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The Italian Party + Madame Tussauds Marylebone London

Ciao London

To roughly quote Oscar Wilde, always give into temptation. So when an invite arrives mentioning the Italian Embassy and the art of hospitality there’s only one response possible. Dining, drinking and dancing in the company of celebs and royals too? A dancefloor rammed with Damiano David lookalikes and young Sophia Lorens? What’s not to love.

So that’s how we find ourselves at Madame Tussauds on a rainy Tuesday night. Forever in our hearts, Diana Princess of Wales is throwing dagger looks at Queen Camilla. Or maybe Di is just checking out that mountain of Sardinian pecorino cheese? The wrinkle free future Queen Catherine the Great is as polished as ever. Such a pro!

Lady Gaga and Nicole Kidman are vying for attention. We nearly fall over a fellow photographer. She refuses to budge. Lewis Hamilton poses for us. There are a few celebs who must’ve passed their 15 minutes of Andy Warhol fame as we’re not quite sure of their names. Freddie Mercury looks great. So realistic. Flashing backdrops of the natural and architectural beauty of Italy are a reminder The Italian Party is sponsored by ENIT SPA, the tourism promotion department.

Suddenly Freddie bursts into life! He throws off his yellow jacket and starts belting out “I’m gonna have myself a real good time”. The Italian elite of London turbo charge onto the dancefloor. Next DJ Sharky B ups the tempo even more and the crowd are singing and bopping along to “Tonight’s gonna be the night”. Neon lights flash everywhere. Let’s misbehave.

Amidst an endless round of spinach tortellini and pumpkin gnocchi not to mention lava like flow of Funtanaliras Cantina del Vermnentino, the Italian Ambassador to the United Kingdom His Excellency Inigo Lambertini declares, “Our Prime Minister Giorgia Meloni speaks English fluently, and that is not always the case for Italian politicians. There is strong cooperation and coordination between Rome and London, as well as numerous common interests. Italy is the second largest manufacturer in the European economy after Germany, so we are a natural partner for London.” Go Giorgio!

“You have to really be here to experience it” is the tagline of Sardegna Turismo. The same could be said for this party. It’s so easy to wax lyrical about all things Italian. Another sign flashes up. After party. To roughly quote Oscar Wilde again, don’t just exist get living.

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Architecture Design Developers Hotels People Town Houses

Charlotte Blease + Dr Bot + Yale University Press + Bedford Square Fitzrovia London

Hot Press

Bedford Square and Russell Square. The Duke of Bedford – family name Russell – still owns swathes of the golden postcodes of central London. Both developed in Georgian times, the former square is mainly intact; the latter, mostly rebuilt. Each side of Bedford Square was treated as a single unit in construction and design terms. The terraced houses have brick elevations, Coade stone quoins decorating the doorcases, and wrought iron balconies to the piano nobile. The centre of each terrace is stuccoed, pedimented and pilastered.

Eleanor Coade invented and produced the eponymous artificial stone which was one of the most widely used building materials of the late 18th and early 19th centuries. A ceramic material made of a secret recipe, Coade stone is exceptionally resistant to weathering and erosion. Such versatility made it popular for architectural details and sculpture. In later life Eleanor was an active philanthropist. She stipulated to women benefactors named in her will that none of their husbands were to touch the bequests.

Bedford Square now has prestigious occupiers such as the Architectural Association Bookshop, Consulate General of the Republic of Angola, Magg Brothers Rare Books and Manuscripts, and Spparc Architecture. The northeast side backs on to the British Museum with its Enlightenment Room celebrating the age of reason, discovery and learning. St Gile’s Hotel bravely raises its Brutalist head over the southwest corner of the roofscape of Bedford Square, contrasting with the neoclassical architecture below. Fitzrovia was and is an area of knowledge and culture.

Number 47 is the stuccoed midpoint of the southeast side and is the address of Yale University Press, especially known for Pevsner architecture guides. Printing, the art preservative of all the arts, takes centre stage on Bedford Square. Depth of classical knowledge, brutally honest expression of form, a female trailblazer in her chosen field … a segue is barely required such is the connective tissue to the launch of Dr Charlotte Blease’s latest book.

