Tag: treasure house fair

Upward We Fly

The Tuamgraney born London based novelist Edna O’Brien once remarked, “There’s a very interesting thing about memory and exile. It is only when you leave someone or something that the full power if you like, the performance of it is in you, it’s inside you. So separation brings the emotions and ultimately a book. I think a book is the accumulation of emotions written in a particular, hopefully musical, way. It’s a beautiful feeling actually; it’s like the whole influx of something that is stronger than memory. Of course, it’s memory but you’re back in it, not writing it secondhand. Again, that counts for a certain derangement.”

It all started with Cliveden. In September 2012, we received an invitation to stay in the Berkshire hotel but as hard copy publications back then were disappearing faster than Veuve Cliquot at one of our soirées, we came up with the idea of publishing an article online. And so Lavender’s Blue was born. The name has triple derivation after our home (“Your house is so cinematic!” declares film director Stephan Pierre Mitchell), our location and the song by Marillion. Before long, every PR in London and further afield learned we always turn up, give good party, and even better copy. Although five parties in one day starting with an 11am Champagne reception for New York thinker John Mack in the Rosewood Hotel was pushing it even by our standards. Actually, it all really began in April 1995 with a column House of the Month in Ulster Architect magazine, edited and published by the bold and brave and brilliant Anne Davey Orr. But that’s a whole other story.

While most events are one-offs, from a vanishing crystal coach at Ascot to a vanishing guest on the Orient Express, others would become annual events. If the preview of Masterpiece (in Royal Hospital Chelsea grounds) was an early summer hit each year, the Boutique Hotel Awards (in Merchant Taylor’s Hall) would quickly become a midwinter highlight. Fortunately Masterpiece has been replaced by The Treasure House Fair and WOW!house and we’ve landed ourselves on their preview lists. We’re also proving a hit at the annual International Media Marketplace.

Behind the curtain. That’s our forte. And we don’t just mean peeping round the iron variety (think Gdańsk). We’re not only through the gates: we’re over the threshold. We gain access where others dare not tread. If it’s an Irish country house, we’ll stay with the owners and explore the cellars and attics – preferably when they’re tucked up in their fourposter (Temple House). We’ll pop into the kitchen to see what’s really going on whether in Le Bristol or Comme Chez Soi. We’ll talk to the lady of the manor and a millworker (Sion Mills). Sometimes it takes a village to raise an article: in Castletownshend the fun began over breakfast at The Castle continuing through public houses and private houses up Main Street before ending back in The Castle by dawn.

If “design” is the mauve thread that sews Lavender’s Blue together, “celebration of life” is our way of banishing anything mentally blue. Illuminated by art and architecture, fashion and the Divine, we’re mad for life, channelling that literary derangement. But if it ain’t good, it don’t appear. Simple. At the opposite end of the spectrum, some events are far too private to be published such as an impresario salon recital in one of London’s grandest houses surrounded by more Zoffanys than The National Gallery owns while sampling the owners’ South African wine cellar. Or a party in Corke Lodge, County Wicklow, with more diplomats per square metre than Kensington Palace Gardens being serenaded by the Whiffenpoofs on the folly gladed lawn.

Lavender’s Blue is all about places and people so we rarely do personal. You won’t read how we were catastrophically frogmarched out of The Lanesborough (too much catwalking) or categorically told to pipe down in Launceston Place (too much caterwauling). Or the full story of hijinks with the model Parees which one friend described as sounding like an escapade from an Armistead Maupin short story. Original writing and original photography – and occasionally original drawing (from a two minute sketch of Mountainstown House to a 10 hour floor plan of Derrymore House) – are our creative cornerstones. We never plagiarise except from ourselves: to quote from one of our most read articles, Beaulieu House, “Lavender’s Blue is the brilliant coated edition of universal facts, riveting mankind, bringing nice and pretty events.” We’ll coin the odd phrase too from “Absinthe makes the heart grow fonder” to “You can’t be this fabulous and not make a few enemies!”

What’s our literary style? Well we’re not paid up members of Plain English for starters. Lord Wolfe would blanche at such opening gambits as, “There’s nothing standard in The Standard” or “Mary Martin London fashion is more than an antinomic macédoine: it is a semiotic embrace of science and conviction made manifest in materiality, tactility and sartorial disruption”. There are a quarter of a million English words to choose from (compared to a mere 100,000 in French and a meagre 85,000 in Chinese) so why reach for simplicity when you can stretch the lexicon? We don’t like to namedrop but as Daphne Guinness shared with us about her lyrics at a party in Notting Hill, “There are some words I just really like the sound of!” A picture tells 1,000 words and sometimes we’ll deliver 1,000 words and 1,000 pictures. But how can you keep the shutter open when you’re cherishing Chatsworth or roaming round Rochester? We’re not just about obvious glitz and glamour. So we frequent Hôtel Meurice in Paris and Hôtel Meurice in Calais. We’ve explored Georgian Bath and Georgian Dover. Doubling down on clichés is avoided except in derision while downing Chapel Down south of the Kent Downs.

