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Architecture Art Design Hotels Luxury People Town Houses

La Divine Comédie Demeure Privée + Spa Avignon + Animals

The Certainty of Chance  

Another week, another all suites hotel. Hosts Giles Jauffret and Amaury de Villoutreys’ residence in a walled garden hidden down a laneway behind tall wooden gates in the honeycomb coloured city of Avignon always proves the perfect getaway. “Being a relatively small residence, we can focus on our guests,” says Giles. “The real luxury is being able to receive them as friends, and to have time for each one on an individual basis. We present our house more as a family home than a hotel. We wanted to share our French history, passion for art and l’art de vivre with others.” There are 42 watercolours of the city of canals in the Venetian Suite. The Naples Suite is hung with Neapolitan gouaches. And then there are the animals. Whether statues or the real thing, from a stuffed horse to a hatted stone dog, Persian cats to Weimaraner dogs, they all match the décor.

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Architects Architecture Art Design Hotels Luxury People Restaurants Town Houses

Ireland’s Blue Book + Bishop’s Gate Hotel Derry Londonderry

Merry Girls

“The sun always shines on the righteous!” claims hotelier Astrid Bray and sure enough the clouds fade to reveal an unblemished cobalt blue sky over the Capital City of Northwest Ulster. For once it’s not “foundering” as the locals would say. Depending on your persuasion, the name of this place is a four syllable binational portmanteau (Londonderry), a three syllable aristocratic surname (Londond’ry) or a rationalist nationalist two syllables (Derry). The city is one of two in Northern Ireland to share its name with its host county; Armagh does as well (Antrim doesn’t count as it is a mere town and county).

We’re here for Sunday morning sunny side up (eggs benedict with halloumi) breakfast at Bishop’s Gate Hotel next to one of the arched entrances to the Walled City. This much praised hotel is a member of Ireland’s Blue Book. We’re no strangers to the collection. Recent jaunts have included Belleek Castle, Ballina, County Mayo; Astrid’s favourite Bushmills Inn Hotel, County Antrim; Castle Grove, Ramelton, County Donegal; Coopershill House, Riverstown, County Sligo; Castle Leslie, Glaslough, County Monaghan; Dunbrody House, Arthurstown, County Wexford; The Merrion Hotel, Dublin; and the truly majestic Marlfield House, Gorey, County Wexford.

Sisters Margaret and Laura Bowe are joint châtelaines of Marlfield. Laura is Chairperson of Ireland’s Blue Book. “Now entering its 47th year,” she explains, “our collection of properties and restaurants continue to offer luxurious, memorable and unique experiences across the length and breadth of the island of Ireland… We are very proud of our chefs and patron chefs, with many of our restaurants boasting one and two Michelin stars.”

Guests at Bishop’s Gate Hotel are greeted by a framed picture of a quote by the sage Madame Lily Bollinger, clearly not the abstemious sort: “I drink when I’m happy and when I’m sad. Sometimes I drink when I’m alone. When I have company I consider it obligatory. I trifle with it if I’m hungry and drink it when I am. Otherwise I never touch it, unless I’m thirsty.” Equally educational are a series of framed architects’ drawings illustrating the genesis of the architecture of the hotel and other significant buildings in Derry.

Originally two townhouses dating from the 1800s, the site was purchased by the Northern Counties Club at the end of that century. International architect Alfred Forman transformed the private residences into the members’ club. The new owners have retained a clubby feel to the hotel with well stocked bookshelves displaying photos of Northern Counties Club visitors such as Winston Churchill, William Butler Yeats and Derek Hill. And they serve great grub.

Like all cultural tourists to the city, we ask our waitress for directions to the Derry Girls mural. “Not a bother!” she enthuses. “Just like a lollypop lady I’ll direct you!” Her shortcut is through the rear of the hotel. “This room used to be a garden and that’s a covered up well in the corner. The house where the hotel is now was used to hold prisoners during the Siege of Derry. They were able to travel underground from here to a well on Shipquay Street and from there across to boats on the River Foyle to escape.”

Before the very much larger than life mural, we’re off for alfresco mid morning coffee in the Hidden City Café. Outside seating is in the adjacent Garden of Reflection decorated with Tim Ward’s glass artwork. The west bank enclave surrounding Bishop’s Gate Hotel has a real Georgian Dublin meets bohemian Galway vibe. So much history. But the question on everyone’s lips is when is the third television series of Derry Girls coming?

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Art Design Luxury People

Mary Martin London + Cat Couture

The Catwalk

Zelda Blakley is the latest top model to don Mary Martin London haute couture. So what does Zelda have to say about her new outfit? “This ballgown is simply purrfect! I’m feline very elegant. I’m like the cat that got the cream!”

“Seriously though,” Zelda purrs, “In the words of my favourite French philosopher Roland Barthes, ‘Fashion the myth… at the very moment it produces… attempts to substitute its artifice, that is, its culture, for the false nature of things; it does not suppress meaning; it points to it with its finger.’ Or rather, claw.”

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Art Luxury People

Aux Merveilleux de Fred Northcote Road Battersea London + Meringue Recipe

Gros Bisous

“C’est très chic!” exclaims Parisienne Maud Rabin mid flow in Hôtel Meurice Paris. We are of course discussing Aux Merveilleux de Fred. That bakery. It’s the ultimate Franco British style signifier: you know when Frédéric comes to your postcode you haven’t just made it, you’ve arrived, you’re at home. So if whippin’ up a frenzy is your thing, stay tuned. We’re about to give away a half a century or so old secret recipe. Cancel the lawyers Fréd, we’re off to speak to the 21st century Mrs Beeton of Ireland. She’s more than ready to spill the beans or at least count the ounces of castor sugar. It’s the alternative Irish recipe for meringues.

It’s all yours Mrs B: “When you put all your egg whites in a deep bowl you have to whisk those up until they are literally standing in stiff and dry peaks. It’s worth doubling the recipe – three egg whites – to make enough meringues, especially when the oven has to be so low. You fold the three ounces of granulated sugar into the stiff eggs that you’ve just whisked up. Keep whisking them until they are as firm as before. You’re then left with the three ounces of castor sugar. Fold in the castor sugar but just give it one whisk – don’t whisk away up like before. Use two spoons to ladle out into separate meringues on a paper lined baking tray.” Like a good photograph the rule of thirds applies to meringue making. As Frédéric would no doubt murmur, “C’est incroyable!” Or as Maud puts it, “In Paris we always say c’est la  vie! It means ‘this is destiny’. We always say it in a positive way.”

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Art Design Luxury People Restaurants

Cathedral Quarter + The Muddlers Club Belfast

Art Is An

Cathedral Quarter: a place of short skirts and long nights. Ever since Wallpaper* Style Guides were invented, cities have been reinvented as collections of legible quarters and not necessarily four of them either. According to Wallpaper* Belfast’s three quarters – alongside the districts of Shankill, Falls, Ormeau, East and Central – are Queen’s Quarter (for studying humanities), Titanic Quarter (for studying a human disaster) and Cathedral Quarter (for studying humanity). Queen’s is just called Queen’s by locals but the Quarter moniker has stuck to Titanic and Cathedral.

Definite articled hostelries – The Cloth Ear, The Dirty Onion, The Spaniard, The Thirsty Goat – line the cobbled laneways of this historic ‘hood. And so does one of the city’s or rather country’s best restaurants. Down a New York type alley lined with street art and scenes of the lives of national heroes like Henry Joy McCracken and Wolfe Tone hides The Muddlers Club. The 40 metre high slimline steel spire of St Anne’s Cathedral pierces the slit of sky visible above the entrance to this Michelin starred restaurant.

Saturday evenings are all about the tasting menu at Muddlers. Make that tasting with matching wines. It’s both local and international: eel from Lough Neagh up the road; wine from Syria across the world. All eight exquisite courses are beautifully choreographed by the waiting staff. An open kitchen along one wall and a bar along another adds to the conviviality. The interior is as industrial as the approach to the restaurant and suitably dark: Chef Gareth McCaughey named his restaurant after a secret society that met on this site two centuries ago. The architects were Oscar + Oscar who designed another of Belfast’s Michelin star holders, Ox. It’s more than a meal, it’s an event: The Muddlers Club doesn’t do things by two quarters (halves).