She is a Northern Irish philosopher of medicine whose research concentrates on the ethical, psychological and social dimensions of healthcare innovation with a focus on the use of AI technologies in clinical settings. Charlotte is currently an Associate Professor in the Medical Faculty at Uppsala University Sweden and a research affiliate in the Digital Psychiatry Programme at Beth Israel Deaconess Harvard Medical School.

Dr Bot: Why Doctors Can Fail Us – and How AI Could Save Lives has received glowing reviews from the right (Daily Mail) to the left (The Guardian). International coverage has included interviews on CNN Washington, The Times Radio London and Ireland’s most listened to radio show, Pat Kenny on Ireland AM. She explains, “There are very human problems with medicine. For example, keeping up to date with information. I made a calculation a couple of years ago that there’s a new biomedical article published every 39 seconds. If doctors were to read just two percent of these it would take them 22.5 hours per day. AI can crunch through information at breakneck speed. That doesn’t mean to say that AI is without problems.”

Heather McCallum, Managing Director of Yale University Press, opens the book launch: “Charlotte has a gift for making the very complex accessible. She is producing and digesting mountains of cutting edge work and translating it into a form for people to understand and be appreciate of the ideas. That is a huge talent! I think Charlotte is a luminary. She is also fun and charismatic. I was absolutely thrilled that she chose to commit her book to Yale to publish. This is a heartfelt book for today. Charlotte’s star is in the ascendant.”

Leading academic and former general practitioner Dr Richard Lehman is the guest speaker: “The great message of Charlotte’s book is it’s not because doctors are fallible beings and therefore should be dissed. It’s because they need support of the kind that has never been available before. This is an amazing opportunity. I think it’s absolutely marvellous that Charlotte has packed so much in that has real intellectual clout and depth and personal research together with a catchy title and this superb style which can be hilarious at times. This book deserves a conference in its own right!”

Charlotte posits, “The key issue is who or what could do a better job of delivering healthcare. My book isn’t, though, a love letter to technology. My background is philosophy so I’m thinking about this in a balanced way. We’ve got to consider the fact that AI can be people pleasing, it can be obsequious – there’s a whole cluster of biases that can persist. The opportunity here however is to see if we can find ways to debias these tools to reduce inequality in healthcare.” Patients are at the centre of this book: the reader is reminded that the care of the patient is the purpose of medicine. She poses and answers the key question: who or what might do a better job of delivering that?

Dr Bot is the first book to deeply consider the diverse range of physical and psychological pitfalls associated with traditional medical visits. Two underlying arguments are “The belief that we live in the best of all possible worlds takes the path of least resistance” and “To improve medicine, we should expect to do things differently”. The surveys underpinning her views are original (for example, investigating American psychiatrists’ use of commercial generative AI bots) and expansive (such as interviewing 1,000 British general practitioners about the future of their job).

There’s a smorgasbord of delicious titbits in this book. For starters, a delightful description of verbal discourse, “Among strangers, the flow of conversation can vary considerably: sometimes chatter courses like a bounteous brook, other times it sputters like a faulty faucet.” For mains, “Whether as a clinician or a patient, we enter the consulting room equipped with a suite of inbuilt algorithms sculpted for life on the savannahs of Africa.” And just desserts, “Medical doctors gulp down many bitter pills too.”

Drawing on patients’ and personal experience, heartwarming and sometimes heart wrenching stories are balanced with light heartedness. Lady Gaga’s lesson on the benefits of hard work (spoiler alert: it often leads to success) is an unexpected find in a book about doctors and technology. As is a well known American brasserie chain: “When a doctor introduces herself, she will not say, ‘Hi, my name is Sandra, I will be looking after you.’ This is not Hooters. In fact, it’s unlikely that she (or he) will use their first name.”

