming ceilings, shopping pods include Bally, Boss, Coach, Michael Kors, Montblanc, Polo Ralph Lauren and Jingdong Convenience Store. On the second floor, East Pacific Passenger Lounge provides a dining area, bar, gym, meeting rooms and bedrooms spread over a large oval floorplate. The great outdoors and indoors collide in themed indoor amenity areas: Chinese Garden, Countryside Garden, Porcelain Garden, Silk Garden and Tea Garden. These oases are sandwiched between the double ended prongs at the five aircraft piers of the symmetrical starfish layout.

There are juxtapositions and there’s the cutting edge Zaha Hadid Architects design (glass and metal) backdrop to the traditional Chinese Garden (timber and stone). Visitors could be forgiven for thinking they have arrived in the Forbidden City without ever having left the airport. A pair of exquisitely painted pavilions filled with polished antiques stand proud on either side of a pond. Rockeries and a gazebo complete the Willow Pattern scene. It’s hard to appreciate the full scope and scale of the airport either upon arrival or from the indoor outdoor experience. The sweep of undulating red roofscape – a contemporary bow to historic Eastern architecture – is best appreciated from the window of a China Southern Airlines plane.

Meanwhile back in London, Serpentine Galleries are collaborating with the Zaha Hadid Foundation this year to commemorate her legacy and mark the 25th annual Serpentine Pavilion – she designed the inaugural temporary structure in 2000. A series of lectures and events will fill architecture and design connoisseurs’ diaries this autumn. Artistic Director of the Serpentine Hans Ulrich Obrist says, “We often quote Zaha Hadid’s belief that there ‘should be no end to experimentation’. Zaha’s spirits remains a vital inspiration for our programme.” Director of the Zaha Hadid Foundation Aric Chen comments, “Through her boundary breaking life and work, Zaha changed the course of architecture. Her early and longstanding collaboration with the Serpentine played no small piece in this. We’re thrilled and honoured to start this collaboration with an institution she was so close to and one that so deeply shares her commitment to innovation and the public.”

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Forbidden City Bejing + Lavender’s Blue

You Look Like a Beautiful Shaolin Kung Fu Monk

To start an article with a diction caution is rare but before imprecision and overuse dulled its impact there was iconic. And if anywhere owns that adjective it’s the Forbidden City, the world’s largest collection of ancient timber buildings. There are no fears of syntax slips with the highly audible and highly knowledgeable Mandy Wong, China’s leading travel expert, who’s about to condense several millennia of history into a four hour exclusive private tour.

But before a shallow dive into history, some governmental context. Purposeful sweeping change is no accident under the leadership of President Xi Jinping. While many factors have fuelled China’s economic success, his long term planning and a governance model combining strategic five year development plans with flexible adjustments remain among the key drivers, allowing policymakers to efficiently respond to emerging challenges. Western leaders take heed. Steady transformation is closely linked to the authoritative philosophy of President Xi’s The Governance of China. First published in 2014, the latest iteration is Volume V which has been translated into 40 languages.

The publication is a major theoretical innovation integrating the basic tenets of Marxism with China’s national and cultural needs. Volume V is a compilation of 91 of President Xi’s spoken and written works from 27 May 2022 to 20 December 2024. The President delivered a parliamentary speech on 16 May 2024 on The Promotion of High Quality and Sustainable Tourism. He opened by noting since the launch of reform and opening up of the country in 1978 and especially following the 18th National Congress of 2012, China’s tourism sector has enjoyed burgeoning development.

“We should pursue innovation while leveraging the traditional role of tourism, improve the quality and efficiency of the industry, and integrate its development with that of other sectors,” he stated. “Efforts should be made to improve and modernise the industry and strengthen the sector so that it can raise the quality of life, boost our economy, develop our spiritual home, better present the national image, and facilitate mutual learning among civilisation.” President Xi urged central departments and provincial authorities to strengthen their commitment and dedication to fostering high quality sustainable tourism through intensive collaboration for tangible results.

On 28 October 2024, the President made a parliamentary speech on how to Build China Into a Cultural Powerhouse. “Cultural heritage is a compelling witness to the splendid Chinese civilisation and also a precious treasure bequeathed to us by our ancestors,” he explained. “We should have a profound respect for history and love for our culture. We will undertake the systematic protection of cultural heritage under unified supervision and prioritise protection, sound utilisation, and minimal interference.”

Nowhere embodies that diktat requiring unification of supervision, prioritisation of protection, sound utilisation and minimal interference in relation to a historic asset than the Forbidden City. In 1994 the Chinese Government gave workers a second day off each week and so the weekend began. There are 1.3 billion or so people in the Middle Kingdom and today, Saturday, it feels like they have all descended on the ancient heart of the Capital. “Aubergine”! Chinese people say “qiézi” when posing for a photograph. It’s easy to end up saying enough aubergines to fill a field such is the exchange of capturing captivating beauty. But with 74 hectares and close to 1,000 rooms, there’s space for everyone.

President Xi gave a speech on 17 July 2023 at the National Conference on Eco Environmental Protection as recorded in The Governance of China Volume V, confirming, “The blue skies initiative is a top priority in the battle against pollution.” Yesterday and today and the day after were and are and will be blue skyed. “I don’t like the greyness of London in winter. Beijing is like Spain in January!” says Mandy. Except for the minus degrees temperature.

“There were 24 generations in total of the Ming and Qing Dynasties!” she declares at the entrance to the Outer Courtyard. “This really is the forbidden place. Only royals and staff were allowed to enter: everyone else was kept out. The moat is frozen now but in summertime you will see people boating on it. In 1367 the first King built a Forbidden City in Nanjing but he was scared of losing Mongolia so started building the Beijing Forbidden City in 1406. It was very fast building. The whole place was completed 14 years later in 1420. The following year Beijing became the Capital of the Ming dynasty. 14 Ming 10 Qing!”

Mandy blazes through the Outer Court into the Inner Court. “The Imperial colours are red and yellow. Red is lucky; yellow is supreme power. Green is earth; blue is heaven. Symmetry is so important in Chinese culture. Man and woman. Light and darkness. Even the stone animals. We always like balance. There are no trees in the Outer and Inner Courts to make them super safe. Kung Fu fighters could jump very high or hide behind trees. There are 18 layers of bricks under the paving so no tunnelling. Look! There are baby dragons on the roof.”

“Look!” demands Mandy again. “There are also pixiu on the roof. The pixiu is a powerful Chinese mythical creature resembling a winged lion. This creature is revered in Feng Shui as a potent guardian of wealth. It has a big open mouth and a big belly but no bottom: it eats a lot but there is nowhere for the food to go. That represents money not being wasted. The dragon is man; the phoenix is woman. There are no phoenixes and there were no women in the Outer Court.”

A sign along a stone terrace states: “Usually filled with water, these bronze and iron vats were used to protect the Imperial Palace from fire. Between Xiaoxue (Light Snow) and Jingzhe (Awakening of Insects) in solar terms, the vats were wrapped in cotton cloth and covered with a lid. When necessary, charcoal would also be burnt underneath to prevent the water from freezing. The earliest vat now preserved in the Forbidden City was cast during the Hongzhi reign (1488 to 1505) in the Ming dynasty (1368 to 1644). Ming vats are simple yet elegant, with plain iron rings on the sides and a wider upper body with a tapered base. Qing dynasty (1644 to 1911) vats feature rings held by side knobs with the faces of beasts, a large belly and a smaller mouth. At present there are over 200 bronze and iron vats in the Palace Museum, including 22 gilt bronze vats flanking the Hall of Supreme Harmony (Taihe dian), the Hall of Preserving Harmony (Baohe dian), the Gate of Heavenly Purity (Qianqing men) and the Palace of Heavenly Purity (Qianqing gong).”

She relates, “The Emperor had one official wife and hundreds of concubines. He would take a private tour around Shanghai and south China looking for beautiful versatile young ladies who were talented at calligraphy and music and bring them to live in the Imperial Palace. The East Palace in the Forbidden City was where the concubines all lived.” Beyond the red roofs the 21st century raises its head on the skyline. Citic Tower designed by New York practice Kohn Pederson Fox and London practice Farrells in collaboration with the Beijing Institute of Architectural Design is just over half a kilometre in height making it the tallest building in the Capital. There’s a historic link: its gently curving shape increasing in area to the base and top is based on a zun, an ancient Chinese wine holder.

A sign inside one of the pavilions states: “Hetian jade is the central pillar of Chinese jade culture. It comes from the vast and geologically complex terrain of Xinjiang, where archaeological evidence shows that jade has been used for over 4,000 years. Its earliest known use was in artefacts such as jade axes unearthed at the ancient Loulan site in Ruoqiang County, marking the initial phase of jade culture in the region. After the mid western Han dynasty, jade from Hetian began flowing into central China. It would dominate jade craftmanship for the next 2,000 years. From the 26th year of the Qianlong Emperor’s reign (1761) onward, Hetian jade began entering the Qing court as yearly tributes in both spring and autumn, and became the main source of jade in the Imperial Palace. The production and use of Hetian jade wares made an unparalleled advance, sparking another development boom in Chinese jade culture. The collection of the Palace Museum bears witness to over 5,000 years of Chinese civilisation and stands as a testament to centuries of cultural exchange and integration. In celebration of the Museum’s centennial, this exhibition selects representative pieces of Imperial Hetian jade wares of the Qing dynasty (1644 to 1911) from the Museum’s collection. Divided into five sections – Origins of Jade, Ritual Jade, Elegance of Jade, Ingeniously Crafted Jade, and Jade Ornaments and Dining Wares – the exhibition aims to illustrate the rich jade culture of the Qing dynasty, while highlighting historical interactions, exchanges and integration among China’s diverse ethnic groups, strengthening awareness of their shared national identity.”