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Art Design Fashion Luxury People

Black Heroes Foundation + Mary Martin London

Matters of Fact

“Just don’t give up what you’re trying to do,” believed the American jazz singer Ella Fitzgerald. “Where there is love and inspiration, I don’t think you can go wrong.” Every month should be Black History Month. But not every day can be National Windrush Day. To mark the 73rd anniversary of the Empire Windrush ship docking into Tilbury, bringing workers from Caribbean countries to help fill postwar British labour shortages, Black Heroes Foundation opened an exhibition in central London on 22 June. Chair of Trustees Joyce Fraser explains, “I set up Black Heroes Foundation in memory of my late husband. Recently, we entered a competition organised by Westminster City Council for a pop up in Piccadilly. We were one of 11 successful applicants out of a total of 120.”

The Foundation is a community based charity for the development and promotion of talent, together with cultural and artistic initiatives in the community. And as Joyce succinctly puts it, “A world where Black Heroes are acknowledged, respected and celebrated.” The Chair’s late husband, Peter Randolph Fraser, known to all as “Flip Fraser”, was the first Editor of The Voice newspaper and joint creator of the show Black Heroes in the Hall of Fame. The ground floor of the exhibition is devoted to the Windrush Collection and the Black Heroes Wall of Fame.

The Windrush Collection includes a living room, bedroom and kitchen furnished with typical West Indian items from family portraits to a porcelain book of the 23rd Psalm. A commemoration of Flip Fraser is joined on the Wall of Fame by inspirational people from the past and present: the Classic Collection, London’s Great Women of Colour and Wandsworth People. Take Harriet Tubman. She was a slave born in Maryland who fled to the free state of Pennsylvania in 1820 aged 29. She returned to Maryland over the next decade to rescue both family members and friends at great peril to her life. Harriet was buried with military honours in Fort Hill Cemetery New York in 1913. As African American civil rights activist Asa Philip Randolph observed, “Freedom is never given; it is won.”

“My heart will always be in Brixton,” Olive Morris, a heroine on the Wall of Fame, once said. Born in Jamaica in 1915, she came to the UK aged nine. Her first home was off Wandsworth Road and she went to Lavender Hill Girls’ School. As an adult living in Brixton, her activism took off. Olive was involved in many campaigns including the scrapping of Suspected Person Laws which permitted police to stop and search anyone suspected of loitering but was used indiscriminately against black people. She died in 1979.

A showcase of some of the dresses of the UK’s leading black fashion designer Mary Martin London is on display on the mezzanine level of this exhibition at 12 Waterloo Place. “I’m thrilled to have been asked to be part of this important event,” Mary confirmed. The designer is providing demonstrations each day on how her clothes are actually made: the sewing machine is clearly on overtime. Pointing to one of her pieces she exclaims, “It’s called the Death of a Queen as it nearly killed me making that dress!” Attendance has been lively. Westminster Councillors were at the opening and the flow has been constant ever since – the exhibition lasts five weeks. Heather Small, the Voice of M People, and soprano Nadine Benjamin are two of many well known supporters to enjoy it so far.

Councillor Matthew Green, Cabinet Member for Business, Licensing and Planning, pointing to Mary’s Marilyn Monroe Dress exclaimed, “A faux foxtail. Oh golly! Has somebody worn that? This is all so fantastic. I’m really pleased to see the whole exhibition too.” Councillor Louise Hyams, Deputy Cabinet Member for Communities and Regeneration, added, “I’m also really pleased to see the exhibition. It’s beautifully choreographed for the venue and so interesting. Mary’s show is great: she could easily harness her creativity into the world of film costumery.” No doubt Councillor Hyams would agree with Dr Mae Jemison, the first African American female astronaut, who believes, “Never be limited by other people’s limited imaginations.”

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Art Hotels Luxury People

The Lanesborough Hotel Knightsbridge London + Cruella Afternoon Tea

She’s Got Attitude

We caught up with Annabel P, Lavender’s Blue Art Director, Disney fan and afternoon tea afficionado, in her temporary address: the five bedroom penthouse suite of Sheraton Hotel. But it’s another hotel we are here to talk about and more specifically the afternoon tea that is on everyone’s lips. To coincide with the new Cruella film, a bit of a prequel to Dodie Smith’s The 101 Dalmatians, The Lanesborough Hotel is serving a themed limited edition afternoon tea carefully crafted by Head Pastry Chef Kevin Miller.

“There are little nods and big gestures to Cruella throughout the afternoon tea,” explains Annabel. “Cruella is very Vivienne Westwood – 1970s punk rock and anarchy. She’s a super chic sassy gal with anarchic attitude. It’s all rock and roll and a little bit mad.” The egg and cress mayonnaise sandwiches and mint yoghurt and cucumber filled may be classics but they are placed alternatively on the plate with white and dark bread. The striped effect is of course inspired by Cruella’s two tone hair. All very Daphne Guinness.

The pastries are full blooded odes to the film. Anarchy Reigns (raspberry and chocolate shortbread presented on a mini artist’s easel) is an artistic licence to thrill. I’ve Got Attitude (chocolate brownie topped with caramelised banana and pecan cream) is a confidently cocksure sugar hit. Rebel Heart (coco nibs base with coconut raspberry mousse and liquid hibiscus centre) is not for shrinking violets. Modern Masterpiece (gold inside out cheesecake of blueberry compote, lemon tofu cheesecake, blackcurrant and violet sauce injection) is dangerously addictive.

Every plate is full of devilishly delightful signature pieces. “The Lanesborough is very dog friendly,” praises Annabel P. “When I arrived a bed with a couple of treats was set out for Winne my mini wire haired dachshund. “I’m sure Cruella would approve!” This season is all about reinvention of the A line and afternoon tea. And killer heels of course. It’s all brilliant, bad and more than a little bit mad.

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Architecture Art Country Houses Hotels Luxury People Restaurants

Culloden Estate + Spa Cultra County Down + Art + Soul Art + Sculpture Fair

Across the Water

In the land of champ and Portavogie scampi and pasties (Ulster not Cornish) and soda farls and wheaten bread and dulse and Tayto crisps and fifteens and rocky roads and yellowman there’s something new and exciting to go and explore for a wee dander. The original house at the heart of the Culloden Estate – the Bishop’s Palace – may be 145 years old but Art and Soul, the Holywood International Art and Sculpture Fair filling its grounds and interiors, is very much a meantime use.

Dr Howard Hastings, Managing Director of Hastings Hotels, explains “At Hastings Hotels, I believe that we can distinguish from our competitors by highlighting the local culture and heritage surrounding our hotels. One way we do this is by focussing on our own locally grown produce in our menus. At Culloden Estate and Spa, another way we achieve this is through the artwork on display throughout the hotel. Some of these paintings were acquired by my father, Sir William Hastings. He selected paintings he liked and which he thought were in keeping with the Bishop’s Palace setting. More recently we’ve concentrated on supporting our local artists, many of whom have international reputations, yet still live and work in Northern Ireland.”

For just three weeks this summer, the five star hotel is brimming over with the work of sculptors Paddy Campbell and Orla de Bri, textile artist Karen Fleming, oil painters Gladys Maccabe and Tracey Quinn, watercolourists Neil Shawcross and Catherine Thompson, and lots more. There are also fine art prints by a certain Andy Warhol. These new arrivals will complement the Culloden Estate’s impressive permanent collection. Upon arrival, visitors are greeted by 125 sculptures gracing the law with six figure prices for the bigger pieces. Organised by Gormley’s Fine Art, the exhibition is the largest of its kind in Ireland. There’s always refreshment time too for sipping a wee Bushmills whiskey or West Coast Cooler or C+C brown lemonade in the Culloden Estate’s Cultra Inn.

