Categories
Architects Architecture Art Country Houses Design Developers Luxury People Restaurants Town Houses

Belvedere Restaurant + Holland House Holland Park London

Sequentia

It’s where Lord Byron lusted after Lady Caroline Lamb, Richard Sheridan wined, Charles Dickens dined, Noël Coward danced, Rosalind Cubitt (Queen Camilla’s mother) came out … before being blown to bits in the Blitz (the place not the people). Holland House and Park really are together an extraordinary survival of the fragments of a country house and estate in London. The remaining three storey wing of the house is now a youth hostel for debs on their uppers and beaus with backpacks. Various public uses fill remnants of the estate buildings. Holland Park Café is perfect for an alfresco breakfast in unseasonal sunshine of egg avocado roll then red velvet lamington.

The centuries old tradition of wining and dining continues at Belvedere. A restaurant since the 1950s, George Bukhov-Weinstein and Ilya Demichev (who own Wild Tavern in Chelsea) have relaunched it with great aplomb. Archer Humphryes’ design concept for the 2020s restoration and rejuvenation of Belvedere was inspired by an unearthed Inigo Jones sketch of the loggia. Architect David Archer explains, “The design creates an authentic interior which celebrates the original brickwork and elegant proportions of the arched arcade while creating atmospheric settings for diners. Fireplaces have been introduced on both levels and there is a two sided bar that wraps around the building’s colonnade. The restaurant becomes a summerhouse from spring onwards while in the winter months it is cosy and romantic.” The architects are no strangers to high end restaurant design. They drew up the dark and mysterious interior of Hakkasan, our favourite Chinese in London.

Tapestries have replaced the Damien Hirst and Andy Warhol artwork previously hung in the interior. Terracotta coloured walls complement the exposed brick while architectural details – especially those arches – are picked out in cream. Later accretions have been removed to let the bare bones of the building shine. Jigsaw windowpanes of intersecting hexagons and rectangles echo the timber herringbone speak. On the ground floor 60 covers are placed around an open kitchen. Upstairs is a private dining room of 20 covers. It’s always been a destination establishment, but under the new ownership, the restaurant is fresher and – to use the architects’ term – more romantic. Belvedere is perfect for a wintry indoors lunch of Apulian burrata, charcoal sweet pepper and Sicilian anchovy; vegan red lentil and coconut gnocchi; and tiramisu coated with hazelnut nibs.

It all began with the well endowed Sir Henry Rich who lived up to his name. Later known as the 1st Earl of Holland, he inherited 200 hectares from his father-in-law and decided to erect stables befitting his status and estate. The existing mansion, named Cope’s Castle after its builder Sir Walter Cope, had been started in 1605 and by 1614 had wings added by architect John Thorpe. Its strong Jacobean presence – bay windows, balustrades, Dutch gables, loggias and towers in red brick and white stone – remained intact (including being Italianised by the 4th Baron Holland) until World War II. The architecture was a stylistic forerunner, albeit a more refined version, of the Norfolk Royal residence of Sandringham House. Sir Henry splashed out £4,000 on new stables which would become a ballroom with a viewing gallery (then eventually Belvedere) and orangery in the Victorian era, joined to the house by a covered walkway. The surviving pieces of built form stretching 180 metres from Belvedere to the youth hostel resemble a stage set, an appropriate backdrop to Opera Holland Park held every summer.

The last private owners of the house and estate, the Ilchester family, sold up to London County Council in 1952. Their name lives on in Ilchester Place, London’s finest neo Georgian address where everyone lives up to Inigo Jones. This part of the estate was developed in 1928 for two and three storey townhouses and villas. An entry level house will set you back £20 million. Such is the price of possession and early enjoyment. Sir Henry Rich would approve. He would also be impressed by our lunch expenditure. Belvedere doesn’t do cheap: the rich eat cake and the not so rich drink the cheapest bottle of white (2022 Sensale Grillo from Sicily: £52). Alas Sir Henry didn’t get a happy ending – as a Royalist he lost his head in 1649.

In 1986, the Royal Borough of Kensington and Chelsea took over the remaining undeveloped 22.5 hectares of Holland Park, maintaining and enhancing the culture and horticulture. We enjoy preprandial and postprandial tours through its varied gardens. The remains of the 17th century Wilderness. The Pleasure Grounds designed by William Kent 100 years later. Green Walk planted by designer Charles Hamilton, also 18th century. Lady Holland’s 1805 Dahlia Garden. The 1876 Lime Walk replanted after the Great Storm of 1987. A 20th century arboretum. But it’s the latest addition which blows us away. The Kyoto Garden was a gift from Japan in 1991 to honour the friendship between Japan and Great Britain. In 2012, it was extended by the Fukushima Garden. Strutting among the stone lanterns, peacocks admire their reflection in the water feature. The richness of nature.