“That red door has 81 knobs on it,” observes Mandy. “Nine knobs across by nine knobs down. Nine is for longevity in Chinese culture. Nine by nine is 81 is eight plus one is nine. We like the number eight: it means food fortune; you’re gonna get a lot of money. The number six means your life will flow easily like water.” Beyond the Outer and Inner Courts lies a tranquil garden. “This is an outdoor museum not a park,” she corrects. “That’s a young boy talking to a bird using bird noises. It’s a Red Flanked Bluetail – that’s a lucky bird. That brings luck! This is a very special occasion. You’re very lucky!”

Chinese cultural official and scholar Xheng Xinmiao served as the Director of the Palace Museum (as the Forbidden City is now formally called) from 2003 to 2012, shaping the preservation and display of the architecture and collection for future generations. In 2005 he said, “The collection of the Palace Museum primarily consisting of artefacts from the Qing Imperial Palace is both a historical testament to the ancient civilisation of China and a shared treasure of humanity. From 1945 to February 2005, a total of 682 donors contributed more than 33,400 items from their personal collections to the Palace Museum. Their generosity reflects their deep love for this land and exemplifies the noble virtue of serving the public. Among these donations are national treasures that have significantly enriched the Palace Museum’s collection, making its range of artefacts more systematic and complete. On the occasion of the Palace Museum’s 80th anniversary, the Jingren (Great Benevolence) Honour Roll of Donors was established in the Palace of Great Benevolence (Jingren gong) to engrave the names of these donors to display their finest contributions, highlighting their deeds and promoting their spirit. May this tradition of generosity endure as a profound blessing for the Chinese nation.”

On 19 January 2026 seven Chinese Government Departments including the Ministry of Culture and Tourism released a national plan to systematically promote the country’s cultural and linguistic heritage, setting clear targets for 2030 and 2035. Local governments, schools and institutions are encouraged to incorporate language and cultural development into regional planning, urban management and campus activities. Universities are urged to offer public cultural courses such as in Chinese calligraphy. The exquisite hand painted signs over the entrances to the buildings in the iconic Forbidden City are the ultimate symbol of China’s cultural and linguistic heritage.

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Waldorf Astoria Hotel Beijing + Zijin Mansion Restaurant Beijing

The Short Now

It’s only 11.30 in the morning and already the restaurant is filling up with the bold and the beautiful, some solo, some plural. We’re in good company. The omnipresent winter sun is flowing into the second floor dining room through louvred windows, simultaneously highlighting and shadowing the beautiful interior like a giant weathervane. In the bowed corners of the quatrefoil shaped space quatrefoil shaped chains hang in front of hand painted silk depicting colourful birds.

In Chinese culture the quatrefoil shape or persimmon stem, symbolises good luck, fortune, prosperity and harmony – like so many things do! Quatrefoils appear again on the deep pile carpet and on the ceiling of the double height foyer directly below. We’re lunching in Zijin Mansion, the Michelin star restaurant in the epic Waldorf Astoria Beijing, beneficiaries of good luck, fortune, prosperity and harmony.

Chef James Wang is celebrating a decade of working up a storm in the hotel. He explains, “Inspired by traditional Cantonese cooking techniques and concepts, Zijin Mansion selects seasonal ingredients and combines them with local dietary culture, presenting traditional and authentic exquisite Cantonese delicacies for diners.” Signature dishes which we will enjoy include Zijin Metropolitan, a rich soup with South African dried abalone and fish maw. It’s the very essence of Hakka flavours.

Feeling dry curious we have a glass of Pinot Noir Sparkling Grape Juice. And then a couple of dozen courses. Yes! Lit to the left: old masters, new mistresses. Appetisers such as Marinated Abalone with Mushroom XO Sauce. Main courses include Panfried Boston Lobster with Basil, Onion and Scallions. Puddings include Double Boiled Coconut Milk with Chocolate Bird’s Nest. We’re eating the menu. All of it. The Chef knows all about delivering refined simplicity while highlighting a respect for the ingredients. Haute cuisine of China on a plate. Or rather a lot of plates, bowls and stands. We’re getting it.

Our bill per head arrives. Amuse bouche 0 RMB. Amuse Bouche 0 RMB. Sparkling Water 136 RMB. Pinot Noir Sparkling Grape Juice 196 RMB Michelin Set Menu 988 RMB. Subtotal 1,320 RMB. Service charge 15 percent. Total 1,518 RMB. That’s roughly £160 per person for a world class leisurely three hour meal so while not exactly bargain basement it does connect to that old Chinese saying, “Cheap things are not good; good things are not cheap.”

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Waldorf Astoria Hotel Beijing + Suite 918

Far Beyond the Banks of the Yellow River and If It Were Not So

Chinese script raises writing to an art form. Chicagoans Adrian Smith and Gordon Gill Architecture’s bronze façade superframe elevates elevation to sculpture. Its eye catching appearance instantly catapulted the Waldorf Astoria to the top of Beijing’s galaxy of five star hotels upon opening in 2014. The architecture never looks better than when all aglow at sunrise and sunset in winter. A shining beacon. Nine bedroom floors have rows of full height rectangular bay windows set into a grid. The bay windows are not uniformly placed but rather are tuned to differing angles and orientations to maximise outlook and natural light penetration. Gordon calls this concept a “compound eye”.

Grey granite as a background material recalls the charcoal bricks of historic hutongs and creates a strong backdrop to the superframe. Standalone corner fins are an elegant solution to housing utilities. The bronze will change colour as it ages – a fitting metaphor for the ever evolving city and its constant flow of frenetic stimuli. The first three levels of the hotel are visually treated as one super plinth: full height louvred glazed panels are uniformly divided by the vertical components of the superframe. This is literally transparent architecture. The Hutong Courtyard behind the 12 storey 170 bedroom main block was designed by Ma Bingjian, the Director of the Beijing Ancient Architecture Design Institute. Inspired by Ming architecture, it provides more luxurious accommodation.

Michael Krauze, Director of Operations at the Waldorf Astoria Beijing, welcomes guests: “We offer a sanctuary just steps from the Forbidden City where Beijing’s superior heritage meets Waldorf’s legendary elegance. Every space is a journey that blends the ancient soul of the Capital with contemporary sophistication. A sincere and elegant service is deeply rooted in the cultural fabric of the city. Our interiors designed by Yabu Pushelburg balance bold contrast with timeless tradition. Every detail reflects exquisite craftmanship creating an atmosphere of refinement. This philosophy extends into every element of our service from checkin to the care of personal concierges, we’re always ensuring every detail is seamlessly arranged.”

Anyhoo, that’s the formalities over. What’s that blast of Channel V music coming from corner Suite 918 on the ninth floor? High above St Joseph’s Church and The Gundam Base on Wangfujing Avenue and Beijing Yintai Jixiang Office Building on Ganju Hutong and Peet’s Coffee in the Macau Centre there’s a non stop party taking place. Lobby, makeup room, drawing room, bedroom, lobby, Aesop goodies filled marble bathroom … it’s like living in a multi compartmented silk and lacquered cabinet. There’s the temptation lurking to never leave best in class Suite 918. By day five bay windows frame the city; by night five bay windows frame the party. The viewer becomes the viewed.

Who needs to venture out to an art gallery when you’re staying in the Waldorf? One of the many strikingly original important artworks hangs in the ground floor Long Gallery – an interior boulevard of desire. A sign next to Abandoning the Precision of Shape by Liu Xiaodong states, “A stunningly evocative oil on canvas painting of the Forbidden City, evoking a timeless dimension where the viewer of the piece is requested to think about the image’s common sentiment in our memory and to question the way we view the outside world.” The artist emerged as a leading figure in 1990s Chinese Neo Realism and has continued to successfully tread the line between figurative and conceptual art ever since.

The Palace Servant by Ling Jian is a powerful showstopper at the end of the Long Gallery. An oil and acrylic painting of an outsized androgynous face has piercing eyes and wedding dress red lips pursed ready to speak and more. In Peacock Alley – a lounge named after the walkway between the original Waldorf and Astoria Hotels – Scattered Aesthetic and Concrete Depth by Chi Peng is a mixed media abstract combining craft and art telling the history of painting on materials other than canvas. An ink on ice paper artwork hangs in the entrance foyer: the two twin teacups and saucers of Shao Fan’s Integrated with the Universe speak of the Taoist concept of being integrated with this world. In a first floor lobby, a cluster of vitrines display Waling Artist in the Wild by Yang Maoyuan. Using classical marble busts as prototypes, he rounds off features and polishes the edges of heads in a conversation about the Chinese philosophy of beauty and harmony.

An absolutely flawless effortless seamless peerless airport to car to suite journey is partly to blame for us not ever wanting to leave. Suave concierges in black and tan uniform rush to open car doors, entrance foyer doors, lift doors, suite doors and later come laden with cake and fruit and bear buddies to welcome in the night. Sunrise, sunset, swiftly fly the hours, seedlings turn overnight to sunflowers, blossoming even as they gaze.