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Art Fashion Luxury People Town Houses

Fathomless +

Substantial Faded Pageantry

Call it a nascent realisation, coming from somewhere and heading somewhere, mixing with the multihyphenates while sojourning in cloud capp’d towers and gorgeous palaces. Such stuff, radiating a seductively dark gorgeousness.

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Architecture Art People

Victoria Embankment Gardens London + Robert Raikes

A Good Awakening

Statues have become something of a fraught subject of late in London but one deserving gent of yore is commemorated in Victoria Embankment Gardens. This linear stretch of rich greenery and extraordinary multicoloured bloom is one of the Capital’s less obvious open spaces, sandwiched between the 19th century embankment along the River Thames and the elevated built form of The Strand. It’s Victorian with a vengeance, viscerally exhilarating and visually rewarding.

The Victorians loved a philanthropist and they don’t come much better than Robert Raikes. This turn of the 19th century journalist and hospital and prison reformer is best remembered as the founder of Sunday schools. Noting the unsupervised behaviour of children on Sundays in his home town of Gloucester, he engaged local women to teach them reading and church catechism. The experiment was so successful he reported in his paper the Gloucester Journal that the town had become “quite a heaven upon Sundays”. The movement spread across the country and in 1785 the Sunday School Society was formed. Robert Raikes’ statue, sculpted by Thomas Brock in 1880, stands proud among the summer bedding.

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Art Fashion People

Mary Martin London + The Collections

The Fashion Years

“We have seen that a Fashion utterance involves at least two systems of information: a specifically linguistic system, which is a language (such as French or English) and a ‘vestimentary’ system, according to which the garment signifies the world or Fashion. These two systems are not separate: the vestimentary system seems to be taken over by the linguistic system.” So wrote our favourite philosopher Roland Barthes in his 1967 revelation The Fashion System.

It’s like the arrival of the Queen of Sheba with the beauty of Queen Esther and the wealth of King Solomon. “Don’t you know that a man being rich is like a girl being pretty? You wouldn’t marry a girl just because she’s pretty, but my goodness, doesn’t it help?” she cries, channelling her inner Marilyn Monroe as Lorelei Lee in Some Like It Hot. Applying a blonde wig and beauty spot before donning a Mary Martin London little black number with extended faux fur later, she is soon standing over air vents and blowing kisses to admiring onlookers. Some like it very hot! She starts singing, “Diamonds Are a Girl’s Best Friend.” Super supermodel Katie Ice has entered the building.

Musical model Funmi Olagunju literally rocks up strumming her guitar. Lavender coloured clothes clad, she sings, “I only wanted to see you, laughing in the purple rain, purple rain purple rain…” Funmi shares, “Mary’s clothes are so crazy! They’re elegant and theatrical. They’re regal. She thinks outside the box!” Beautiful Natasha Lloyd bursts across our vision in a radiance of red. Crimson is the new black. She next models  the Queen of Africa dress. Over to Mary, “I’d just won African Fashion Designer of the Year and I felt like I was the Queen of Africa! The colourway in this dress represents brown for earth, green for grass and yellow for the sun.”

While getting ready, model Sienna Kinley advises on confidence, “You forget who you are. You go into fear mode. The mindset is to remind yourself who you are. Who you are is everything you need to be in this life. Everything you’ve been given is enough for you in this world. Sometimes you can forget that’s enough. Confidence is recognising who you are: you are a perfect being. All the gifts and talent you have are enough.” Makeup artist Sofia Mahmood adds, “Be creative. You need great patience to be a makeup artist. Patience with creativity.”

This Old Street London warehouse is rocking with a carnival atmosphere and a festival of talent. All of us are in front and to the side and behind the cameras as filming continues… yes, that film. In the midst of the mayhem and madness and fashion miscellanea, Mary emerges, as ever a human whirlwind of orders and changes and directions and laughter. “I don’t like ordinary,” she understates. Natasha reappears modelling The Hidden Queens Collection dress with its socially distancing crinoline.

The dresses of The Collections flow onto the film set amidst falling roses and oversized poppies. World class ballerina Omozefe (“just call me ‘Sue’”) performs pirouettes and shows photograph of herself with Margot Fontaine. “It was her last performance ever at the Royal Opera House! I have met Rudolf Nureyev twice. I love dancing to The Nutcracker, Carmen and of course Swan Lake.” Soon Sue is teaching model Hassan Reese some Pilates moves. “Pilates is similar to ballet – it’s about micro movements stretching muscles. You can’t get up on point unless your core being is very strong.”

Cleopatra, brought to life by model Natasha Lloyd, struts her stuff. Three times Taekwondo World Champion Carol Hudson, modelling herbaceous headgear, says with some understatement, “Mary’s clothes aren’t for the fainthearted!” Photographer Monika Schaibel agrees, “Mary has a vision and is always true to her vision. Amazing eye to detail. Her fashion shows are pure theatre – they’re art happenings.” Kiki Busari, modelling The Red Dress, adds, “I love the opulence. These dresses take you to a fantasy world. A world where you are empowered and strong.”

It’s like the creativity of King Jotham with the boldness of Queen Vashti and the power of King Xerxes. “Never try to explain your work,” once said our fav photographer of all time, Deborah Turbeville. So we won’t say we are a muse or the bridge between the bright lights or something else far more mesmeric and fantastic. Let the wrap party begin! To paraphrase Marilyn Monroe, we all just want to be wonderful. “Fashion dissolves the myth of innocent signifies,” ends Roland Barthes, “at the very moment it produces them.” Super supermodel Katie Ice has left the building.

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Art Design Fashion Luxury People

Mary Martin London + The Collections Preview

No Ordinariness

Saints and collars. Carriage and gait. The deportment of culture. Narrative express. Mesmeric couture. Grace is grace.

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Art Design Luxury Restaurants Town Houses

The House of Lavender’s Blue + Sketch Mayfair London Afternoon Tea

Class Art Class

It all started at a private party in Chelsea. What doesn’t? Many moons ago, back in the sway, we shimmied up to developer Orpheus’ latest townhouse feeling just a little bit on form. By midnight we’d hit the top terrace dancefloor and before we knew it, we were tearing it up with the gorgeous Clea Irving. She was of course Art Curator of Sketch. We’ve always been drawn to fabulosity.

A fuchsia painted rollercoaster of engagement parties, afternoon teas with models and planners and model planners, breaking the midday rule (“More Champagne darlings … time … places … people …”) over Christmas fairies and fairy cakes, summer madness and some insanity, pre Masterpiece cocktails, post Masterpiece nightcaps and post post Masterpiece parties ensued down the years.

We mightn’t have three Michelin stars or boast egg shaped loos or own a dining room big enough to thrash out a game of badminton in but – hey! – at The House of Lavender Blue we reckon we’re sorta up there with the artistic antics of sketch. A dismembered mannequin posing as Surreal garden sculpture. Goddit. More dioramas than a Victorian playground. Goddem. Architectural sketches and artistic endeavours of varying substance. All watched over by the attendant eye of Art Curator Zelda Blakley. Godda get more. Godda get out more. What’s more, more’s more.Knock knock. “What’s there?” A reverse Pandora’s Box. A pink cuboid of delights decorated with drawings of the ceiling plasterwork of Sketch dining room. A bureau style ensemble with an extending board for playing monopoly or chess or miniature croquet or Russian roulette. And a menu signed by Executive Head Chef Fred Don and Executive Pastry Chef Christophe Gasper in a watermarked envelope. Sealed with an S. Which stands for superlative.

Très bon appetit. Jing Yunnan gold black tea. Sandwiches: avocado and tomato, egg gougère, cucumber and asparagus, vegan coronation chicken. Truffle brioche bun. Scone with clotted cream and strawberry and poppy flower jam. Petits gâteaux: bergamot macaroon, cherry and pistachio Battenburg, chocolate and buckwheat cake, exotic tart (!), lemon and grapefruit marshmallows. The whole shebang.

It all ended with a private party in Battersea. What doesn’t? Well, when we say ended … a new day has just begun (“More Champagne darlings? Time! Places! People!”). Sketch afternoon tea is like a decadent lifetime away. The carousel must continue. We’re drawn to the new dawn. The fabulous new dawn.