Charlotte’s stance is objective: this is neither a love letter to technology nor medical doctors. “The risks and benefits of what technology can offer, and how it can be tamed,” she opines, “will need to be pursued actively and robustly, with moral imagination.” Provocative yet respectful, cleverly written but highly readable, robust and entertaining, written with a “splinter of ice” (author’s words) while filled with uplifting anecdotes, Dr Bot is a gripping read and an intriguingly insightful vision of the future of healthcare.

There are quite a few blue plaques on the houses of Bedford Square dedicated to men of distinction: William Butterfield, architect; John Scott, Lord Chancellor; Thomas Hodgkin, philanthropist; Sir Anthony Hope, novelist; Sir Harry Ricardo, mechanical engineer; Ram Mohun Roy, scholar; and Thomas Wakley, reformer. A blue plaque to a woman of distinction is now required outside number 47: “Charlotte Blease, philosopher and writer. Birthplace of the publication of her literary masterpiece Dr Bot: Why Doctors Can Fail Us – and How AI Could Save Lives.”

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Architects Architecture Design Developers Fashion People Restaurants

Guy Hollaway Architects + The Gas Station Restaurant King’s Cross London

Pump Up the Jam

It was the petrol filling station with a shop where clubbers would call in for bottles of water on their way to Bagley’s rave when the back of King’s Cross was an urban desert. Then the team behind Bistrotheque, one of Hackney’s most popular restaurants, opened a pop up called Shrimpy’s at The Filling Station in July 2012. Behind architects Carmody Groarke’s undulating fibreglass screen, the station forecourt was transformed into an outdoor seating area and the former kiosk turned into a 50 cover Latin American seafood residence. The meanwhile use would become permanent; the temporary building would remain just that.

In the days before Small Plates, the menu was traditional in its order of Starters, Main Courses and Puddings, while modern in its ingredients. Typical courses were seabass ceviche, plantains (£8.50); monkfish, quinoa, almonds, courgettes (£19.00); and poached quince, crème fraîche, almonds (£6.00). Cocktails (£8.50 to £9.00) included Lavender Tea: gin, lavender, grapefruit, camomile tea. Pound signs were stripped off the menu in a futuristic nod to minimalism. Unusually for its time, Shrimpy’s was cashless. Another sign of things to come was the 12.5 percent service charge when 10 percent was the norm.

It was all terribly buzzy; we sat up at the bar next to the singer Bryan Ferry. We attended the Christmas tree press party a few months later in December 2012. Clearly full of the joys, after dashing from Ballymore’s Embassy Gardens launch party in Vauxhall, we reported, “Across town, we joined opera singer Camilla Kerslake and fashionistas Giles Deacon and Jonathan Saunders at King’s Cross Filling Station. The tenuous editorial link? Vauxhall. A Christmas tree made out of Vauxhall Amera car parts was unveiled. Moving parts mechanically grooved to a techno beat as fluorescent orange light and frosted air filled the forecourt. Lady Gaga’s erstwhile designer Gary Card dreamt up the tree. Mince pies, mulled wine and dancing kept us warm.”

Gin Works – a bar, restaurant and micro distillery for Kent winemaker Chapel Down – took Shrimpy’s place in 2017. Guy Hollaway Architects, the practice behind Rocksalt restaurant on the harbour front in Folkestone, designed a replacement two storey building with an industrial aesthetic. The entrance along Goods Way is set in a curved sweep of finned coloured glazing. The Regent Canal elevation is framed by the fragments of a cast iron Victorian gasworks. Cladding maintains the pop up appearance. After Gin Works closed, the owners of Camden Town Brewery and Mare Street Market in Hackney opened The Gas Station in the building in 2021. A wild garden designed by Richard Wilford, Head of Garden Design at Kew Royal Botanic Gardens, surrounds the beer garden overlooking the canal.