Leave the suite leave the suite leave the suite. Ok, but only for breakfasting downstairs in Brasserie 1893. A Bear Buddy’s Breakfast Menu on our table lists Golden Toast Boats (buttered toast served with maple syrup and berry cream), Crispy Fried Double Layer Milk Roll (served with chocolate sauce, shredded coconut and roasted pistachio) and Dragon Onion Rings. Tempting but nothing beats Tofu Pudding (yellow fungus and egg sauce, spring onion, chilli oil) and Fried Dough Sticks with Soy Milk. That, plus hawthorn strip and snow leopard melon cubes. Red Velvet Croissant (looks like it’s wrapped in streaky bacon outside; burst with cream inside), celery and grapefruit juice, and coffee with sugar crystals of course round off the morning’s sojourn. Sino French cuisine at its finest. This is our winter of content.

Zijin Mansion is the Michelin starred restaurant in our hotel but that’s another story on another storey.

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The Peninsula Hotel + Jing Restaurant Beijing

Peking Pie

“Jing” has multiple Mandarin meanings including peacefulness, reverence and essence. And as it turns out, marvellous restaurant. Welcome to The Peninsula Hotel where no man is an island.

It’s a bit like eating in a super posh Westfield if you’re a Londoner or Macy’s for New Yorkers. The lower and much lower ground floors of The Peninsula form one of Wangfujing District’s finest luxury shopping malls for well dressed interiors and citizens. Basement Level I: Arc ‘Teryx, Chanel, Giorgio Armani, Jenny Packham, Louis Vuitton, M L Luxia, Minotti by Domus Tiandi, The Peninsula Boutique and Zilli.  Basement Level II: Baxter, Domus Tianti, Giorgetti, Henge, Living Divani, Oluce, Onno, Poliform, Promemoria and Salvatori. Jing Restaurant is on Basement Level I. Its little sister Huang Ting Brasserie is on Basement Level II.

We’re celebrating life in a rather literal way having dodged the ubiquitous duvet clad mopeds which swerve and keep going rather than stop at pedestrian crossings. All those inflight Baduanjin exercises on China Southern Airlines possibly made us more supple at dodging oncoming traffic. At this rate we’ll be up for some postprandial synchronised dancing later in Ri Tan Park. Front of house, or rather front of retail unit, beckons us to the bar. A card awaits: “Dear guest, welcome to Jing. Before starting a gastronomic journey we invite you to enjoy one glass of apéritif at the bar. Bon appetit! Jing team.” The apéritif is a Kalimotxo which originates from Basque Country and is a combination of red wine and cola. A bottle of Domaine de la Taille Aux Loups, Montlouis Sur Loire Remus, 2023, swiftly follows.

Hand painted wallpaper and gigantic circular semi transparent silk embroidered screens cocoon guests in luxurious surrounds. French born Chef de Cuisine William Mahi is redefining modern French cuisine with Basque and Asian creativity. Mang-mang sik! He teases out the essence of food sourced from the China Sea, Chongqing farms, Sichuan Lakes and Yunnan Mountains with precision, sincerity, refinement, purity and harmony. We get around so what are our cornerstones of a beautiful meal? Easy. Hervé This defines three out of four of them in Molecular Gastronomy: Exploring the Science of Flavour, 2002. All non calorific.

Champagne: “When we hear the unmistakeable sound of the cork popping off a bottle of Champagne, we stop talking and look closely at what happens as it is poured into our glass. If the foam subsides slowly, if the frill of bubbles is delicate and persistent, and if the liquid is effervescent, the wine is considered to be of good quality.”

Truffle: “The black diamond! An immense amount of ink has been spilled in singing its praises. No food writer fails to mention its appearance on a menu, and no chef neglects to feature it when he aims for stars. In Europe there are 10 sorts of truffles, which is to say mushrooms of the Tuber genus. The black truffle, also called a Périgord truffle, is harvested principally in Spain, France, and Italy, but its gastronomic qualities vary from region to region.”

Foam: “Low in fat because they are essentially made of air – foams came to prominence with the rise of Nouvelle Cuisine in France in the 1960s and then gained broader popularity as a consequence of the growing interest in lighter foods on both sides of the Atlantic. Today, with the advent of molecular gastronomy … they are very fashionable among gourmets.”

Caviar.

Dom Pérignon. Champagne, tick. A waiter appears with a bread trolley and gives a performance of firmly slicing the freshly baked offering while pointing out the yeast jar on display. The staff to client ratio is high although it is a random Wednesday lunchtime. Piped easy listening jazz contrasts with the formality of service. Sweet pea tarte amuse bouche. The Brie Truffle (Normandy Brie D’Isgny, Yunnan black truffle, pear). The black stuff, tick. Spider Crab Tart (spider crab, shiso, sea urchin, basil oil, oxalis flower, citrus confit, crab foam, horseradish, dill flower). “The crab consommé has been simmered for 24 hours,” the waiter explains. Foam, phew. Scallop Blanc de Noir (pan seared scallop, brown butter, pear). Ya’an caviar and chive salmon tartar amuse bouche deliver the fourth cornerstone of a beautiful meal.

The dining space as subterranean capsule. Underworldliness. A sanctuary of taste. Who needs windows when you’ve priceless contemporary art to admire? Chi! Chi! Chi! Such is the importance of food that while Europeans count heads per population, Chinese count mouths. Spinning plates: Maître d’ Oliver Huang and his waiting staff are as deft and elegant as ballet dancers, effortlessly weaving round the tables with extravagance of grace and posture in a timeless duration of curation for this is not mere service.

Edible flowers are scattered over one course. Ah! Could this be our fifth cornerstone of a beautiful meal? Fig walnut toast with brie truffle mascarpone followed by a glass of Americano egg foam tick two of our current cornerstones once more. Peartree and cinnamon clove ginger tea is the ultimate palate cleanser. The waiter dons white magician’s gloves for handling the silverware – a drawer full of cutlery appears and disappears throughout the meal. The stiffly starched linen tablecloth covering the round table as big as the silk screens is regularly hand vacuumed. Steaming hot hand towels keep our hands clean.

Protein forward Chinese truffles come from the foothills of the Himalayas where they are harvested at an altitude of about 2,000 metres. The main production areas are Yongren County in Yunnan Province and Panzhihua in Sichuan Province in very southwest China. They are planted at least a dozen centimetres below ground. The Chinese truffles have a bumpy dark brown surface covered in low scales displaying an inverted pyramid form with a square base similar to the Périgord truffle. Lunch in Jing is all about gourmet satisfying fashionable molecular gastronomy.

Oh and for good measure, “Bei” like “Jing” also has multiple Mandarin meanings including preciousness, treasure and north. Jing relishes in preciousness of cuisine in an artistic treasure trove north (east) of Tian’anmen Square. Nothing too tenuous there.

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Lavender’s Blue + Beijing

Like You Never Went Away 

You’re everywhere. Empirically attractive, imperially gorgeous. Positively pulsating with pulchritude. And as for this current megalopolis: it’s the acme of urban aspiration and cultural inspiration. Amongst the jade and jardines and jacquard silks; amidst the mist shawled vales and curlicued dragons and parasol clutching mandarins; centrist centring on the premier international consumption hub to the east of the world’s longest central axis, we’re doing our germane best for Sino Anglo Irish relations. Recalling the sinistral Ming and Qing dynasties; admiring the syncretic Xi Jinping era. Our very own white lotus revolutionary revelation has begun. Focusing on the glimmers. Hypnogogic mesmerisation; pedagogic realisation. We’ll always remember you dancing under city lights.

In years to come, looking back over Lavender’s Blue, reflecting on its modest commission to simply brighten the reader’s day, this record of a midwinter’s visit to Beijing – pics and prose capturing the paradigm of a paradisal time – will surely be seen to have delivered that meek mission. Although the ending of Marcel Proust’s 1913 The Way by Swann’s does caution, “The places we have known do not belong solely to the world of space in which we situate them for our greater convenience. They were only a thin slice of contiguous impressions that formed our life at that time; the memory of a certain image is only regret for a certain time; and houses, roads, avenues are as fleeting, alas, as the years.”

Wherever there’s the high life there’s Lavender’s Blue. Especially on days ending with a Y. Perhaps it really is then an infrangible storehouse of exquisite epiphanies with a strong dose of chimerical aestheticism. A finely hewn form of winsome writing and formidable photography. Savour each missive from our Champagne fuelled truffle laden foam light caviar heavy production line of epigrams and epiphanic imagery. Dithyrambic ramblings are us. Think Felicità. Like very fine wine, Lavender’s Blue is an acquired taste. But – health warning – those who remain intellectually alert enough to sup at this fountain will end up addicted. We’re talking opium level.

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Michael Manser Associates + Hilton Hotel Heathrow London

So Glad

If Ada Louise Huxtable said you’re good, you’re good. She was the American queen of architectural criticism (died in 2013). The visual counterpart to her literary excellence was Deborah Turbeville the American monarch of the camera (died in 2013). United States creative royalty. “The high priest of High Tech” is how she described Norman Foster (still going strong aged 90) in On Architecture, 2008. The first architecture critic of The New York Times (reigned supreme from 1963 to 1981), Ada was blessed with good looks and a way with words: “The English architect Norman Foster is a master of fine tuned exquisitely honed minimal technology. In his choice of materials and structure he uses, with remarkable eloquence, a fastidious aesthetic that derives from engineering but quietly makes it clear to the viewer (as with the 1991 exhibition rooms of the Royal Academy of Arts in London) that a series of highly intelligent choices has been made.”