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Art Design Hotels Luxury People Restaurants

Eric Lanlard + Cake Boy Battersea London

Sweet Things Are Made of These  

“I can’t wait to reopen the seating area outside,” says Eric Lanlard, his voice still rich with the timbre of Brittany. We’re in Cake Boy, his café lounge school next to the River Thames in Battersea. The Master Pâtissier and Chef is standing under a halo of lights beside a mouth watering cascade of tartes aux fruit, entremets framboise, pralines and tartes paysannes. “My favourite dessert in the world is tarte tatin – piping hot from the oven with crème fraiche on the side!” he shares. Eric moved from Plomelin in northwestern France to London 32 years ago to work for restaurateurs Albert and Michel Roux, becoming their Head Pastry Chef within a couple of years. He opened Cake Boy in 1995. Ever since, the Garçon de Gâteau has been busy as a global baking ambassador for the likes of Marriott International and Virgin Atlantic in between keeping it sweet by publishing books.

It’s time to take a trip down memory lane, an eight year trip back to a promotion in Knightsbridge… Here goes… Now that London Fashion Week is over, we can all breathe out. Nothing tastes as good as chocolate, so we’re off to experience the Montezuma Afternoon Tea at Jumeirah Carlton Tower Hotel. The hotel building is looking well for 50. Once the gangly new kid on the block, all Sixties bravura, it has matured (with the help of a subtle facelift) into something altogether more refined. The address is not so much golden postcode as golden place: Cadogan. Jumeirah Carlton Tower is off Sloane Street, home of the Rangers, between Candy + Candy’s One Hyde Park and the only road in London to have an architectural style named after it (Pont Street, keep up). Nearby is of course King’s Road, foodie paradise (Duke of York Square market) and shopping heaven (from Partridges to Peter Jones).

Afternoon tea, really an excuse to indulge between official meals, is high up the list of sybaritic Must Dos. Chinoiserie at JCT lives up to its name. Bedecked with hand painted Chinese wallpaper and gold leaf galore, the lounge is thronged with an army of cheongsam clad waitresses at our beck and call. We half expect Fan Bingbing to sweep through the revolving doors. Instead, the flame haired resident harpist provides a sense of serenity for the American, Saudi and English Isabel Marant clad guests. A glass of Champagne accompanies fresh strawberries before the menu goes choc-a-bloc in a celebration of its cocoa theme (Montezuma was the last Aztec king and a bit of a chocolate fiend). We order a Darjeeling and (Lady Grantham wouldn’t approve) a coffee.

One of the many joys of afternoon tea is having your cake and eating it in whatever order you desire. For the purposes of this review, we will stick to the order of the menu. Cocoa dusted (a taste of what’s to come) croissants with chorizo and Elemental provide a comforting intro. The sweet meets savoury theme makes its surprising, sensual, debut with a rich curried crab tart topped by white chocolate. A heart shaped white chocolate and parmesan palmier is hard not to love. Another unlikely yet successful marriage is chocolate macaroon with venison. For pescatarians, there’s the opportunity to order off menu, so cucumber and mayo sandwich is a traditional alternative. Back on menu, the cassis imperial chocolate cupcake is a fine dark mousse with balsamic blackcurrants filling an edible chocolate case. A sprinkling of pearls completes this sultry indulgence.

To cleanse the palate, a conquistador shot is an inspired layered composition of passion fruit, white chocolate with basil seeds and coconut jelly. Mission complete. Caraque spicy chocolate tart with popping candy features a pistachio wafer as delicate and colourful as the Chinese wallpaper. Dark mini chocolate caramel loaf filled with liquid salted butter, sweet food in savoury form, provides a jubilant succulent extravagant finale, for now, to cocoa. After this exotically original South American tour de taste, familiar British comfort returns in the form of (Lady Grantham would approve) scones with clotted cream and fruit preserve. Throughout this autumn, the general public can get tarted up and enjoy Eric Lanlard’s Montezuma Afternoon Tea. It costs £40 per person; £50 includes the Champers; for £55, the strawberries are added. The service is great, friendly staff who are more than adept at catching eye contact; a Coutts (of course) bank machine outside the hotel comes in handy for withdrawing tenners for tips.

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Art Design Fashion Luxury People

Mary Martin London + Friends

Rising Up

“Fashion is the barometer of the age to accentuate the personality.” So claims high profile lawyer and President of Octopus TV Andrew Eborn. “Mary is a tornado of talent. She’s a larger than life character – she makes her presence felt! She might be loud but there’s a genuine creative side to her. She’s a fascinating individual. I love Mary Martin London clothes. They have a free style belonging to that mad crazy world of hers. I work with a lot of major stars in the music industry.” Household names. “I also host the Andrew Eborn Show on Stella Television which features people like Charles Spencer and Suzy Quatro. But the Mary Martin segment is a complete moment of escape!”

Award winning Film Director Stephan Pierre Mitchell believes “fashion reflects our time” but “I make it my own”. He continues, “I don’t think there are rules. I don’t like to conform. I rip up my own jeans. I play around with fashion hence why I get along with Mary. I met her at London Fashion Week. I immediately liked her vibe. She’s got layers. She’s not boring. She’s up my street. Mary’s clothes are spontaneous, fun, bold, colourful… tells me a lot about her. I really admire her work; she’s very special. MML is BLF. Big! Loud! Fierce! I see so many energies flying up and down.” Stephan advises, “Be truthful with yourself. When we create from a true source, we heal. Don’t think of the end result, come from a truthful place.”

Mary’s former fashion textiles Senior Lecturer Emma Carey has turned her artistic hand to interior design: “My real passion is for the print.” Emma recalls, “Mary’s life story was amazing. I found her fascinating and all the things she had been through. I was intrigued and wanted to understand more. I soon learned Mary embraces learning and new things.  She’s a powerhouse with no real self pity. She’s very creative, very excitable, brimming with energy. She says whatever she thinks, always the truth. She makes amazing prints! Mary’s clothes are like Mary, full of life, expressive, not wallflower clothes. They’re loud, out there. Her personality does come through in her clothes.”

The whole crew really has landed, an underground artists’ salon. Model and Director of Dam Model Management Hassan Reese strikes a pose outside, arms folded to reveal just a glimpse of Mary’s inaugural hand printed T shirt range. He shares, “Mary is unique! She represents tradition versus newness. She has an innate sense of Africa. Mary has African roots in her catwalk. Seriously, I feel nothing but love for her. Thank you Mary! I love that you have taken me on board. I feel so privileged and happy.” Late afternoon, model Katie Ice arrives wrapped head to toe in Louis Vuitton before revealing a Mary Martin London dress. Soignée has a new. “I first met Mary at a charity fashion event,” she remembers. “I immediately realised her clothes are so sophisticated – those fluffy dresses! – so unusual, so new, so different, then everyone copied them.” We’re rushing off to The Hoo next. “I’ll be free to pop in for some Champagne,” confirms Katie. “Life runs fast let’s celebrate it! It’ll be wonderful to see you and friends, it’s been a while.”

In the car later, much later, Mary lets slip, “You are my number one. I’m making bomber jackets every winter now because of you. I’ll use a different pattern each winter but I’ll still make bomber jackets. I agree what you say about them being so flattering to the male form. It’s all happening!” The rising of the arising over the horizon. London passes by in a fluorescent blur. All the voices of the day and in our heads and on the reel will soon fit together as a meaningful mosaic, an electrified Catherine wheel of sorts.

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Architecture Art Design Fashion Luxury People

Mary Martin London + Adil Oliver Sharif

The Turn of the Shrewd

On a cold wintry Saturday afternoon a former linen warehouse in Old Street London is all ablaze. Not literally on fire – the sparks flying are the creativity type. Afrobeats are vibrating across the attic floor below the exposed beams and bolts and screws. Something’s afoot. “Rolling, rolling!” orders the Film Director. A strong familiar voice echoes across the vast haunted space, “I love the camera! I can’t say I don’t! It screams at me! We need the drama for the camera! I love fashion! I love art! I love creativity!” Welcome. Maryland is back in town. The American philosopher Marilynne Robinson believes, “No one can anticipate your gifts because they are unique to you.” There will be lots of anticipation but no ambiguity in Mary’s unique first person narrative.