Categories
Art Fashion Luxury Restaurants

Rosewood Hotel London + Retro Art Afternoon Tea

Up On Reflection

Rosewood Hotel Holborn London Courtyard © Lavender's Blue Stuart Blakley

We’re leisurely making our way round the courtyard of Rosewood Hotel in Holborn, a mere canapé’s throw from Sir John Soane Museum. Our first visit was for dinner in Holborn Dining Room. Second visit, Champagne in Scarfes Bar. Our third visit is for afternoon tea in Mirror Room. These are the last photos you’ll ever see of the Retro Art Afternoon Tea. Fortunately, Rosewood London hasn’t gone the way of Bonhams or Typing Room Restaurants – history. Instead, this fifth edition afternoon tea is being superseded by the Van Gogh Afternoon Tea to coincide with an exhibition in Tate Britain.

Rosewood Hotel Holborn London Hallway © Lavender's Blue Stuart Blakley

Retro Art Afternoon Tea is just what the doctor ordered after our inaugural Irish Georgian Society London St Patrick’s Party lecture A Very Grand Tour held at The Medical Society of London, off Harley Street. The lecture might have stretched to 100 slides on 16 buildings in 40 minutes but prepping over dinner in Indian Accent, Albemarle Street’s part subterranean wholly Subcontinental haute cuisine restaurant, eased the intellectual burden. Even an eight hour Very Grand Detour lunch the day before in Hix Soho didn’t detract from a performance as polished as our reflections in Rosewood’s Mirror Room.

Rosewood Hotel Holborn London Bathroom © Lavender's Blue Stuart Blakley

Rosewood Hotel Holborn London Flower Arrangement © Lavender's Blue Stuart Blakley

Rosewood Hotel Holborn London Sandwiches © Lavender's Blue Stuart Blakley

Rosewood Hotel Holborn London Retro Sweets © Lavender's Blue Stuart Blakley

An enigmatic vitrine, shortly to become an evolving diorama of dainty delights, is placed on our table. Pescatarian savouries upfront include salmon vol au vents with cream cheese and keta caviar, egg and watercress sandwiches, and the cucumber and cheese variety. In true Duchess of Bedford tradition, plain and raisin scones follow, accompanied by Corniche Cornish cream, lemon curd, and strawberry and elderflower jam. Queen Victoria Darjeeling blend is a 19th century interrupter. That’s before the afternoon tea leaps another century forwards, starting with retro sweets of Ferrero Rocher | Jaffa Cake | lemon flying saucer | rhubarb and custard. Finally, the vitrine is filled with a very 20th century interruption, a diorama of edible vintage sculptures.

Rosewood Hotel Holborn London Malika Favre Pastry © Lavender's Blue Stuart Blakley

  • Malika Favre inspired pastry: lime and pineapple mousse, raspberry crémeux and sponge, raspberry glaze and chocolate. Malika is a French illustrator and graphic artist based in London. Her bold minimalist style bridges the gap between Pop Art and Op Art.
  • Andy Warhol inspired pastry: Morello cherry jelly, chocolate mousse, vanilla brûlée, flourless chocolate sponge, cherry ganache. Campbell’s Soup is one of Andy Warhol’s most celebrated works of art. Produced in 1962, it’s composed of 32 canvases each representing a can of Campbell’s Soup.
  • Retro Wall Art inspired pastry: vanilla tart case, almond crunchy praline, salted caramel mousse, chocolate crémeux, caramel glaze, chocolate popping candy. Wall Art took on a new meaning in Seventies and Eighties, embracing geometrics and flowers in bright colours.

Rosewood Hotel Holborn London Andy Warhol Pastry © Lavender's Blue Stuart Blakley

“As a Pastry Chef, I’m always curious and draw inspiration from things that surround me. London is a vibrant city with an incredibly energetic art scene. Rosewood London’s quirky interiors reflect the British capital’s history, culture and sensibilities,” explains Executive Pastry Chef Mark Perkins. “The interiors feature works of some of the world’s most renowned artists, with contemporary pieces complemented by more traditional art. My latest creations are inspired by retro art from the Sixties to the Eighties.” Next time, we’ll complete our Rosewood London courtyard journey with a leisurely visit to Sense Spa.