Hilton Hotel Heathrow looks like it was designed by Norman Foster. It wasn’t. It’s unknown if Ada critiqued Michael Manser Associates but if she had it may well have been along the lines that they are the high priest acolytes of High Tech. Completed in 1990, the hotel (formerly known as the Sterling) gets a mention in Flying in the Face of Mediocrity, an article scribed by Alan Powers for the 28 February 1991 edition of Country Life. He applauds how the transparency of High Tech architecture recaptures the romance of travel. The hotel gets a mostly positive reception:

“The question of the traveller’s psychology in relation to buildings comes into play with the recently completed Sterling Hotel by Michael Manser Associates, linked to Terminal 4 at Heathrow. The architectural and planning record of Heathrow is not distinguished, and the hotel occupies an awkward pocket of land in the crook of a spur road. Its dazzling whiteness is impressive, and one immediately reads the skewed plan, with a full height atrium between two banks of hotel rooms. The detailing is High Tech rather than the Miesian style associated with this firm. Interesting effects of shadow and light are achieved with the cutaway end façades, but the whiteness is too insistent, and the way the skew is carried through the plan too diagrammatic and unrelieved. The result is that the sitting spaces feel overexposed in a great hotel ‘landschaft’, and one of the major functions of such a building – to calm and reassure the stopover traveller and provide a human scale in relation to journeys of thousands of miles – seems to be lost.”

Over to the architects, “The requirement was for a four star four hundred bedroom hotel on the south side of Heathrow Airport adjacent to Terminal 4. Our client specifically wanted a landmark building on a tight budget. A very clear spatial and organisational brief from the client allowed us to produce an extremely efficient plan where two blocks of bedrooms flanked a large atrium within which were all the public areas. The hotel was designed, built and opened in 27 months, including the planning process. The hotel was the first in the UK planned around a central atrium, was the first to use cement particle board for partitioning and developed an entirely bespoke but economic external cladding system. The huge atrium, with extensive views east and west creates a dramatic effect. The arrival at the hotel certainly sparks a level of theatre and drama not normally seen at airport hotels.”

Moving on, central lounge as airport hangar, a spectacular solid plane to glass expanse ratio, making a virtue out of fire escapes as elegant as Art deco diving pool spiral staircases, the Heathrow Hilton Hotel is a bold statement aging well. That’s the thing about architecture ahead of its time: four decades later it looks contemporary. There’s been a recent atrium refurb by Hirsch Bedner Associates. Associate Director and project lead Matteo Pace states, “All too often airport hotels lack character and imagination, so we were thrilled that Hilton were open to us being creative, allowing us to design a welcoming space that is connected to nature. Located at one of Europe’s busiest airports, the public spaces at the Hilton need to cater to all guests. Be it leisure or corporate visitors, we wanted to create somewhere that they can really enjoy and that enhances their travel experience through inspiring, thoughtful design.” A sculptured chandelier radiating over reception and wooden walls echoing “the undulating British landscapes” are resultant highlights.

What’s it like to stay in these days? Well there’s a catwalk straight from the hotel to Terminal 4 Departures. A Planet Burger (plant based patty, tomato chutney, gem lettuce, smoked Applewood, red onion, pickles, potato bun, plant mayo, fries) in the atrium restaurant is a good distraction from onward destinations. As is the gaggle of gorgeous Emirates airhostesses gathering in reception. The diamond shaped plan means the atrium is sandwiched between two cliffs of sleeping accommodation. A backlit pixelated map of Europe takes the place of meaningless art in each guest room. Crabtree and Evelyn toiletries encircle a Porcelanosa teardrop basin in the en suite bathrooms. A triangular wedge of precious green and blue outdoor space is attached to the rear of the hotel offering fresh produce. Ada Louise Huxtable would approve: to her sustainability was always more than just design.

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The Inner Temple Garden + The Middle Temple Garden + The Garden Room Restaurant Temple London

Paper Buildings Real Flowers

Sophie Tatzkow, Deputy Head Gardener of The Inner Temple Garden shares the evolution of the high border: “Over recent years, it has been undergoing a transformation moving away from the resource intensive management that heavily relied on annual bulbs in spring and various seasonal display changes throughout the year. The adaptation of the border is based upon detailed observation and evaluation of environmental conditions to blend beauty with sustainable cultivation.”

The Garden is only open to the public for a few hours each weekday. She elaborates, “One of the keys to this evolution is layered biodiverse planting where reliable trees and shrubs form the backbone, underplanted with resilient perennials, grasses and self seeding plants. This structure reduces the need for replanting which lessens soil disturbance. Undisturbed soils consist of a network of billions of beneficial organisms such as bacteria, fungi and earthworms which together create a wonderful environment for plant health and wildlife.”

“The High Border is now a living breathing ecosystem that thrives on resourcefulness,” Sophie relates. “The long season pollinator friendly planting with repeating patterns creates an ever changing yet harmonious space where nature and cultivation coexist. The greatest satisfaction I take away is the cultivation of a border by blending beauty with ecological responsibility. As custodians of this Garden it is important to champion a conscious approach of reducing waste, conserving resources and creating beautiful biodiverse and wildlife friendly ecosystems.”

For Sophie’s Victorian counterpart, the smog of London proved challenging and so Samuel Brome favoured hardy plants. In his 1861 bestseller Culture of the Chrysanthemum as Practised in The Temple Gardens, he recommends balsam, calceolaria, scarlet geraniums, snowdrops and tulips. He explains that shrubs do not fare well in pollution while some varieties of dwarf roses, being close to the ground, are less affected by smoke. The Plane Tree is one of his recommendations as it sheds bark each spring and “by doing, it gets rid of the soot, which sticks to other trees like varnish, and which there is no getting off”. Plane Tree allergy sufferers of the 21st century would come to regret his arboricultural allegiance.

The Middle Temple Garden is the smaller of the two green spaces. Tudor Hall dominates its northern side. The Garden Room restaurant spills onto a terrace on its eastern side. This area was once part of the River Thames. In the 1530s the land south of the Temple was drained and reclaimed to create more space for the expanding Societies. The earliest record of landscaping of The Middle Temple Garden is a 1615 “Gardener’s bill for the new knott”. At this time the level of the ground was raised and a vogueish geometric knot garden created filled with scented plants like rosemary and sweet briar.

The Temples Conservation Area includes one Scheduled Monument, eight Grade I Listings, 12 Grade II Listings and five Grade II* Listings in Inner Temple; seven Grade I Listings, four Grade II* Listings and nine Grade II Listings in Middle Temple; and two Grade II Listings on Victoria Embankment. Unsurprisingly this forms one of the greatest concentrations of historic protected buildings and structures in London.

In Roman times, the western route out of the City approximately followed what is now Fleet Street and the Strand on the higher ground north of the marshy margin of the Thames. The slope from Fleet Street to the Strand and downwards to the Thames remains a prominent feature. The religious Order of the Knights Templar was established in Holborn in the 1160s before relocating to the Temples. In 1185, Temple Church was consecrated. The Templars were suppressed by Parliament in the early 14th century and Parliament voted to handover the property to the Order of St John. At that time, parts of the Estate were already leased to law students.

After Henry VIII’s Dissolution the property went to the Crown which granted freehold to the Benchers of the Temple in 1608. The Inns of Court would become fashionable places of education during the Reformation. The other two Inns of Court are Gray’s Inn and Lincoln’s Inn, both in Holborn. They are the four professional associations for barristers in London. These historic collegiate institutions provide education, training and social networking for emerging and established barristers. Membership is mandatory for anyone wishing to practise as a barrister. There is no visible physical distinction between Inner and Middle Temple Inns except many buildings in the former display the symbol of Pegasus and in the latter, Agnus Dei.

A few buildings survived the Great Fire of 1666. Tudor and Tudoresque architecture intermingles with Georgian. The construction of the Embankment in the 19th century extended The Inner Temple and Middle Temple Gardens. Buildings damaged in the World Wars were sympathetically rebuilt in the mid 20th century. The Gardens, only open during restricted hours or when let for functions, are very much part of hidden London.

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The Secret Garden + The Witchery by the Castle Edinburgh

Know Your Stuff

March 2016. Getting stuffed. Maundy Thursday, quail’s eggs on a watercress stuffing nest at Mayfair regular Hush. Resurrection Sunday, fried duck eggs at Holborn favourite The Delaunay. And so a procession of lunisolar led lunches, moveable feasts, begins. An extended Easter Triduum. When a man is tired of London, there’s always Edinburgh. Easter Wednesday, squared hen’s eggs on board Virgin. York, Durham, Newcastle, Berwick-upon-Tweed … everywhere looks better when viewed from the 1st Class carriage. Rows of distant gambrel roofs punctuated by chamfered dormers announce to the visually aware the proximity of the Border.

“Oh yes I stayed in The Witchery by the Castle years ago,” a brave journalist whispered to us during the recent Making Africa press briefing in the Guggenheim Bilbao. Admittedly an unlikely moment for such a muted conversation. It was undoubtedly a memorable stay. “I woke up in the middle of the night in the most frightful sweat! It was like the bed was on fire! I was boiling alive!” She got an uninvited roasting, so to speak. The next day at breakfast the journalist voiced her concern to a waitress. “That’ll be the witches,” came the nonchalant reply. “They used to burn them at the stake on Castlehill right outside.” Presumably it wasn’t the effects of a wee dram nightcap.