When the distinguished Director Adil Oliver Sharif was introduced to Mary Martin London through a mutual friend, the Lebanese Sierra Leonean model Yasmin Jamaal, he knew he’d struck camera gold. Adil has been filming interesting people over the last year or two. Mary’s his 66th interviewee, taking ‘interesting’ to a whole new level. She’s so interesting that Adil is now collaborating on a feature length film with Mary – and her friends, who include some of the biggest names in arts, culture and entertainment. This former warehouse is his studio and its flaxen heritage could hardly be more apropos as the backdrop to London’s leading black fashion designer sharing her story.

Everyone and everything are in flux as cameras, lights, seating, backdrops are arranged. And rearranged. And rearranged a little more. Adil is the ultimate perfectionist as is his team: assistant Racquel Escobar Rios and Director of Photography Nick Galbusera. “I love going deep,” confides Adil. “I love the complexities of the human skin and what reflects and swims deep within.” Mid afternoon and the set is ready for action. “Are we rolling? After establishing and managing my daughter’s career, I thought what can I do for myself?” muses Mary. “Hey! I’ll put my hand to sewing!”

Celetia Martin’s successful song writing and singing career has included numerous hit singles plus collaborations with the likes of Jennifer Hudson, Janet Jackson and Usher. She spent two years touring America with Groove Armada as the band’s lead vocalist. Celetia now manages rising stars herself. Not content with launching her daughter’s career in the arts, there was no way Mary was going to rest on her Grammys. So it’s not surprising she labelled the start of her career in fashion “a learning curve”.

“A lot of my mistakes were the making of my best dreams,” Mary recalls. “One of my first artistic realisations was the Fairy Tale Collection. It was all these fluffy free dreamers. I was backstage looking down as the dresses came out on the catwalk. All I could think of was am I crazy? But then everybody started clapping like in a Hollywood movie. From thereon it just started. A few years later I would get a degree in fashion and textiles with flying colours!”

“The drive behind the creativity of a show motivates me. And I love creating something from nothing. I never even like to know what I make. I like to surprise myself!” she relates. “My strength comes from God. I’m a great believer in God. I love God. He’s what drives me. That’s why I create. I’m unique. God made us all in His image yet everyone is unique. This gives me a sense of freedom and the ability to do things differently from other people. I’m a very very spiritual person. I do believe in the afterlife. I love being spiritual. I’m in this field walking, walking, walking… so pleasant being spiritual. Spirituality means a lot to me. God is my all in all.” Marilynne Robinson expresses, “I know what I want to do. I know what is mine to do. I know what is not mine to do.” So does Mary.

Her path to freedom and success hasn’t exactly been unsmooth. There would be a silver lining for Mary but in the beginning there was no silver spoon. She keeps going: “I’m from a family of 13 children. I was the seventh child – nobody took any notice of me. That’s why I’m an attention seeker now! A diva! I was born by the River Taff in Wales. It was beautiful. But I faced racism at school so I ran away. I ended up in a children’s home. Actually I was in about 10 to 15 children’s homes. I didn’t learn to read or write. Eventually I went to London to live with my aunty. Are we still rolling?”

Ever her glass more than half full, running over, Mary overcame seemingly insurmountable obstacles. “Not being educated meant I had to force myself to do things in life. Not being able to read or write that well even now means my mind is more adjustable to shapes and how to put things together.” It’s the turn of the shrewd. As for the racism, “Don’t hate. Use your energy to find your creative self. Learn the essence of time – use your time well.” Mary volunteers at the youth mentoring Urban Synergy charity, encouraging children to follow her into the fashion industry. “We know nothing about the nature of time,” contends Marilynne Robinson. “Time in some sense exists simultaneously with itself. It’s not sequential in the way we experience it.”

“Fashion is an expression of myself,” Mary argues. “I’ve got a thing about fashion. I love texture – combine scuba with to see the way an outfit can move. Voila! Creative mind flow! That’s what I call it. I’m like a child in a candy shop when I’m in the middle of a fabric store. I could sleep with fabric. Real love. I’m attracted to creative people who are a bit different. I don’t do normal. I don’t do boring. Fame doesn’t mean anything to me. High regard for talent? I get that. I don’t want the fame. I just want God to have all the glory.” Marilynne Robinson suggests, “If there’s a place in heaven for the arts, that will be the hallelujah!”

“The major influence in my life has been myself,” Mary summates. “I challenge myself every day to be better, to change designs, to be the better me. I’m a free spirit! I live my life freely. Every day I wake up I’m happy to be alive. I’m a black woman, a strong black woman. There, I’ve let you into Maryland.” The afternoon closes and beyond the red brick gabled walls of the former linen warehouse, over a sea of grey tiled roofs, the mellowing sun sets over the city. On an attic floor in Old Street London, a Jamesian “cloud of music and affection and success” floats away: it’s a wrap.

 

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Art Design People Restaurants Town Houses

Hello Darling + Darling House Waterloo London

The Lost and Found Generation

Hello darlings. Hello Darling. Like a 21st century Dennis Severs’ House (the madcap period drama that lurks in Spitalfields), Hello Darling the brasserie and botanical bar and Darling House the mad party pad upstairs does eccentricity on tap. It’s out on a whim. The creative minds behind this immersive concept are Harriet Darling and Elise Edge. Presumably “Hello Edge” didn’t have quite the same ring to it. The interiors are a riot of paint effects and visual puns. A piece of art on the wall slides to the side. Is it a painting or window? It’s both. Below a handwritten “Lost Property” sign lies a discarded copy of Sarah Knight’s bestseller Get Your Sh!t Together sticking out from a Christmas bag. A note inside reads: “To Lulu, to help you stop losing your things wherever you go!” Is it an installation or the trail of a somewhat clueless guest? Not sure.

Gertrude Stein, champion of Cubist literature, on “Glazed glitter” in her 1914 Tender Buttons, “Nickel, what is nickel, it is originally rid of a cover. The change in that is that red weakens an hour. The change has come. There is no search. But there is, there is that hope and that interpretation and sometimes, surely any is unwelcome, sometime there is breath and there will be a sinecure and charming very charming is that clean and cleansing. Certainly glittering is handsome and convincing. There is no gratitude in mercy and in medicine. There can be breakages in Japanese. That is no programme. That is no colour chosen. It was chosen yesterday, that showed spitting and perhaps washing and polishing. It certainly showed no obligation and perhaps if borrowing is not natural there is some use in giving.” Goodbye Hello Darling. Goodbye darlings.

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Architecture Art Design Hotels Luxury People Restaurants

The Berkeley Hotel Knightsbridge London + Breakfast

Apsley Fabulous

Lavender’s Blue. Some colours are legendary. And others become synonymous with places. The Blue Bar is always The Berkeley Hotel. The hangout of the bold and brilliant and beautiful down from Apsley House. Every era has one. A London fine dining defining interior designer. Currently, it’s Martin Brudnizki. At the end of last century, no restaurant or wine bar was complete unless David Collins had transformed it. The late Dublin born artist used a striking Lutyens Blue hue, a dusky cornflower, to create the most memorable interior in Knightsbridge just as the new millennium dawned. In a touching posthumous tribute, The Berkeley called up David Collins’ protégé to dream up a dining room named after his master. Robert Angell employed some of David Collins’ favourite motifs, from a white onyx bar to a Soaneian use of mirrors. Some designers are legendary. And others become synonymous with places. Lavender’s Blue. Breakfast in bed, even The Berkeley variety, means casually leafing through magazines, preferable the vintage variety. Although inclusion of today’s Times is a nice touch. Here’s the September 1999 edition of Wallpaper* magazine:

“There’s no denying that the acrimonious and much publicised art appreciation tiff between Damien Hirst and new Quo Vadis owner, Marco Pierre White, was bound to draw in curious diners and art lovers alike. But David Collins’ pleasing refit and the culinary skills of ex Ivy maître d’ Fernando Peire are two good reasons to return.  Leather banquettes break up the room, a marked improvement on its previous cold refectory incarnation. Though not hugely original, the food is exquisite, just as we have come to expect from a MPW establishment; lobster, poulet noir and a variety of risottos are all on offer to a discerning clientele. The controversial conceptual art by Marco Pierre White is more than a little reminiscent of that of Damien Hirst, though much cheekier, especially our favourite, the aptly named ‘Divorce’ – a copy of Hirst’s dot painting, but with four perpendicular slashes – ouch. The Private room at the back boasts Thirties New York green leather walls created by the ubiquitous Bill Amberg. The skeletons have been ripped out of the upstairs bar, and the refit’s final stage will include  a bar for the restaurant as well as a members’ bar called ‘Marx’ in homage to the great Karl who lived on this site. Admittance will depend on whether or not Fernando likes you – so start sending flowers and chocolates now.”