How long does an article take to prepare? Some flow with automatic writing on a commute or in bed or in the bath in almost unconscious reverie. Others take decades. Mourne Park House started with a memorable visit in 1992 (the boathouse collapsed and gracefully slid into the lake mid morning coffee) and continued with return visits up to 2021 (by then the house was badly burnt). Crevenagh House was photographed over two decades in every season from heavy snow to scorching sunshine. We visited Gunnersbury Park four times over a London heatwave to capture it morning, noon, evening, and after supper. We also vacationed at Murlough four times, Irish Sea hopping in search of elusive sunlight. Montevetro and Marlfield both first appeared in Ulster Architect before being resurrected on Lavender’s Blue. Marlfield is the work of genius architect Alfred Cochrane with later lodges by the talented Albert Noonan. And on that note, John O’Connell’s work (Montalto) and tours (Ranger’s House) have added an abundance of sparkle to Lavender’s Blue.

We’re always up for top drawer collaborations: polo in Buenos Aires; the Government in Montenegro; Audi in Istanbul; Boutique Hotels Club in Bruges; Guggenheim in Bilbao; Rare Champagne in Paris. Did we mention Paris? The friendliest city in the world! As long as you’re in the right set, of course. We know our French, spring, red and rings. Oh, and we’re easily dragooned to fashion shows stretching the bailiwick especially when it comes to fashion artist Mary Martin London. Vintage models (Goodwood, Carmen dell’Orefice and Pattie Boyd), modern models (Esther Blakley, Janice Blakley and Katie Ice – all beautiful, all gazelles), royalty (Queen Ronke and Catherine Princess of Wales) and pop star royalty (Heather Small) have all enjoyed Lavender’s Blue exposure. There are even occasional segues into filming (Newzroom Afrika and English Heritage) and the dreaded bashing of ivories (Rabbit).

The current culmination of Lavender’s Blue is an exquisitely printed hardback coffee table book of substance on the Holy Land. The first edition of SABBATH PLUS ONE was an instant sellout at Daunt Books Marylebone. It’s now on the coffee tables of all the best homes – including a certain Clarence House. Oh yes, King Charles III is really enjoying his copy. “Your most thoughtful gesture is greatly appreciated …” So it’s time for the second edition. Same high quality print with a reddish burgundy rather than navy blue hard back hand stitched fabric cover. We’re still gonna vaunt about Daunt. Only the finest. In all the best libraries now, not least earning its stripes at Abbey Leix House and Pitchford Hall. And lobbies: The American Colony Hotel and The Jaffa.

We do love our triple Michelin starred places (L’Ambroisie, Lasarte, Core). Champagne! Foam! Truffle! While most of the restaurants we have visited are still thriving, unknowingly at the time, Lavender’s Blue would become an archive for quite a few. Aquavit, Bank Westminster and Zander Bar, Duddell’s, Farmacy, Galvin at Windows in The Hilton Park Lane, The Gas Station (one of our regular rendezvous with fellow gourmand Becks), Hello Darling, Marcus Wareing’s Tredwell’s, 8 Mount Street, Nuala, Plateau, Rex Whistler at Tate Britain, San Lorenzo, Senkai, Tom Kemble at Bonham’s, and Typing Room all in London have disappeared. So have Scheltema in Brussels, Le Détroit in Calais, The Black Douglas in Deal, The Table in Broadstairs, l’Écrivain in Dublin, Cristal Room Baccarat in Paris, and Forage and Folk in Omagh.

Still, nothing tastes as good as skinny fries. It’s survival of the fattest! Impressive as it was, Embassy Gardens Marketing Suite was never built to last. Erarta Art Gallery, Fu Manchu nightclub (the real Annabel’s!) and The Green and Found gift shop are lost in the mists of time. We’d barely photographed Quinlan Terry’s 35 year old junior common room bungalow at Downing College before the wrecker’s ball entered the site. We’re already missing our perfumer neighbour Sniff.

Even sadder, we have become the repository for final curtain interviews. Min Hogg, Founding Editor of The World of Interiors magazine and Anna Wintour’s first boss, the 9th Marquess of Waterford and the musician Diana Rogers entertained us – and hopefully you – with their end of life witticisms. David George, a reader of our Diana in Savannah article wrote, “I was married to her for 10 years and we were together for more than two decades. When you look in the sky she is the brightest star that you will ever see! I love you sweet middle class princess! Rest in peace, all my love, David.” We featured artist Trevor Newton’s final solo show and fashion designer Thierry Mugler taking his au revoir bow at the Musée des Arts Décoratifs Paris. Now historic photographs of model Misty Bailey appeared on Lavender’s Blue. Lindy Guinness, the last Marchioness of Dufferin and Ava, shared thoughts at one of her last townhouse parties full of people one should know like the international tastemaker Charles Plante. Beresford Neill reminisced on early 20th century Tyrella. And of course, two memorial pieces to the much missed Dorinda, Lady Dunleath. The last book launch of Dame Rosalind Savill, the inspirational scholar of European decorative arts and visionary museum director of the Wallace Collection, is another moving memory now frozen in time.