Our Easter Thursday lunch in the restaurant turns out to be slightly less steamy but still hot stuff. Dr Samuel Johnson and his biographer James Boswell used to eat here. Well if it’s good enough for Sam and Jamie, both made of stern stuff … The schlep up the Royal 1.6 Kilometres past winding wynds and claustrophobic closes to the foot of Castle Rock is so worth it. We’ve arrived. Physically and metaphorically. Bewitchingly charming certainly; hauntingly beautiful definitely; ghoul free hopefully. Think Hunderby (Julia Davis’s pricelessly hysterical period comedy) without Dorothy. Or Northanger Abbey’s Catherine goes to town.

Owner James Thomson, Scotland’s best (known) hotelier and restaurateur, is evidently a follower of the Donatella Versace school of thought: “Less isn’t more. Less is just less.” An eclectic dose of ecclesiastical remnants, Gothic salvage and Jacobean antiques is healthily apropos for this 16th century building. Candlesticks galore flicker flattering light across The Secret Garden, a space even with its panelled walls and trio of fanlighted French doors and timber beamed ceiling would still induce the envy of Frances Hodgson Burnett.

The interior may flurry with wild abandon but thankfully the service and place setting don’t. Our Milanese waiter makes sure of the former. Tradition takes care of the latter. Linen tablecloths, phew. China plates (slates are for roofs), double phew. Unheated pudding (always a dish best served cold), triple phew. After a bubbly reception, the feast unfolds. Palate seducing grilled sardines followed by lemon sole with brown shrimp butter preceding chocolate orange marquise with espresso jelly raise spirits further. The huggermugger harum scarum of a prowlish ghoulish night owlish postprandial prance on the mansard tiles of Edinburgh’s Auld Toun awaits. The only way is down (hill).

November 2025. Still not sweating the small stuff. Random Friday, sôle poêlée aux graines de moutard in Mayfair’s La Petite Maison next to music producer Mark Ronson en famille. Remembrance Friday, baked Ragstone goat’s cheese gnocchi up the BT Tower in Soho. And so a procession of dinners towards the waxing crescent moon, moveable feasts, begins. An extended Advent. When a man isn’t tired of London but needs a weekend change of scenery, there’s always Edinburgh. Feast of Christ the King of the Universe Eve, double devilled hen’s egg on board LNER. Newark-on-Trent, Doncaster, Northallerton, Darlington … everywhere looks better when viewed from the 1st Class carriage. The snowcapped Cleveland Hills announce to the observant the proximity of the North York Moors.

Nine years ago the three course Table d’Hôte Lunch Menu at The Witchery was priced at £35. Today, we’re after the two course Light Lunch Menu, £34.50. Packed agenda: so little time, so many galleries. After a bubbly reception (déjà vu; déjà ivre; plus Bourgone Blanc Domaine Leflaive Burgundy 2017 – a good year), the feast unfolds. Appetite satisfying basket of bread rolls with smoked butter accompanying celeriac velouté then salmon, cod and smoked haddock fish pie. We’re stuffed. But as the great Scottish aristo actress Tilda Swindon (first seen in three dimensions dining at L’Ambroisie Paris; last seen in two dimensions in her ex partner John Byrne’s painting in the Edinburgh National Portrait Gallery) would say in her hushed dulcet tone, “This lunch is delicious!”

Our driver Eleftherios Galouzidis pulls up outside on Castlehill. The only way is downhill. We’re just in time for the brilliant recital of Moonlight Sonata by Candlelight in St Gile’s Cathedral. British impresario Ashley Fripp’s fingers dance across the grand piano. He opens with Johannes Brahms’ Intermezzo in A Major. “Next I will play a pair of Chopin Nocturnes – tone poems,” he states. “E Flat Major which was influenced by the Irish composer John Field followed by C Sharp Minor. The latter was fortunately discovered by one of Chopin’s students after he died.” There’s wild applause for Sergei Rachmanioff’s Prelude in D Sharp Minor, the Moscow Waltz. “And now for the one you’ve all been waiting for!” Ashley takes a bow after the dramatic third movement of Ludwig van Beethoven’s Moonlight Sonata climaxes to its conclusion. Nothing quite completes an evening of culture like prawn toast and chilli tofu at Jimmy’s Express Chinese Restaurant on South Bridge.

At last week’s St Martin in the Fields London Informal Eucharist the Right Reverend Oliva Graham preached, “Holy omnipresence is not a casual knowing. It is impartial and unconditional. We are called to live fully and love faithfully.” We’ll soon discover Chessel’s Court, a rare survival of 18th century tenements hidden behind Canongate on the slope from The Witchery by the Castle. The mansion blocks, to use a befitting but more southern term, were assertively restored in the 1960s. A heart shaped ivy enlivens the ground floor of one of the blocks. Always living more fully, loving more faithfully.

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Festive Afternoon Tea + The Caledonian Hotel Edinburgh

Sword Fight

Fun and games at The Cally. Afternoon tea has never been this exciting. Or dangerous. Table for two vegetarians in The Court – a covered over former courtyard of this gargantuan temple of Edwardian hospitality interior designed by Fox Linton. Drawings by John More Dick Peddie and George Washington Browne, the original architects of the red sandstone building, line the bathroom walls in place of the usual cartoons. There are seasonal twists and tales to this festive version of the 7th Duchess of Bedford’s favourite meal from a Santa Claus’ belt to wish list letters all in icing.

The full works. Lapsang Souchong smoked Chinese Tea, Fujian Province. Curried chickpeas, mango chutney, carrot slaw, spinach. Nut roast sausage roll, spiced apple. Sweet potato fritter, roasted red cabbage, maple and mustard. Vegan cheese, pear and candied pecan quiche. Vegan chicken, chipotle mayo, pickled cucumber, avo. Vegan club sandwich. Plain and double chocolate and orange scones, three fruit marmalade. Chestnuts Roasting: chestnut, blackcurrant and whisky, pâté de fruit. Holly Jolly: winter spiced butterscotch, treacle travel cake. It’s Cold Outside: coffee, hazelnut financier and dark chocolate tart. Jingle Bell Rock: tonka bean, green apple confit, Speculoos cheesecake. Merry and Bright: yuzu ganache, black sesame, praline macaron. Mistletoe: kirsch mousse, sour cherry compôte, flourless chocolate sponge.

So far so genteel. Then the restaurant manager strides over to our table and declares, “You look game! Fancy taking part in our art of sabrage?” To mere mortals that’s slicing off the top of a chilled bottle of Laurent-Perrier La Cuvée Brut with a full length ceremonial sword. “We’re one of the very few establishments left in Scotland licenced to do this,” she comfortingly adds. Holding the bottle at a 35 degree angle as instructed: sliding the sword down the bottle towards the top first time round; sliding it a second time; then sliding it down a final time and keeping going. Hey presto … slice! The cork and glass rim ricochet across the floor. “Perfect!” admires the restaurant manager turned martial art instructor. A swashbuckingly useful addition to the arsenal of party tricks. Celebratory glasses of Laurent-Perrier are poured.

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East Walls Hotel Chichester West Sussex + Civilisation

No Inelegance

A Waitrose opening used to be the sign a place is going places. Now it’s The Ivy. Chains like The Ivy (Grade II Listed Building) are architecturally elevated in Chichester: the building housing Pizza Express has two Palladian windows and four blind parapet windows. Zizzi has three blind windows under a pediment dated 1791. New Look is in old architecture – a neo Grecian temple. The city has plenty of independent restaurants as well. Jorge Kloppenburg recommends fine dining at Purchases on North Street or Piccolino on South Street.

The Barn restaurant on the corner of East Street and Little London has a notice on its flank wall: “All Goodwood produce can be traced every step of the way from field to fork. They are totally committed to the care of their livestock and to the preservation of the countryside. They use no pesticides of fertilisers at Goodwood Home Farm, ensuring that the wildlife, hedgerows and centuries old natural ecosystem is protected. Goodwood Home Farm is four miles from here and therefore as local as you can get. The farm is set at the heart of the 12,000 acres Sussex estate.” You guessed it: Goodwood Farm Shop is its number one supplier. A plaque on the façade of The Barn is dedicated to fabulous clientele including Lawrence Olivier and Elizabeth Taylor. There’s still plenty of fabulosity in Chichester.

Jorge should know about good food: he’s been cooking since age 12. After a successful international sustainable business career, three years ago he bought East Walls Hotel which he runs with his wife Anywhere Thompson. “We don’t call it a hotel it’s a home from home,” Jorge relates. “In Germany I trained in Chinese, Indian and Thai cooking at night classes. We personalise breakfast here. One New Yorker guest likes her scrambled egg made with cheese. After spending 2,000 nights in 30 years staying in hotels across Europe I recognise what I like and dislike.”

He reckons, “A nice bathroom and excellent breakfast are crucial – that’s what you need to start the day.” The bathroom products are Elysl. Bedding of course is also important. All the beds are fitted with Mitre Linen’s Savoy Collection. “Fresh flowers on the dining tables are a must. I would describe our cooking as bespoke international food.” On cue, delicious halibut and salmon (with the subtlest hint of spice) is served alongside fresh greens and Finger Post wine. “Everything is freshly made. You need 35 minutes for potato dauphinoise. Air frying not deep frying is much heathier. Our breakfast homemade bread is 50 percent brown 50 percent white – fluffy, not too heavy.  We buy food at the market two to three times a week.” The tomatoes and herbs were picked two metres away two minutes ago. Forget farm to fork. This is patio to plate.