As always, what does Gertrude Stein have to say about breakfast in her 1914 Tender Buttons? Rather a lot as it turns out. Here are a few of her rich pickings, “A sudden slice changes the whole plate, it does so suddenly.” And, “An imitation, more imitation, imitation succeed imitations.” And, and, and, “Anything that is decent, anything that is present, a calm and a cook and more singularly a shelter, all these show the need of clamour. What is the custom, the custom is in the centre.” A candy striped strawed bottle of ‘Berkeley Boost’ – freshly squeezed carrot, orange, turmeric, apple and ginger – followed by a homemade croissant and almond pastry; fruit salad; Scottish smoked salmon, cream cheese, rocket with Annabel’s style linen tied lemon bagel; Greek yoghurt, granola, Acacia honey and strawberries; and a celebratory chocolate cake topped with raspberries. The portions are so indulgent this ain’t breakfast in bed – this is breakfast, brunch, afternoon tea and supper between the duvets. All to be taken laying down. All on Aunt Margery’s best linen and tea set. Some breakfasts are legendary. Lavender’s Blue.

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Architects Art Design Fashion Luxury People Restaurants

Sexy Fish Mayfair London + Annabel P + Mary Martin London + Peggy Gou + K Style + Maya Jama + Teddy Music + Gertrude Stein + Frank Gehry + Damien Hirst + Lavender’s Blue + Love + War + Peace

Annabel’s Party

Finally the limo pulls up on Berkeley Square and Annabel P dramatically disembarks dripping in diamonds. Cathedral school followed by the finishing variety has clearly paid off. It’s her role. Lavender’s Blue Directrice turned Diamonds Ambassadress turned Frontline Heroine has arrived. “Dahlings! One can never have enough class – or diamonds.” Clearly not. The doormen make way, the waitress beckoning to the best table in the house. Siberia where art thou now? “This is War and Peace!” Annabel declares scouring the wine list. “Champagne, dear Giuliano!” Meanwhile DJ Sophie ups the tempo downs the base. It’s a night off for Korean DJ Peggy GouK Style is so where it’s at right now – but Sophie is determined to bring the house down. This is going to be more disco than dinner.

Sometimes you really gotta go with it and order a pre dinner alfresco cocktail that matches the cushioned upholstery. Sea Breeze please or at least something ephemerally turquoise. Beetroot, carrot, ginger and orange detox elixirs soon cancel the boldness. For a hot minute. Annabel’s wearing Biba vintage, working it babes. Her fellow guest is as always rocking Mary Martin London head to toe. Annabel gets busy stirring up Insta Stories in between yellowtail tartar, smoked tofu and caviar followed by pink shrimp tempura. Maya Jama sends her love. Sexy Fish is after all the television presenter’s fav restaurant. Good friend Grime DJ Teddy Music of Silencer fame chimes in next. Everyone’s soon discussing menu tips. Mango and passionfruit, coconut and lemongrass or pineapple and mandarin sorbet? Decisions, decisions. “All three. Or is that six?” How does Gertrude Stein view dinner in her 1914 classic Tender Buttons? “Not a little fit, not a less fit sun sat in shed more mentally.”

Basement bound, a downward descent reverberating under a Frank Gehry crocodile past Damien Hirst mermaids before walking by those marbled bathrooms – salut Versailles – till the night relaxes into an embrace of unbelievably attractive seafood. Late call but Mary Martin London’s on the blower. “Fantastic! I cannot wait for our next interview. Let’s talk. I’m here and ready and want to talk about my amazing new dresses and fashion.” The limo pulls up on Berkeley Square and Annabel P dramatically departs dripping in diamonds and fantasy.

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Art Fashion Luxury People

Portrait +

All Too Human

Virtual vernissage of a vision of a visage. New normalcy for old masters. And a few new masters too. William Campbell, the highly distinguished framer of Marylebone London, advises a commanding dark stained wooden frame oozing oodles of definition. “The frame you have chosen is quite traditional so I think you should visually separate the canvas from the frame by placing it upon a mount. This will emphasise the edge of the canvas in a three dimensional manner. Raw black silk will work really well as the mount material. And of course it should all be protected by gallery glass.”

­Over to the artist, the highly distinguished painter of Pimlico London, who shares, “This portrait is quite abstract. It gives a suggestion of outline and face. But it’s really about texture and paint quality. I used a palette and knife. The three artists I was inspired by are Bomberg, Auerbach and Kossoff.” The checked shirt is a case in point: it’s reminiscent of David Bomberg’s stark and thickly built up colour. Frank Auerbach’s concentration on surface is wonderfully reimagined too. And Leon Kossoff’s figurative life drawings suddenly don’t seem a generation away. This portrait immediately radiates perplexing resonance coupled with a discursive inventiveness.

What does the sitter think? “I look very relaxed – exuding a certain nonchalance­. Maybe that was the intention! William Thuillier is a very clever artist. He’s really captured that moment. It was a very sunny afternoon and the light just streamed through the French doors of his incredibly elegant piano nobile studio. I remember we ha­­­­d several coffees and laughed a lot. There is something quite avant garde about my portrait. I hope it is hanging in my nephew’s offspring’s country house drawing room in years to come.”

Lavender’s Blue Art Director Annabel P – videographer, storyteller and socialite – knows her stuff. “I love the portrait! It’s so very you.” She soon sets about seamlessly filming the same sitter against the setting of The House of Lavender’s Blue. “I wanted to film you in a Lady Gaga sequence with­­ a period twist­­­. That’s very you too! You’re very informal yet you offer up so much to the canvas and camera. You’ve an easy unencumbered and beautiful presence to capture, even when you’ve donned your glasses ready for bed.” No show is complete without a Bill Brandt influenced self portrait. Visible virtuosity.

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Art Design Fashion Luxury People Town Houses

Mary Martin London Scarves +

The House of the Red and White Lions  

“We are having the best time ever!” proclaims the haute couture artist. “I’ve just won a Global Ovation Lifetime Achievement for Fashion!” Bravo! Mary is the Valkyrie of fashion residing over her very own Valhalla. This ring cycle ain’t gonna end anytime soon. Late to the game, the BBC is falling over itself to interview her and beef up its breaking news. Queue. Join. Next. The accolades keep pouring in: Costume Designer of the Year at the Global Community and Business Star Awards and Style Icon Honoree Excellence in Fashion Couture courtesy of the Global Style Icon Awards, to name yet another two.

Mary exclaims, “I would like to say thank you to the Global Style Icon Awards for awarding me the best designer – costumer designer! – for 2020 and 2021. I’d also like to say thank you to the Foreign Office for letting me do my virtual show in the building which was an amazing shoot in a beautiful place. And, yeah, thank you thank you that’s all I can say – I’m happy!” Mary explains more about that epic Foreign and Commonwealth Office shoot, “History had inspired me. I realised that Ignatius Sancho was an inhouse slave but was later set free and he was the first black millionaire in Britain. And he and his wife used to sell tobacco and everything from their shop which stood on the site of the Foreign Office on King Charles Street.”