The buzziness is back. We’re sat at a marbleised top table for two on the ground floor of the two storey restaurant and bar. There are wallflowers (not us) climbing up the staircase walls. Sticking to savouries for sharing, Snacks are mushroom arancini, porcini mayo (£7.00) and whipped cod roe taramasalata, toasted flatbread (£7.00). Small Plates are mussels and clams on sourdough, garlic, lemon, samphire (£11.00) and blackened leeks, nori, leek aioli, warm hazelnut vinaigrette (£9.00). Our Large Plate is aubergine steak, smoked babaganoush, sourdough croutons, caponata, basil (£14.50). The vibe is high end pub grub. Cocktails are a speciality of the bar at The Gas Station. Monte Mule (£11.50) is Amaro Montenegro, Old Jamaica Ginger Beer and lime. “Gas” is Dublin slang for great fun. And The Gas Station is just that.

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Art Fashion Luxury People

Portrait +

All Too Human

Virtual vernissage of a vision of a visage. New normalcy for old masters. And a few new masters too. William Campbell, the highly distinguished framer of Marylebone London, advises a commanding dark stained wooden frame oozing oodles of definition. “The frame you have chosen is quite traditional so I think you should visually separate the canvas from the frame by placing it upon a mount. This will emphasise the edge of the canvas in a three dimensional manner. Raw black silk will work really well as the mount material. And of course it should all be protected by gallery glass.”

­Over to the artist, the highly distinguished painter of Pimlico London, who shares, “This portrait is quite abstract. It gives a suggestion of outline and face. But it’s really about texture and paint quality. I used a palette and knife. The three artists I was inspired by are Bomberg, Auerbach and Kossoff.” The checked shirt is a case in point: it’s reminiscent of David Bomberg’s stark and thickly built up colour. Frank Auerbach’s concentration on surface is wonderfully reimagined too. And Leon Kossoff’s figurative life drawings suddenly don’t seem a generation away. This portrait immediately radiates perplexing resonance coupled with a discursive inventiveness.

What does the sitter think? “I look very relaxed – exuding a certain nonchalance­. Maybe that was the intention! William Thuillier is a very clever artist. He’s really captured that moment. It was a very sunny afternoon and the light just streamed through the French doors of his incredibly elegant piano nobile studio. I remember we ha­­­­d several coffees and laughed a lot. There is something quite avant garde about my portrait. I hope it is hanging in my nephew’s offspring’s country house drawing room in years to come.”

Lavender’s Blue Art Director Annabel P – videographer, storyteller and socialite – knows her stuff. “I love the portrait! It’s so very you.” She soon sets about seamlessly filming the same sitter against the setting of The House of Lavender’s Blue. “I wanted to film you in a Lady Gaga sequence with­­ a period twist­­­. That’s very you too! You’re very informal yet you offer up so much to the canvas and camera. You’ve an easy unencumbered and beautiful presence to capture, even when you’ve donned your glasses ready for bed.” No show is complete without a Bill Brandt influenced self portrait. Visible virtuosity.

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Architecture Art Design Developers Fashion

Ballymore + Embassy Gardens Marketing Suite Nine Elms London

Brand New 

1 Embassy Gardens copyright lvbmag.com

Unless you’re experiencing a news blackout or enjoying an extended break on Vamizi Island, you’ll no doubt be aware of a rather large reimagining of real estate between Battersea and Vauxhall. Largest in the UK, no less. It’s here that Ballymore Group has launched its stars-and-stripes flagship scheme. Embassy Gardens is bang next door to the US Embassy, heading that way in 2017.

2 Embassy Gardens copyright lvbmag.com

The marketing imagery is mind blowing. This – almost – abandoned stretch of the Thames until now mostly known for dodgy nightclubs will soon be populated by swathes of apartments, a hotel, Linear Park and best of all a brasserie from the guys who brought us Bunga Bunga (sing for your supper). Rebranded Nine Elms on the South Bank, it’s masterplanned by Sir Terry Farrell. He calls it “London’s third city”.

3 Embassy Gardens copyright lvbmag.com

Embassy Gardens is one of the biggest pieces in this regeneration jigsaw. Key player Ballymore will deliver nearly 2,000 homes including “luxury suites” to borrow the sales speak. Founder, Chairman and CEO Sean Mulryan says, “For nearly 30 years, Ballymore has been responsible for some of the best known and most ground breaking developments in London… with Embassy Gardens we have continued to set new standards. We believe that a marketing suite should truly reflect the vision of the neighbourhood. The marketing suite at Embassy Gardens is not only architecturally striking from the exterior but its interior captures the distinctive design and aesthetic of our apartments.”