There are chillis in the garden. “We have a 37 acre chilli farm in Zimbabwe near where I was brought up,” shares Anywhere. “It provides employment for locals and supports 50 children in education. We are in the process of buying another 37 acres. We are both very committed to our philanthropic endeavours. Education is so important whether you end up as a doctor or truck driver. We want to give others a chance in life to do well.”

East Walls Hotel gets its name from the turn of last millennium Roman city walls. Its Grade II Listing dating from 1950 states, “Suffolk House, 3 East Row. 18th century. Three storeys. Four windows wide. Red brick. Eaves bracket cornice. Sash windows in reveals in flat arches; glazing bars intact on ground and first floors; rubbed brick voussoirs. Doorway with Doric columns, pediment and semicircular fanlight. Six panel moulded door with four panels cut away and glazed; door in panelled reveals. Stone coat of arms over the doorway.” A blocked Gothick arch on the first landing and a blind rounded arch on the landing above hint at structural alterations down the centuries.

Anywhere explains, “We can’t keep up with demand! So we’ve bought 1 East Row, the house next door, to expand our guest accommodation.” Its Grade II Listing, also dating from 1950, states, “18th century. Two storeys and attic. Three windows and extension of one window on ground floor. Red brick. Brick stringcourse. Wooden cornice. One dormer. Sash windows in frames, those on ground floor with slightly curved headings; glazing bars intact. Doorway with Doric pilasters, pediment and semicircular fanlight. Six panel moulded door set in panelled reveals.”

There’s no escaping the influence of Goodwood. The hotel was once the townhouse of the country house estate owners the Dukes of Richmond. A chubby Duke’s face cast in plaster protrudes over a French door on the rear elevation. “We always have guests staying for Goodwood Festival of Speed,” says Anywhere. “And businesspeople from Rolls Royce – their plant is only two miles away and employs 1,700 people. Our repeat guests book now for next year.”

A black and white photograph of Goodwood Tourist Trophy 1959 hangs in the bar next to pictures of Aston Martins and prints of Sophia Loren and Elizabeth Taylor. “This is a men’s space,” Jorge suggests. “We’ve 75 whiskeys and 15 gins to choose from.” Burgundy chesterfield armchairs bolster the masculine ambience. The adjoining Art Deco style restaurant is more feminine. “The collection of teapots on display – Twenties, Thirties, Seventies, Nineties and 2000s – shows how time goes on.” This year is the centenary of Art Deco: the Exposition Internationale des Arts Décoratifs et Industriels Modernes was held in Paris in 1925.

One of the many cultural highlights of Chichester is Pallant House Gallery, a Grade I Listed early Georgian house famous for its modern art collection. Here’s a random sample of delights. Frank Auerbach’s Reclining Head of Gerda Boehm (1982), a lesson in portraiture. Jean Metzinger’s L’Echaffaudage (1915), a diagonally determined dynamic scaffolding. Tracey Emin’s Roman Standard (1949), her first public art project. Standing tall in the courtyard, this cast iron variation of a Roman standard is topped by a small songbird rather than a triumphant eagle. Lucien Freud’s Portrait of a Girl (1949), a study of skin surface. John Piper’s Redland Park Congregational Church (1940), a rich hued and black lined depiction of the collision of the pastoral past with the brutal bomb wrecked present.

Five minutes away from East Walls Hotel – everything is five minutes away actually – lies Priory Park. This open space is a layering of history from medieval walls on Roman foundations to a Norman mote to the 13th century Guildhall, formerly the Chapel of the Franciscan Friary. The spire of the 11th century Chichester Cathedral can be seen from the second floor bedrooms and garden cottage suite. The cathedral and its precincts are a beautiful pocket of civilisation.

“We really believe in living in the hotel and doing the cooking ourselves,” confirms Anywhere. “That way the quality becomes how it should be.” She has a Bachelor of Science in Biomedical Science and a Master’s in Medical Biotechnology both from the University of Portsmouth, now balancing a career as a clinical pathologist with co running a hotel. “All 12 of our rooms are different but they all have antique pieces and beautiful bathrooms. Work hard – it pays off.”

Chichester: England’s finest small city. East Walls Hotel: England’s finest small hotel.

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Architecture Country Houses Design Hotels Luxury People Restaurants

Barberstown Castle Straffan Kildare + Lavender’s Blue

No Pale Comparison

An article appeared in The Irish Times on 23 November 1974: “Two Historic Castles Now on Property Market”. It states, “Two of the country’s most interesting castles are currently on the market – Barberstown, Straffan, County Kildare, which is being run as a hotel, and Portlick near Athlone, County Meath, which will be sold with its lakeside estate complete with planning permission for an extensive new holiday village. Barberstown’s lands were granted to Lord Fitzgerald in 1172, and it was about this time that the keep (which is still in use) and the halls (long gone) were built. Later, it was the home of the de Capella, Fanning, Perkinson, Sutton and Dillon families before the entire estate was confiscated under what is euphemistically known as the Cromwellian Settlement.”

There’s more, “It was during the Sutton family occupancy that the Elizabethan wing of the castle (still in use) was built. The castle, house and grounds were valued at £200 in 1640. In 1703, Bartholomew van Homrigh bought the property, and although he achieved considerable political and social stature in his own right, he is mainly remembered today as the father of Vanessa, the girl immortalised in Dean Swift’s writings.”

And more, “One of Barberstown’s legends concerns a man said to be interred between the top of the main staircase and the roof of the tower. His family held the castle by a lease which expired when he was ‘put underground’ and they sought this novel method of postponing that day. Barberstown, standing on five acres, is at present being run as a fully licensed hotel and restaurant. It is to be sold (by private treaty now, or auction later) by Keane Mahony Smith and the solicitors with carriage of sale are Kennedy and McGonagle of Molesworth Street. The accommodation at Barberstown includes 13 bedrooms, six bathrooms, two bars, lounges, two dining rooms, large kitchens, plus the Norman tower keep. Outside there are two furnished penthouses, stabling, garages and well kept grounds. Barberstown, only 15 miles from Dublin, is a property with great potential, Keane Mahony Smith’s Robin Palmer declared. It will be sold as a going concern, with full seven day licence.”

Five years later, the musician Eric Clapton would buy the castle. Then in an article “£500,000 for Eric’s Castle” the Evening Herald reported on 12 July 1984, “Big excitement in the international property market with the tale that popstar Eric Clapton has at last found a buyer for his restaurant. Three years ago Clapton bought Barberstown Castle after many stays and banquets there – commuting from his Surrey home. However, after spending just under £400,000 buying the stately home restaurant in County Kildare, Clapton lost all interest – as popstars do – and has not appeared at all in the Castle. Now Clapton, apparently, has a buyer for Barberstown. The buyer is said to be German, no less, and the price is said to be in excess of £500,000, no less. One way for a popstar to shake off the Irish connection.”

All the bedrooms in the 2015 wing (currently draped in a cloak of reddening leaves) are named after previous owners and the date they took over. On the first floor in clockwise order the bedrooms are Maurice Fitzgerald 1170, Eric Clapton 1979, Norah Devlin 1973, Mrs Todd 1971, Robert Middleston 1941, Sandham Symes 1908, Mr Littleboy 1881, Edward Smith 1842, Admiral Robinson 1836, Hugh Barton 1826, Hugh Cairncross 1780, Joseph Cairncross 1780, Hugh Henry 1716, James Young 1660, Bartholomew van Homrigh 1703, Nicholas Barby 1300, Richard de Penkinson 1289, Sir John Fanning 1288, Thomas Fanning 1275 and Robert de Copella 1250. Amanda Torrens 2021 can be the name of the next new bedroom. The Barton Rooms Restaurant is named after Hugh Barton who added a wing in the 1830s. Battlefield Car Park is a reminder of the strategic location of this castle within The Pale.

“Smurfit in Talks to Buy Barberstown” roared the headline in The Irish Independent on 19 January 1990. “Business tycoon Michael Smurfit is believed to be negotiating the purchase of Barberstown Castle,” exhales Cliodhna O’Donoghue, “the former Irish hideaway home in County Kildare of rockstar Eric Clapton. Just a mile away from the 17th century Straffan House, which was purchased by Smurfit in September 1988 for £4 million, it is understood that if the deal goes ahead Barberstown will become an exclusive annex to Straffan’s palatial Georgian mansion and grounds.”

There’s more, “Standing about 15 miles from Dublin, the 1172 built Barberstown has had a series of notable owners including Sir Richard Talbot, the Lord Lieutenant of Ireland, and more recently rockstar Eric Clapton who purchased the property from the current owner of nearby Moyglare Manor, Mrs Devlin. Barberstown again changed hands for around £300,000 and its existing owner, Ken Healy has extensively refurbished and extended the premises. Barberstown is presently being run as a hotel and is extremely popular as a wedding venue. Smurfit is expected to spend about £4.5 million transforming Straffan into an exclusive gentlemen’s club and is converting the 40 stables in Straffan’s Queen Anne Yard into luxurious bedroom suites as well as building a golf course in the 300 acres of grounds.”