She rolls, “I was the first black woman to do a shoot in there. What I did was reverse fashion and I put the black models on the stairs like they were the kings and queens. I wanted to show good images of black people in regal clothes – like black excellence – I’m a fantasiser! You should always be proud of yourself and who you are really.” Never resting on her many many laurels, the designer shares, “I love digital art! I started doing the art and people started to love my art just like they love my clothes so I thought why not? I’m doing some beautiful images and I’m also putting them on clothes as well as screen prints to hang on your walls.” That’s when she’s not conjuring up fluffy puffball dresses, a style Mary invented. It’s overture overload! A pressed foil wrap dress – another Mary Martin London trademark design – clings to a tailor’s dummy in the studio at the top of her townhouse, her very own Isolde’s Tower. And next season’s must have accessory is in the making: the outsized unisex bag. But her suitcases are packed: “I love Ghana! I’m going over there as soon as I can to do some fashion!”

Right now she’s busy sewing up a storm: a private commission to design and make individual scarves for an Irish mother and her two daughters. The scarves feature Mary’s signature Slaves in the Woods pattern in each client’s favourite colourway. Welcome to the undisputed territory of Maryland. Earlier, the designer was partying with R+B singer Mark Morrison. Next, Kofi arrives and before long Mary is duetting down the corridor with the legendary rock singer: “Black is the colour of my skin | Black is the life that I live | And I’m so proud to be the colour that God made me | And I just gotta sing black is my colour | Yeah couldn’t be no other oh no | Black is my colour / Yeah yeah | Couldn’t be no other | No no no.” Kofi laughs, “Everybody loves Mary!” American dance and house singer Kathy Brown of “Happy People” and “Give It Up” fame rings: “It’s going to be a good year!”

Mary has been jazzing up her atelier of late. She scrawled “And behind the smile, beneath the makeup, I’m just a girl who wishes for the future” across a Katherine Hepburn mirror in her salon. And “Life is better when you’re laughing” over a Marilyn Monroe mirror in her studio. A humongous two metre tall carnation precariously balances over her materials cupboards. Like everything about Mary Martin London, it’s larger than life, carried on huge waves of Wagnerian music crashing on the ocean floor. Not everyone has “Talking to God” as their WhatsApp tagline. Not everyone is Mary Martin London. An afternoon in her company: well, it’s like living life in inverted commas.

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Architects Architecture Art Design Developers Luxury People Restaurants

Hartwell House + Garden Aylesbury Buckinghamshire

Inside the Vale in Stone with Bishopstone and Hartwell Parish

National Trust country house tours are all jolly good but nothing beats the fun of actually lounging, dining, partying and hopping into bed in an historic property. Le grand expérience. We once lunched at Florence Court in County Fermanagh to celebrate the 7th Earl and Countess of Enniskillen returning some rather grand trinkets to their former home but that was a one off despite dining out on it ever since. In a marriage made in heaven, or at least a pairing in Britain at its finest, the dream comes true in the triumphant triumvirate of Bodysgallen Hall, Llandudno; Middlethorpe Hall, York; and Hartwell House in the Vale of Aylesbury. National Trust houses where the four posters are for using. Well if Hartwell was good enough for Louis XVIII (he rented it for five years from 1809) it’ll suit us Francophiles thank you very much. Although His Majesty probably didn’t have to catch the train from London Marylebone. And so, we wave goodbye to the golden tinged terraces of NW1 on a blisteringly hot morn.

We’re tasked with capturing the spirit of the place, its current glory, its essence no less. The present is not a foreign country; they do things better here and now. Although Paris France is our next stop. As Gertrude Stein amusingly muses in Paris France, “You do not mention the relation of French men to French men of French men to French women of French women to French women to French children of French men to French children of French children to French children.” It’s worth mentioning the Frenchman who would become exiled sovereign as his plump features fill a bust and a statue and a painting at Hartwell. The Frenchman who looks down on the dining table of Apsley House on Piccadilly, London, in a portrait by François Pascal Simon, Baron Gérard. “But all art is erotic,” prescribes Adolf Loos in his 1908 lecture Ornament and Crime. Erm, not so sure, but we really do agree with his statement “Luxury is a very necessary thing.” And “An English club armchair is an absolutely perfect thing.” His words “Fulfilment awaits us” have a prophetic ring to them. Unerotic art, luxury and English club armchairs await us.

It’s also worth mentioning a certain French woman. A French woman who was Queen of France for 20 minutes. Marie-Thérèse Charlotte Duchess of Angoulême was the eldest daughter of Louis XVI and Marie Antoinette. The Dauphine joined her uncle to hold court at Hartwell. Her much maligned and misrepresented mother tried to set her daughter on the straight and narrow. On New Year’s Day 1784 the Queen, forgetting cake and remembering the poor, told Marie-Thérèse Charlotte, “The winter is very hard. There is a crowd of unhappy people who have no bread to eat, no clothes to wear, no wood to make a fire. I have given them all my money. I have none left to buy you presents, so there will be none this year.”

First impressions of Hartwell are grand, very grand. And very Jacobean. A feast of late 17th century transomed and mullioned oriels greets us as we swoop down the driveway round the turning circle with its life size statue of Frederick Prince of Wales on horseback and screech the breaks outside the entrance archway. But peeping past the very manicured bush (straight out of a David Inshaw painting) round to the garden front, there’s a perpendicular juxtaposition that would give County Down’s Castle Ward a run for its money. It’s Arcadian Palladian! The wealthy Hampden family built the original house before selling it to the even wealthier Lee family a couple of centuries later. In 1938 the house and 730 hectare estate was bought by conservationist Ernest Cook, grandson of the Victorian pioneer of package holidays Thomas Cook. Not that there’s anything package about bespoke Hartwell House. Ernest Cook saved the ensemble from certain ruin. Historic Hotels owner Richard Broyd would later acquire the leasehold which would in turn would be assigned to the National Trust in 2008 while allowing the house to still be run as a hotel. Lasting impressions of Hartwell are grand, very grand.

The dining room with its pendentive domes and matching Greek key cornice and carpet is more Soaneian than Pitzhanger Manor. The walls are painted lemon sorbet colour and the ceiling lemon ice cream. Contrary to appearances the dining room is 1980s not 1780s. It’s the creation of the architect Eric Throssell who converted Hartwell House from a finishing school to a hotel. A very clever creation at that. The architect amalgamated a closet, secretary’s room, south portico hallway and study to form a coherent space. The closet was reshaped to form an apse balancing that of the former study. French doors are wide open to the terrace. Dinner is served. The menu is elegantly labelled “Hartwell Bill of Fare”. Sourdough and fried tomato bread are followed by a starter of pan seared scallops, apple ketchup, compressed apple and oat crisp. The main course is pan fried turbot, leek spaghetti, sun blush tomatoes, British new potatoes and mussel cream sauce. Pudding is raspberry and elderflower tart, elderflower and mint sorbet. Taste good dining in a good taste dining room. Jacqueline Duncan, Founder of Inchbald School of Design, always reminds us, “I’m interested in taste.” A gentle breeze rustles through the dining room. Such peace and tranquillity. Yet under the fading light outside, tragedy is marked on the lawn. A tiny gravestone reads: “In loving memory of Charmian Patricia baby daughter of Captain and Mrs Conyers Lang died March 30 1924.” Beyond this gravestone, a walled cemetery abuts the estate.

Close to the cemetery a rusted blue sign on the perimeter brick wall reads, “Hartwell, The Church of the Assumption of The Blessed Virgin Mary. The present church (replacing a medieval structure) and modelled on the Chapter House at York Minister, was erected by Henry Keene between 1754 and 1756 for Sir William Lee of Hartwell House. It was an early example of Gothic Revival consisting of an octagon with symmetrical towers at the east and west ends. The interior was remarkable for the beauty of its fan tracery vaulting and the lozenged black and white marble pavement. Photographs taken before the church fell into ruin are in the National Monuments Record collection. Shortly after the 1939 to 1945 war the lead was stolen from the roof. This quickly led to the collapse of the vaulting and, after years of disuse, the remains of the building were declared redundant in 1973 and came into the care of the Redundant Churches Fund in July 1975. The elegance of the building’s design was not matched by the soundness of the construction and in order to preserve what was left, the Fund has carried out extensive works over many years under the direction of Mr Roiser of Cheltenham. May 1982.”

