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Dunmore House + Gardens Carrigans Donegal

Northern Dancer

Wiling away endless days during the sunniest Irish spring while County Donegal opens up as a new front of the western riviera. Gnomons cast their shadows across plates of 1930s stone sundials. A drawing room lit by tall windows on two sides. The French door ajar to country air. Alexander Moore’s mother in Jennifer Johnston’s 1974 novel How Many Miles to Babylon? lyricises, “The evenings are so beautiful. Ireland should be renamed, I always think, the Island of Evenings. Don’t you agree?” Lounging in the wing of a country house. How many kilometres to Derry?

“When I arrived in Ireland I couldn’t read or write English,” says Amelia McFarland, châtelaine of Dunmore House. “I was brought up in Moscow until I was 10. I learnt to ride with the Russian Cavalry stallions at the age of seven.” Both sets of grandparents lived in Ireland so her parents returned and eventually took over Dunmore House. Her grandfather, Sir John Talbot McFarland, 3rd Baronet of Aberfoyle, died in 2020. He’s buried in St Fiach’s Church of Ireland Church in the village at the end of the avenue, Carrigans.

After living abroad, the 35 year old has returned to open her family’s ancestral pile as a setting for weddings and corporate events. She admits, “I love travelling and I love Dunmore. It was always well known for its hilarious parties and welcoming atmosphere and I wanted to bring all of that back again. I wanted to share this beautiful house and its gardens with everyone. So I came home to Donegal for a whole new adventure.” A converted barn is perfect for nuptials and there is overnight accommodation in the east wing and log cabins in the grounds.

As for wedding photographic opportunities, where to start? The conscious coupling of the seven bay house and 1.3 hectare walled garden is a match made in heaven encircled by woodland. Architecture, texture, horticulture, culture. “We try to be sustainable,” explains Amelia, “and encourage wildlife like bats and hedgehogs. As well as providing a wedding and events venue with accommodation we have a 100 acre farm and estate.”

“There are actually no records of Michael Priestley’s involvement with the house,” she confirms. “A large servants’ wing at the back of the house was knocked down some time in the 20th century. When the porch was added the area in front of the house was filled in. That created tunnels going nowhere under the house. You can see the top of two basement windows that were blocked up. The house is actually quite compact and not that hard to heat.” In between hosting, Amelia farms, rides and plays rugby for the City of Derry.

Wedged between Derek Hill by Bruce Arnold (2010) and Derry and Londonderry History and Society by William Nolan and Gerard O’Brien (1999) on a Georgian bookcase in the drawing room of the wing is Agatha Christie’s The Complete Short Stories (2008). The crime novelist was related by marriage to the McClintocks who formerly owned Dunmore House. A bedroom over the drawing room is also lit by windows on two sides. “This wing was added by the owner in the 19th century for his own use,” Amelia explains. “We let it out as one self contained space with its own door off the terrace.”

Identifying Michael Priestley as the architect of the main block is on stylistic grounds. The giant Palladian window was his trademark. His certified work of Lifford Courthouse, County Donegal, has a particularly fine example on its riverside elevation. St John’s Church of Ireland Church in Ballymore Lower, County Donegal, is attributed to Michael and has a vast Palladian window on its east front and a smaller version on its west front. The first floor central Palladian window of Dunmore House over the entrance hall – all 42 panes of it – lights the landing of the staircase hall. Confident handling of architectural components is another subtler clue to design ownership.

The entrance elevation of the 1742 block is five bays wide by two storeys over (hidden) basement and (hidden save for gable windows) attic with a high pitched slate roof. It’s a rebuilding of a 17th century house. Walls are roughcast rendered with ashlar sandstone quoins. A 19th century smooth rendered porch is painted dark yellow: Doric pilasters support an entablature with triglyphs to the frieze and mutules to the cornice. The Doric order frieze and cornice are repeated in the drawing room of the 19th century wing. This south front, elevated on a rise, can just about be glimpsed from the road between mature trees. The informal north elevation with various projections backs on to a courtyard surrounded by outbuildings.