Rosewood Hotel Holborn London Retro Wall Inspired Pastry © Lavender's Blue Stuart Blakley

Categories
Architecture Art Luxury Restaurants

Belvedere Restaurant Holland Park + Holland House London

Sequentia

The told untold. Belvedere was once the Summer Ballroom of Holland House. Jacobethan and all that. Yeah yeah all very interesting but where’s the St Véran (O+C Club favourite)? Sorted. This restaurant is housed in a gorgeous fragment of a great house, a remnant of glory rebuilt, a figment of imagination realised. Halcyon days | salad days | Holland days. Saucy. And that’s before the Marie Rose with prawn cocktail and caviar arrives. Lavender’s Blue intern Annabel P is here and on form. And she’s got form.

Main course is fillet of sea bass, Jerusalem artichokes and mushroom dipped in balsamic jus. A winning formula. But hey we’re distracted by the fenestration. It’s a very glassy affair. Jigsaw panes of intersecting hexagons and rectangles reflect the timber herringbone floor. We’re transfixed. And that’s before we realise this place is really an art gallery masquerading as a restaurant. Mulled wine jelly with vanilla crème fraîche distracts our minds for a cold minute. Wait! What do Damien Hirst and Andy Warhol have in common? You guessed it! Belvedere.

The formidable Karla W rocks up working it and then some: black trilby, black jacket, black polo, black shades, black stilettos. Black is the new black. Some days, formal lunch blurs into informal dinner into the velvety night into the evanescent. Days like this. The Summer Ballroom has renewed midwinter purpose. It’s got form. The untold unfolded.

Categories
Architecture Art People

House of the Nobleman London + Wolfe von Lenkiewicz

Algebra The Reunion of Broken Parts

Wolfe von Lenkiewicz @ Lavender's Blue

The artist, concept and venue are familiar. We last saw Wolfe von Lenkiewicz at Portland Place in the Edwardian space where that interminable yawn The King’s Speech was filmed. A couple of years before that, we popped up at the House of the Nobleman in one of Nash’s terraces overlooking The Regent’s Park. Our jaunt to the French Renaissance styled Il Bottaccio for an Italian job was just a few weeks ago. Combine the three and here we are back at 9 Grosvenor Place. Sometimes, familiarity breeds respect. A New Master | curation as an art form | heritage assets.

It’s a private view, so private it’s Lavender’s Blue* and Wolfe touring the two floors which have been transformed by museum lighting and, of course, art. “You don’t have to go to the Louvre to see the Mona Lisa!” exclaims the 48 year old British artist. The French surroundings are immediately rather apt. “Some paintings are so iconic they seem unapproachable. But think of how artists like Duchamp and Warhol reinterpreted famous historic art.”

This Mona Lisa for the 21st century – although it will later transpire that time is not of the essence in the House of the Nobleman exhibition – is a recognisably intimate version of its predecessor. Same scale, same pose, same serenity, different detail. On closer inspection the painting is actually a medley of motifs found across Leonardo da Vinci’s oeuvre. The trees to the left are from his Annunciation; the trees to the right, The Virgin and St Anne; the shoulder ribbons from La Belle Ferronnière, and so on. He condenses Leonardo’s artistic output into a single enigma. It’s conceptual without being conceptualist.

Wolfe reveals he chose the Renaissance as a platform for experimentation because it was an age when artists attempted to root the making of art in a mathematical and aesthetically programmable formula. He renders his pencil and oil studies with a careful craftsmanship that seeks to replicate the original conditions and painting practices of Renaissance artists. It’s an exploration of the possibility of algebraic multiplication in reverse, drilling down an aesthetic object to its essential numbers. And onwards, to its prime number. Wolfe presents a Wittgensteinesque proposition that an artwork requires no further description to be in and of itself.

Wolfe von Lenkiewicz House of the Nobleman @ Lavender's Blue

“These works represent a nonlinear flattening of history,” he relates. “They’re inspired by centuries of art… Botticelli, Michelangelo, Bruegel, Stubbs, Riley, Hirst. Why not Rupert Bear too? Inspiration doesn’t always have to be highbrow art or even art! On the surface, Wolfe transfixes and seduces us with his rare technical ability. Dig deeper beyond his respectful grasp of iconography. Yes, he succeeds in reviving the algebra of art, liberating it from the confines of history to a newness of meaning. In this way, Wolfe’s latest works question the notions of resolution and finish while maintaining the utmost respect for his forebears.

*wherever there’s design there’s Lavender’s Blue

House of the Nobleman © Lavender's Blue Stuart Blakley