Readers’ comments are always of interest. Standout messages include a painting request to Ballyfin; advice on the best photographic viewing point at Dungiven Castle; revealing a shared love of Mary Delany or the Mitfords; a discussion of the meaning of Rue Monsieur; Samarès Manor relatives trying to contact each other during a Jersey storm; and an unreported baby drowning in a mansion swimming pool in Sandwich Bay. Mount Congreve attracted interesting comments including from James Sweeney who wrote, “I worked in Mount Congreve Estate for many years as a Private Chef to the Congreves. It was a joy and a pleasure and has given me cherished memories. Mr Congreve was an amazing man and I owe him a great deal for his wisdom that he kindly let me benefit from.”

Ewelina from Beauty on the Cliff poetically scribed, “Waterford is my home since 17 years and Mount Congreve was always my soft point. The moment when you enter the place is simply magical. I’ve been inside the house recently, just before yesterday. I was inside of the Blue Wedgwood Room … well … only the pale blue walls and the beautiful but sadly empty china cabinets reminded me about past grandeur of this place. It’s really really heartbreaking to see the empty rooms, stripped from everything … even the curtains … the books all over the floor in the library … totally without the respect for Mr Congreve. I hope that Waterford City Council didn’t forget that was someone else’s home. As Mr Yeats said, ‘Tread softly because you tread on my dreams.’ Thank you so much for your review. Kindest regards from Waterford.” Sara Stainsby messaged, “Really interesting essay on Stapleford Park. My great grandparents worked there, my grandmother was born there and was married in the church. In the 70s I visited my great grandparents when they lived in a flat above the stables …” Birthday wishes (Portrait) and restoration concerns (Barden Towers) are always welcome. Even more welcome was a Champers accompanied poem hand delivered to the state dining room (Hartwell House).

There are direct messages too: “I came across your Lavender’s Blue series starting from Auchinleck then Crevenagh House and Tullan Strand. I can see from your McClelland connection that you have an interest in Northern Ireland including Donegal … I found that your articles on architecture address the most erudite, meticulous and expansive aspects of the subject so perhaps the work of James Taylor in late Georgian times will fall beneath the range of your interest in the style and proportions of symmetrical Palladian buildings.” We jumped straight in a car to Islington. Likewise when tipped off about Stockwell Park. A reader enjoyed our “wonderful commentary on various aspects of Ballyshannon … tis wonderful to share your thoughts about my hometown”. We’ll accept high praise from Ireland’s greatest host: “I just love your articles striking notes of deepest erudizione to soprano and coloratura gossip! I’m so glad you were the catalyst to my party and I can’t believe it went so well.”

Amazing Grace Point inspired a declaration of faith: “Lough Swilly and Fort Dunree is one of the most wonderful places in Ireland to visit, and especially to look out across the waters where so many great ships have sailed. But most of all – to ponder the words of Amazing Grace written there by John Newton. His miraculous conversion credited to his mother’s prayers. She never gave up, like my mother, who never gave up but prayed me into the Kingdom.” Messages come from above and down under: “I hope you don’t mind me emailing you but I happened to walk into a beautiful graveyard today in Picton, Australia, and happened to come across this one particular headstone. I was instantly intrigued as my grandparents were from Donegal in Ireland and I wanted to see if this was close? Anyway I just read about Mountjoy Square and when the area become established. I’m not sure but working out the dates I think this couple might have been some of the original inhabitants? I saw an article that you wrote and just wanted to share this with you – you may or may not appreciate it but I wanted to bring this couple home!” They’ve come home.

Artist and art restorer Denise Cook crosses the rare divide from comment provider to content provider sharing her expanse of knowledge from Pink Magnolias to the Rector of Stiffkey. So does Dr Roderick O’Donnell, world authority on all matters Pugin. Another reader turned writer, the ever erudite historian and patron of the arts Nicholas Sheaff, brought Gosford Castle completely (back) to life. “There is really too much to say,” to parrot Henry James in The Portrait of a Lady, 1881. Haud muto factum.

As Reverend Prebendary Andy Rider once quipped, “You do get around.” Amsterdam to Zürich, Brussels to Verona, Channel Island hopping, nowhere is safe from the Lavender’s Blue sagacity filled patrician treatment. As for our favourite place, that’s simple: Bunbeg Beach, especially at 10.30pm on a sun drenched midsummer night. Chronicling our times, we produce the material – and sometimes we are the material. But only when shot by the likes of top cinematographer Mina Hanbury-Tennyson-Choi and shoot the shoot supremo Simon Dutson. Striking a striking pose. Fading grandeur (the interior not the model).

“The whole earth is filled with awe at Your wonders; where morning dawns, where evening fades, You call forth songs of joy,” Psalm 65. Lavender’s Blue is between the bookends of everything that was and is to come. It’s about dealing with things as they are, not as they should be. We’re all about orchestrating a fresh approach, synthesising Baroque stridency with Palladian refinement. Our oeuvre is a sumptuous sequence of artistic compositions. On the frontline, turning to face the light. Mary Oliver always gets it right: Instructions for Living a Life, 2010, “Pay attention. Be astonished. Tell about it.” Thank you to all our readers. Thank you Council Bluffs. In the short now, to pluralise the words of the French Resistance fighter Simone Segouin, “We’d do it all again.”