A book of newspaper cuttings in the drawing room includes this intriguing undated unattributed piece, “Missing deb says: I want to marry. Reported missing earlier in the week from her home at Blessington, County Wicklow, Eire. 19 year old [sic?] debutante Miss Ann Daly turned up in London, yesterday, with Mr Robert Knowles of Sneem, County Kerry, Eire, 25 year old son of Lady Farquhar of Blandford, Dorset, and said: ‘We want to get married.’ They had been staying at the home of Lady Farquhar and her husband Lieutenant Colonel Sir Peter Farquhar at Turnworth, Blandford. The Farquhars are a well known hunting family.”

“‘I met tall dark Miss Daly with Mr Knowles as they arrived together at Waterloo Station, London, late yesterday on the train from Blandford. ‘I can’t understand all this mystery and fuss,’ Miss Daly told me. ‘We have come up to London to try and persuade mother to let us get married. There is no real mystery about me leaving home, and I am sure my mother and father must both have guessed where I was. Robert and I met nearly three years ago. We have been racing, hunting and point-to-point riding together many times since then.’”

“‘We want to get married but I am still a minor and my parents have objected. But I feel sure that if mother gives her consent now father will agree readily.’ Robert Knowles said, ‘There has been no objection from my family, and we should both be happy if it were possible for us to be married soon.’ Mr Knowles and Miss Daly went off to meet Miss Daly’s mother, who has been staying at a West End hotel. Miss Ann Daly is regarded as the most beautiful girl in Irish society. Although only 18 years of age she is such a good horsewoman that she rides at many point-to-point meetings in Ireland, and competed in such events during the past season. She is a member of the fashionable Kildare Hunt and has ridden to other packs in Ireland. She is tall, dark and athletic and is expected to be one of this year’s most popular debutantes.” Go Ann!

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Marble Hill House + Marble Hill Beach + St John’s Church of Ireland Church Ballymore Lower Dunfanaghy Donegal

Paradise

There are stunning houses with stunning views and then there is Marble Hill House overlooking Marble Hill Beach. The Barclay family clearly had taste. A three bay two storey over basement façade, grey as marble and high on a hill, is early 19th century neoclassical perfection. The central first floor tripartite window is in numerical harmony with the shallow triple inset formed by the two Ionic columns on either side of the entrance door hooded by a pair of pilasters with Soaneian recessed rectangular and circular panels supporting an entablature under a pediment. Roundheaded recesses define the ground floor windows flanking the portico. The slant of the portico pediment runs parallel with the hipped roof. Overhanging eaves are supported on paired console brackets. A materials palette of shades of grey is calming: ashlar, cut stone, render, slate.

Marble Hill House has an L shape plan. The longest elevation, all four bays, faces the coach house and outbuildings, enclosing a south facing garden hidden from public view. The substantial mid 18th coach house is almost as large as the house. It’s formal architecture: a two storey symmetrical façade confidently handled. A pair of central double height carriage doors under a fanlight is set in a shallow pedimented breakfront. On either side are three bay portions each with self contained symmetry. Both portions have a central arched carriage access (now fully glazed) and two first floor circular windows like architectural games of noughts and crosses.

Due to the sharp decline of the land, the coach house becomes three storey to the six bay rear elevation. This south front has a French look with its projecting eaves course supporting a hipped roof, arch heads to the upper floor windows (except the middle two) and a metal walkway wrapping round the first floor leading to garden level heading north. A row of carriage doors under fanlights opens off the lower ground floor into a walled courtyard. The grey materials palette continues: coursed stone, render, slate. Built by the Babington family, the distinguished neoclassicism of the coach house suggests the accompanying house (demolished by the Barclays) was of considerable merit.