And more, “To encourage industrialists to take membership of the Straffan Club the property will also contain a conference centre to attract investors, particularly Japanese and Americans, who plan to take occupation in the Financial Services Centre. Straffan, which has also had a chequered history of owners over the years, was sold for £4 million in September 1988 by Scots born businessman Alan Ferguson who bought the property from the liquidator of Patrick Gallagher’s estate. Market authorities believe that Mr Smurfit is considering the purchase of Barberstown with a view to extending the Straffan Estate further and it is estimated that the historic castle will cost between £700,000 and £1 million.” Clodhna’s exclusive did not come to pass. There is no Michael Smurfit Room.

In fact the previous owner, businessman Ken Healy, had purchased Barberstown in 1987. He transformed it into a 58 bedroom hotel, more than doubling the size of the original building, adding extensions in a sympathetic neo Georgian style. Norah Devlin first converted the castle to a 10 bedroom hotel in the 1970s. It is worth more now than the £1,033 the Dutch merchant Bartholomew van Homrigh paid for it at the beginning of the 17th century. A two or three storey Georgian house attached to a taller castle is not uncommon in Ireland. Other examples are Ballymore Castle in Lawrencetown, County Galway; Blackwater Castle in Castletownroche, County Cork; and Sigginstown Castle in Tomhaggard, County Wexford. The 18th century portion of Barberstown Castle originally had a thatched roof. Later rendering has been removed from the keep exposing rubblestone which contrasts with the smooth rendering painted a lighter shade of pale on the rest of the building.

Barberstown Castle is now the setting for high society weddings (Champagne sorbet) and high energy getaways (Champagne). On a random Thursday night in October, dinner might be panfried halibut, scallop ravioli, grilled asparagus and lobster bisque preceded by Jerusalem artichoke velouté, crispy egg milk and wild mushrooms. An amuse bouche might be crab salad with lemon jam on a scalloped crisp. Fashionably flavoured butters, garlic and seaweed, are sure to make an appearance. Photogenic puddings might include The Apple (Velvet Cloud yoghurt and white chocolate mousse, Irish Black Butter apple preserve, chocolate soil) or Gianduja and Pear (chocolate and hazelnut sabayon with caramel pear, Champagne poached pear). Anyone up for a Pale Rider cocktail at 2am on the terrace?

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Design Developers Luxury People Restaurants Town Houses

Glas Restaurant Dublin + History

Dayhawks

It’s a torn newspaper cutting (The Irish Times? The Irish Independent?) that makes for fascinating reading. The article is long, but is worth taking the time to consume. “Head waiter laments the passing of the good old days of eating out” shouts the headline. “‘They have all closed – Red Bank, Dolphin and Jammet’s – restaurants that gave Dublin its Lucullan reputation up to the mid 1960s. That era has passed away. There is not the same discrimination in food,’ says Jimmy Beggan, for 40 years a water and finally head waiter in Jammet’s as he talks about the good old days to Conor O’Brien.”

Jimmy Beggan would undoubtedly be impressed by the contemporary restaurant scene in Dublin. There’s the British invasion of The Ivy and Ivy Asia (close neighbours as per this chain’s double branding location strategy) and Marco Pierre White Grill all on Trinity Street as well as Hawksmoor opening on College Green. It’s an international scene: spinach paneer in Baggot Street’s Kerala Kitchen, frequented by the urban elite on Friday evenings, is pure Patna on a plate.

At least one restaurant has made a comeback. The Unicorn, an Italian restaurant down Merrion Row was established in 1938. It was The Place to Be Seen at the turn of this century thanks to its flamboyant flame haired owners Simon and Christian Stokes, known as the Bang Brothers after their beautician mother Pia Bang. The restaurant was the victim of the Great Recession – and some extravagant spending. Chef Patron Kristian Burness has reopened The Unicorn.

In contrast to Hawksmoor’s carnivorous draw, Glas has a majority vegan minority vegetarian completely gluten free menu. This Michelin recommended restaurant is on Chatham Street under the shadow of St Stephen’s Green Centre. A three course €30 lunch (Carrot Mosaic, Hazelnut Gnocchi, Chestnut Mousse) is as joyful as the slightly nutty interior. Every colour is the new black in the maximalist decoration. Prints of Edward Hopper paintings add a sense of calm to the bathroom walls.

The article on the restaurant that had a strangely placed apostrophe continues: “Nothing, perhaps, illustrates the change in eating and drinking as Jimmy’s move from gracious living at 46 Nassau Street to the French Wine Centre in the basement of a Georgian building in Baggot Street. The basket chairs have been replaced by functional benches, the starched table linen by bare tabletops. Food takes the form of snacks but the wines, chosen by the French Ministry of Agriculture, form the main attraction. The Centre, in fact, represents France’s effort to cultivate an interest in the wines for which it is so famous. And that suits Jimmy Beggan, a member of the Guild of Sommeliers, a group dedicated to ‘the better service of wine’ as he puts it.”

“But it is in reminiscing of the old days that Jimmy’s eyes really light up. The shock of living in a Dublin devoid of its former famous restaurants has left him bemused, as if he had woken up one morning to find St Stephen’s Green replaced by a supermarket. ‘Dublin can ill afford to be without a restaurant like Jammet’s,’ is his verdict. Jimmy reflects a loyalty for the restaurant which he will never lose and which comes through in his conversation, laughing as he remembers the shouts of the French head chef and the pride with which he points out that all game served in Jammet’s was wild, unlike the great Tour d’Argent in Paris, where, he hints darkly, ‘Some of the duck is domestic.’”

“All dishes on the menu were à la carte; no question of table d’hote. And even though the list would not form a 10th of the Tour d’Argent’s, it had its speciality, Sole Jammet, steamed on the bone and serviced with a white wine and lobster sauce Americaine. Jammet’s I learnt has contributed greatly to gastronomic history, but in a rather obscure way. Lobster Burlington, lobster baked in the shell with a cheese sauce, owes its origin to the original Jammet’s known as the Burlington Restaurant and Oyster Saloons which was run by two brothers, Louis and Michel, at 26 St Andrew Street. That was before Louis moved to Nassau Street and Michel bought the Hôtel Bristol in Paris. Louis had previously been Chef to Lord Cadogan at what was then the Viceregal Lodge, now Áras an Uachtaráin.”

“In contrast with the present day, when a shop can turn into an office block overnight, the survival capacity of Jammet’s through the Great Depression and the stringencies of the Economic War are to be admired. The restaurant set its standards and kept to them. The international reputation helped so that wealthy visitors like the ‘old’ Aga Khan always dropped in. Jimmy reels off the names of the famous – Grace Moore the actress and opera singer who bought a special bottle of sherry there two days before she was killed in an air crash, Tyrone Power, Robert Donat, Burgess Meredith and of course, William Butler Yeats and his family. Yeats, his wife, daughter Anne and son Michael, were waited upon, Jimmy remembers, by Tom Kavanagh, whose claim to fame lay in his attending the Irish delegation to the Treaty signing in London in 1921 as official food taster. ‘Just to make sure they were not poisoned by the British.’”

“Jimmy Beggan first went to work in the restaurant as a commis waiter in 1928 and had progressed to head waiter by the time the place closed in 1967. He had been trained by a Swiss instructor in the first waiters’ course at the Technical School in Parnell Square. In 1932 he made an exploratory foray to Paris, but that was in the depths of the Depression so he decided to remain on in Dublin and Dublin certainty had its advantages. How did a top class restaurant obtain its supplies, the whitebait for instance, and the gulls’ eggs served as an appetiser? The whitebait came from ‘a family in Ringsend and they would be jumping out of the bucket when brought into the kitchen’. The gulls’ eggs came strangely enough from Raheenleagh in the Midlands. Lord Revelstoke sent some too from Lambay Island. But the really exotic foods like caviar and escargots were, naturally, imported.”

“The War brought changes and in fact Jimmy blames that conflagration for the change in eating habits. Gas rationing meant that the cooking had to be done at a certain time and this put an end to the long, drowsy meals which used to stretch into the afternoon. ‘People had to eat and drink by the clock,’ he says. There is art and skill in being a waiter, as Jimmy demonstrates. In the first place you had to time your dockets for the chef so that the dishes appeared in the correct order, and that was not always easy when things were busy. Then you had to know how to prepare the crêpes suzettes at the table – ‘the less butter the better and six pancakes at a time’.”

“The ingredients were exotic – kirsch, crème noyaux, brandy, Curaçao. You’d reel out satisfied after that. And then there was the caneton à la presse, duck compressed in the handpress and served in a kind of pâté with the legs, fried diable, on the plate. Recalling the routine made one’s mouth water. Jammet’s were fortunate, too, in that both Louis and Madame Yvonne, his wife, were the descendants of restaurateurs. Madame Jammet had other talents too as an artist, sculptress and woodcarver, producing the Stations of the Cross for churches in Dun Laoghaire and Limerick. She was also a dress designer and patron of the theatre.”

“Yes, undoubtedly talent of that sort and the easy sophistication of those days is sadly missing. Just think of the care which went into preparing a dish which we take for granted, the ubiquitous prawn cocktail. In Jammet’s it was Prawn Cocktail Marie Rose made with their own mayonnaise, tomato purée, white wine and a little fresh grapefruit juice. Nor did Jammet’s make any concessions to Women’s Lib. All the staff, except for the cashiers, were male. The head chef until shortly before the closure was always French. Then there were the others, the sauce, vegetable and entremets chefs, the kitchen porters, commis and full waiters, bar staff and doorman, all fitting into place, all part of a crew.”