5 Embassy Gardens copyright lvbmag.comBranding and marketing are more than pictures and conversations. Punters want to experience upfront what it’ll be like to live in a new scheme. Gone with the wind are the days when show flats resembled a Changing Rooms episode stuck in a first phase surrounded by diggers. Well, in London anyway. Embassy Gardens’ marketing suite – or should that be show building? – is a destination in itself. Big names add credit(s) to its kudos. Architecture by Arup Associates. Interiors by Woods Bagot. Gardens by Camlins. Review by Lavender’s Blue.

6 Embassy Gardens copyright lvbmag.comThree sides of an enigmatic opaque glass box hover over the clear glazed walls of the ground floor exhibition space. Translucency and transparency; concealment and legibility. Its august angularity acts as a striking riposte to the zigzagging ziggurats down the river. The box contains two floors of show apartments. Their floorplates are set back from the building envelope to accommodate balconies which project like open drawers into a void over the main entrance. This allows for sectional brochure photographs which otherwise would be entirely impossible to capture.

Woods Bagot has taken branding to a whole new level. Let’s hear from John Nordon, Design Intelligence Leader: “We set out to create beautiful spaces that any architect would be proud of. But it was equally important that the project was a commercial success to our client. To achieve this, we integrated the design process with brand marketing and sales. We want people to be sold on the Embassy Gardens brand first and foremost. The brand values will provide reassurance regardless of the budget and needs of the buyer. This strategy is the norm in the world of consumer goods companies but is new to residential redevelopment.”

 

He believes with the advent of the wireless era, domestic design technology infrastructure is redundant. Instead Woods Bagot has created space for hardware such as laptops and tablets to blend effortlessly into the interiors. “The aesthetic is inspired by, but does not mimic, classic 1950s American design,” says Jonathan Clarke, Woods Bagot’s Head of Interiors in Europe. “Attention to details such as walnut veneers and ceramic door and drawer handles reinforces the sense of solidity and good taste.” Palm Springs springs to mind. Anyone for Malibu? We do get around a lot but were seriously impressed by these show apartments. Great use of ceramic tiles too: vertically oriented running bond pattern in the bathroom and a wallful in the living area.

7 Embassy Gardens copyright lvbmag.comNot only can the inside of the apartments be experienced before Embassy Gardens is even up to plinth height; so can the view. The third floor of the marketing suite opens from a Philip Johnsonesque pavilion onto a roof terrace. Flowing by, the Thames makes its way from Chelsea Bridge to Vauxhall Bridge. So current. The terrace was the setting for the picnic themed launch of the Linear Park. Ginger beer, baskets of sandwiches and boiled sweets at the ready. Enid Blyton eat your heart out.

9 Embassy Gardens copyright lvbmag.com

Camlins’ meadow garden wraps around the marketing suite, giving a foretaste of what’s to come. Linear Park will incorporate “open green commons as well as enclosed garden squares and majestic tree lined streets” confirms Huw Morgan, Director of Camlins. The contrast with the building is palpable. Control and informality; a great architect and the Great Architect. A marketing suite by default is a meanwhile use. This one should be kept and not just for Christmas. From all at Lavender’s Blue have a good one. And from opera singer Camilla Kerslake.

Camilla Kerslake

Across town, we joined fashionistas Giles Deacon and Jonathan Saunders at King’s Cross Filling Station restaurant. The tenuous editorial link? Vauxhall. A Christmas tree made out of Vauxhall Ampera car parts was unveiled. Moving parts mechanically grooved to a techno beat as fluorescent orange light and frosted air filled the forecourt. Lady Gaga’s erstwhile set designer Gary Card dreamt up the tree. Mince pies, mulled cider and some dancing kept us warm. Sláinte!

Xmas Tree