A late Victorian three bay single storey gatelodge completes the three centuries of built form in this bucolic landscape on one of the most northerly tips of Ireland. It may be symmetrical but the gatelodge has an Arts and Crafts rusticity thanks to cottagey casement windows, a canopied porch supported on timber posts on the south elevation and a Roshine slate roof. The roof and porch canopy rest on sprocketed eaves with exposed rafter ends. Locally quarried Roshine slate is usually seen in vernacular buildings of this era. A bow window protrudes from the west elevation.

In 1987, Doe Historical Committee published A Guide to Creeslough-Dunfanaghy, “In the year 1894 a young barrister from Dublin, Hugh Law, married Charlotte Anne Stuart, daughter of the Rector of Ballymore. Hugh was the son of the Lord Chancellor of Ireland. He bought Marble Hill House, a stately Georgian mansion that stands in idyllic surroundings overlooking Marble Hill. It was a happy marriage. Hugh, a man of independent means, did not have to practise his profession. Instead, he entered politics as a member of the Irish Parliamentary Party, and was elected MP. Hugh was best known for his hospitality towards artists and men of letters … including William Orpen, Patrick Pearse and William Butler Yeats.” Marble Hill House, coach house and gatelodge are currently being restored and will be available to let for short stays. The band of trees blocking views of the strand have been removed.

It’s reckoned to be the finest Georgian church in Donegal. It certainly has the largest Venetian window in the County. St John’s Church of Ireland Church stands on a hill accessed off a bend in the road between Creeslough and Dunfanaghy nearly opposite the road down to Marble Hill Beach. Dating from 1752, the church is attributed to Michael Priestley of Derry City on stylistic grounds. The raised quoins and heavy rustication of the Gibbsian arch headed window surrounds are similar to the architect’s distinguished Lifford Courthouse built six years earlier. Doe Historical Committee records that the church was built for £300 gifted by the Board of First Fruits.

Grey roughcast rendered walls and a grey cut stone bellcote and a grey slate roof anchor the design in this rocky coastal terrain: Muckish Mountain is the dramatic backdrop. That Venetian window (all 92 panes of it) faces east across Marble Hill Beach towards Sheephaven Bay. A more normally sized Venetian window (with a modest 42 panes) lights the west elevation of the porch. The small vestry with latticed windows was added in around 1853 to the northeast. It was designed by Joseph Welland who was responsible as architect for the Board of First Fruits for several churches in northwest Ulster such as St Patrick’s Church of Ireland Church in Gortin, County Tyrone. Isabella Stewart, wife of the local Anglo Scots Irish landowner Alexander Stewart, demanded a tenants dodging privacy tunnel was burrowed from the church to her nearby residence, Ards House.

Inland Fisheries Ireland promotes 53 places in County Donegal for sea angling. In clockwise order from the south: Mullaghmore Head; Mullaghmore Harbour; Bunduff Strand; Mermaids Cove; Tullan Strand; Creevy Pier; Rossnowlagh Beach; St John’s Point; Black Rock Pier; Fintragh Strand; Shalwy Pier; Trabawn; Tralore; Teelin; Silver Strand; Glencolmcille; Loughros Point; Dawras Head; Portinoo Pier; Illanafad; Termon Point; Burtonport Pier; Cruit Point; Kincaslough Pier; Bunbeg Harbour; Magheraclogher Point; Bunaninver; Ballyness Pier; Dooros Point; New Lake Estuary; Ards Friary Pier; Downings Pier; Derrycasson; Pollmore; Tra-Na-Rossan Bay; Glashagh Strand; Fanad Head; Portsalon Pier; Rathmullan Pier; Buncrana Pier; Dunree Head; Lenan Pier; Pollan Bay; Doagh Isle; Trawbreaga Bay; Portronan Pier; Portmore Pier; Bunagee Pier; Culdaff Strand; Tremone Bay; Kinnagoe Bay; Moville Pier; and Carrickaroy. Marble Hill is closest to Portsalon Pier.