“The minimum price of a meal at the Tour d’Argent is now something over £20 a head. To provide food and service of the quality of Jammet’s might well cost that amount in a comparable restaurant here. Slightly inhibiting, perhaps, which makes it all the more pleasant to recall the days when one could actually afford, about once a year or so, to try the rable de Lièvre sauce grand veneur after a dozen huitres Galway and followed by bombe glacée accompanied by a good burgundy. Jimmy recalls that the wine buyer was a Burgundian from Dijon, a man who had been a cooper in his youth. ‘And what could be better than that?’ he asks. What, indeed.”

Jammet’s was Ireland’s finest French restaurant from 1901 to 1967 run by two generations of Jammets: brothers Michel and François and then Michel’s son Louis supported by his wife Yvonne. A regular customer, the painter and broadcaster John Ryan, recalled “the main dining room was pure Second French Empire with a lovely faded patina to the furniture, snow white linen, well cut crystal, monogrammed porcelain, gourmet sized silver plated cutlery and gleaming decanters”. Opposite the side entrance to Trinity College, 46 Nassau Street is a central location. Lillie’s Bordello nightclub opened on the site in 1991 and for the next 28 years was The Place to Be Seen Dancing after dining in The Unicorn. Ever since, various pubs have taken over the premises.

It’s easy to become misty eyed about days of yore but the reality is that 60 plus years ago the choice of restaurant in Dublin was thin pickings and Jammet’s closing was a big loss. More poignant is the ephemeral nature of fame highlighted by this newspaper cutting. Only one of the mid 20th century celebrities is still a household name: William Butler Yeats. What about the actress and opera singer Grace Moore? Did she get to enjoy her special bottle of sherry before tragically dying? Now – in place of Red Bank and Dolphin and Jammet’s – fresh memories are being made in Kerala Kitchen and Glas and a myriad other restaurants. Some day some writer will reminisce on the Lucullan Twenties restaurant scene in Dublin below the parapets and pediments, namedropping long forgotten celebrities. Tour d’Argent is still going strong under third generation ownership.

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Design Luxury People

Autumn Collection + Kartell South Kensington London

Intelligence Service

Trust Phillippe Starck to be ahead of the curve. The trailblazing French designer has collaborated with leading Italian brand Kartell to produce the first ever chair design to be conceived and drawn up by AI. Philippe asked the computer programme Autodesk: “AI, do you know how we can rest our bodies using the least amount of material?” The outcome is a stylish curvaceous seat based on an injection moulding production that uses 100 percent recycled plastic.

Generative design is an explorative technology that allows creators and engineers to input their goals along with parameters such as materials, manufacturing methods and cost constraints. Autodesk then explores all the possible permutations of a solution to generate design alternatives. The software tests and learns from each iteration what works and what doesn’t. The AI Chair is a fitting addition to the Kartell London store. Kartell’s Autumn Collection includes Philippe’s sleek super glossy HHH Chair. Also made of recycled plastic, the seat is available in reused leather or Liberty fabrics. The initials stand for Her Highest Highness. A dauphine worthy piece of furniture.

The flagship London store is fittingly opposite Brompton Square where Min Hogg, the innovative Founding Editor of The World of Interiors, once called home. There are instantly recognisable pieces on display (Philippe’s Louis Ghost and Victoria Ghost Chairs) as well as new pieces (his Cap Table Lamp). Other designers represented include Ludovica Serafini and Roberto Palomba (Albert Table) and Patricia Urquiola (Aaland Pouff). Rodolfo Dordoni, Ferruccio Laviani, Piero Lissoni and Fabio Novembre are the masterminds behind the Kartell Eyewear Design Collection.

AI continues to affect every aspect of modern life. Leana Wen wrote an opinion piece in The Washington Post 7 October 2026 “AI might be our best hope to fix healthcare”. She stated, “Now, however, the country has a new reason for hope: artificial intelligence. That’s the big idea in health informaticist Dr Charlotte Blease’s new book Dr Bot: Why Doctors Can Fail Us — and How AI Can Save Lives. ‘The medical community needs to show leadership here,’ Blease told me. ‘We’ve got to stop sticking our heads and stethoscopes in the sand.’” Philippe Starck and Kartell are sticking their heads above the AI designed parapet.

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Architecture Art Design Fashion Luxury People Restaurants

Supporters’ House + The National Gallery Trafalgar Square London + Christmas

The Art of Buying

In 2023 it was the reboot of the National Portrait Gallery. This year it’s The National Gallery which holds the world’s preeminent collection of paintings made in the Western tradition starting in the early 13th century. Following the landmark reopening of the Sainsbury Wing in May came the launch of Supporters’ House and two newly created retail spaces. The Christmas 2025 range features many products designed inhouse and available exclusively at The National Gallery. Consumerism with a conscious: every purchase directly supports the art collection

The entrance door to Supporters’ House is to the immediate left of the portico overlooking Trafalgar Square. A rabbit warren of offices, stores and stock rooms have been opened up into four large spaces: a lounge and bar, restaurant, private dining room and salon event space. Interior designer Job Hoogervorst of Studio Linse says, “We wanted it to feel like it’s always been there. The initial wish was that it has an echo from The National Gallery.”

Revealed internal arches add a strong sense of structure to the corridor and spaces. Deep colours inspired by the permanent collection are used to saturate each space from the walls and window shutters to the ceiling. Job comments, “The place is quite architectonic so it is as if each room has been dipped in a colour.” Furniture from the archives has been repurposed and reupholstered. The original parquet floor has been restored. Studio Linse’s cultural hospitality space designing experience includes the Rijksmuseum in Amsterdam.

The Gallery is also launching an international architectural competition for a new wing. This has already attracted £375 million of cash pledges including the two largest ever publicly reported single cash donations (£150 million each) to a museum or gallery. Director Sir Gabriel Finaldi states, “We are hugely excited by this development and are immensely grateful to our donors for their support – on an unprecedented scale – as The National Gallery steps into its third century. We look forward to an ever closer collaboration with Tate on this significant new initiative.”

The Painter’s Tree is a set of Christmas decorations handcrafted by Cambodian women. Felt figures include Caravaggio, Gainsborough and Rubens. The new scented edit offers soaps and hand creams traditionally made in Sussex with wrapping based on details from National Gallery paintings. Scents include Fig and Grape, Pine and Eucalyptus, and Jasmine. Details of paintings also feature on this season’s fashionwear such as Van Gogh’s famous hat embroidered on a jacket.

It’s the most wonderful time of the year … to visit The National Gallery and get shopping!

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Art Design Luxury People

Raw Echo + de Le Cuona Design Centre Chelsea Harbour London

The Poetry of the Earth is Never Dead

“A love of linen and attention to detail first fired my desire to create beautiful fabrics,” says Bernie de Le Cuona. The Founder, Chief Executive and Creative Director of the luxury textile house de Le Cuona grew up in rural South Africa, developing an early love of nature. All of de Le Cuona fabrics are woven in European mills using the world’s finest natural fibres: alpaca, cashmere, flax, silk and wool. Established in 1992, there are now two showrooms in London (Design Centre Chelsea Harbour and Pimlico Road) and one in New York (Design Centre 200 Lex).

“This collection is called Raw Echo,” introduces Lisa Dunlop, Field Sales Executive at the Design Centre Chelsea Harbour showroom, “and it’s all about the juxtaposition in nature between something brutal and something soft. So if you think of the Sahara Desert it has beautiful soft sand but it’s a hard environment too – that’s the inspiration for the collection. All our colours are derived from nature. We don’t use unnatural dyes.”

Lisa explains, “Four of these eight new designs are sheers. We’re findings sheers are really popular for clients at the moment because they want that lighter look. They are all 97 or 100 percent linen. All our linen is from Belgium. Sustainability is a big thing for us. Linen itself is highly sustainable. It’s very biodegradable yet lasts a lifetime. That’s the cool thing about linen! You can use lots of our fabrics on the reverse. Sahara is a reversible stonewashed linen with subtle twills. It’s rub tested on the back at 20,000 rubs and 25,000 on the front.”

As well as Sahara, there’s Desert Etching which is a linen sheer with an eroded carvings style motif; Mirage, a jacquard sheer with a texture ombré stripe; Petra, a linen jacquard with space dyed warps; Saba, a linen alpaca blend sheer with rippling threads; Sandstorm, a sheer in multi shaded mélange yarns; Strata, a linen wool blend with twisted yarns; and Tumbleweed, a linen upholstery fabric with interlaced yarns.

The company also has a bespoke interior tailoring service which covers made to measure bedspreads, curtains, cushions, throws and upholstery. Everything is crafted in Britain by inhouse specialists. The sustainability ethos doesn’t stop with the original textile making. The company also has a revitalising service which transforms vintage de Le Cuona fabric furnishings and accessories into upcycled pieces.

Bernie de Le Cuona concludes, “Raw Echo is a collection about emotion as much as it is about materiality. It captures that moment in nature where everything is both powerful and peaceful, where the landscape feels alive but still.” The Design Centre Chelsea Harbour showroom of de Le Cuona, minutes from the busy Kings Road, is an oasis filled with exquisite fabrics inspired by ancient terrains, golden sands, wilderness landscapes and weathered stone.