The interior of Hartwell House swaggers and sways between styles and centuries, from the baroque great hall and Henry Keene’s rococo morning room to the Georgian drawing room and library and Jacobean staircase hall. The newels and posts of the staircase are formed of historic carved figures. We return to the dining room a few hours later just as dawn is breaking. There may be no E in Hart but there’s eggs-to-see for breakfast. Sunny side up thank you on the sphinx guarded terrace. Poached eggs and crushed avocado on sourdough toast. It’s oh so quiet. Such peace and tranquillity. A sign in the staff courtyard next to the hotel reads “Beware People”. Thankfully the house and estate are so large there are few bodies about except for the discreet staff.

In 1728 James Gibbs published his bestseller A Book of Architecture Containing Designs of Buildings and Ornaments. “What heaps of stone, and even marble,” he complains, “are daily seen in monuments, chimneys, and other ornamental pieces of architecture, without the least symmetry or order?” The architect and author sets out to remedy this dire situation. “In order to prevent the abuses and absurdities hinted at, I have taken the utmost that these designs should be done in the best taste I could form upon the instructions of the greatest masters in Italy, as well as my own observations upon the ancient buildings there, during many years application onto these studies; for a cursory view of those august remains can no more qualify the spectator, or admirer, than the air of the country can inspire him with the knowledge of architecture.”

The chimneypiece in the great hall looks like it could be taken from the central image of Plate 91 except for a carved plaque replacing the overmantel mirror in the drawing. The mélange of urns and finials over the triumphal Rusticated Arch could come from Plates 146 and 147. And the Gibbs Pavilion looks like Plate 77 minus a dome. The Illustrated Atlas of the World’s Great Buildings by Philip Bagenal and Jonathan Meades, 1990, confirms James Gibbs’ status, “English Georgian was evolved from the designs of the Italian architect Palladio by Sir Christopher Wren, Sir John Vanbrugh, Nicholas Hawksmoor and James Gibbs.”

The Ionic Temple, an eyecatcher viewed from the dining room, is one of several James Gibbs designed parkland features. The rubblestone and ashlar stable block and attached coach house, rebranded Hartwell Court, incorporates parts of a Gibbsian menagerie. Hartwell Court now houses a swimming pool and 16 guest bedrooms in addition to the 32 bedrooms in the main house. It overlooks a private garden guarded by statues of Juno and Zeus. A statue of Hercules remains half hidden in the woodland beyond the church. The Rusticated Arch tunnels under the public road into another walled area known as Hothouse Piece which includes the kitchen garden, orchard and tennis court. A brick plinth marks the location of the Victorian glasshouses.

Restored beyond their former glory under Sir Geoffrey Jellicoe’s landscape renewal scheme in 1979, the mid to late 18th century gardens, offer up a smorgasbord of visual and historic and horticultural and architectural pleasures, some hidden, some unhidden. The prominently placed statue of Frederick Prince of Wales was rescued from obscurity in a shrubbery. In an early case of reclamation, the two narrow informal lakes lie on either side of the middle span of James Paine’s old Kew Bridge in London of 1782, dismantled in 1898 and auctioned in lots.

In The Age of Bronze, 1822, Lord Byron writes, “Why wouldst thou leave Hartwell’s green abode?” Why, indeed, for it’s both peaceful and fun. Hartwell House is the type of place where anything can happen. And it does. The bellboy hands us a poem printed on hotel headed paper titled The Long Driveway to Hartwell. Bonkers has a new. We nod at the line “seize every moment” and chortle at “chaise longue fizz is swell” and when it comes to “it’s a short life on our Lord’s planet” we pray “thank goodness a decent chunk of it was spent at Hartwell House”.

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Architects Architecture Art People

St Andrew’s Church + Goodwin Sands Deal Kent

The Memory of the Just is Blessed

Deal on the east coast of Kent is a microcosm of the best of Britishness with a heavy dose of end-of-the-line quirkiness. The winding lanes of the old smuggling quarter are awash with quaint cottages, some called after other places in Britain like Fleet, Mendham, Rutland and Stockport. The cutely named Ticklebelly Alley meanders from the railway station to a quiet Victorian residential enclave adjacent to the old smuggling quarter. Its streets are patriotically named after the Patron Saints of the British Isles: St Andrew’s, St David’s, St George’s and St Patrick’s Road. To the north of St Andrew’s Road at the very top of the area (apropos considering the map of the British Isles) lies a church named after the Patron Saint of Scotland.

The Early English style St Andrew’s Anglo Catholic Church was built in 1850 to the design of Ambrose Poynter on the 0.4 hectare site of a workhouse. Then 15 years later, the chancel was extended and vestries were added in Earlyish English style. Chapels were added in the closing decade of the 19th century. Use of Kentish ragstone with Caen stone dressings throughout suggest a cohesive timelessness. Eight salvaged medieval gargoyles protrude from the sturdy buttressed steeple. Domestic looking dormers in the tiled roof light the aisles. Ambrose Poynter was a pupil of John Nash between 1814 and 1818.

On the Second Sunday Before Lent 2018 Father Paul Blanch, the interim Priest in Charge, preached at St Andrew’s, “Our reasons as to why we choose to be here are not necessarily wrong,” referring to a recently circulated survey asking parishioners to state their reasons for churchgoing. “No, they are important to each of us in different ways. But what is important to us all is that the Church is the sacramental presence of Jesus Christ and when we come together, when we gather, we make Church. We make Jesus present in a special way. We become His body which exists for us and we continue to make Him present for those outside of the Church, as much as for ourselves. As the late Archbishop of Canterbury William Temple said it is the only society that exists for those outside it and our priority as the Church must be the needs of the most vulnerable of God’s world.”

St Andrew’s Church lies just 380 metres inland as the dove would fly from the English Channel coast (and a mere 42 kilometres dove flying from Calais) with its mysterious disappearing and reappearing Goodwin Sands. Anyone for cricket? Yes but only in summer and not just because cricket is a seasonal sport. These 16 kilometre long sandbanks, 10 kilometres out from the coast, were only associated with shipwrecks until some sporting locals started playing cricket matches in the high summers of the 1820s during low tide. The tradition continues two centuries later. Even in the rolling sea billows of midwinter, glimpses can be seen from Deal of Goodwin Sands.

A horsebox is parked along Beach Street between The Bohemian bar and the entrance to Deal Pier. A sign on a kitchen chair on the pavement next to the horsebox reads: “Following on from my previous horsebox exhibition The Rolling Roving Insect Show, this exhibition, my work is all one. My latest work ‘Something About Time’ can be seen within (it has been designed to be viewed singularly / close companions) a single seat is offered and whilst viewing I ask (for it is not mandatory) the observer to read and say out aloud to themselves, ‘Time, is as is, as I am here now.’” Inside the horsebox, an enigmatic hanging ball of silver cord and exquisitely cast silver insects are reflected in a seemingly bottomless well which is really a beer keg filled with water­. “My show is all about time,” reasserts artist Jeremy P. Deal of the centuries.

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The Royal Foundation of St Katharine Limehouse London + Langley House Trust Carol Service

Surprised by Joy

The Royal Foundation of St Katharine is a Christian organisation that was established in 1147,” introduces Chaplain Carol Rider. “The original community was next to the Tower of London in St Katharine’s Docks before setting up in Regent’s Park. We’ve been in the East End since the late 18th century. St Katharine’s doesn’t come under the Anglican Diocese: it became a Royal Peculiar when Queen Eleanor recognised it in the 13th century. Since World War II The Queen has been our patron. In fact, all our Patrons have been female royals. The Duchess of Cornwall recently visited us too.” Photos of Camilla add sparkle to the bookshelves of the Lounge.

At the heart of the current St Katharine’s on Butcher Row, Limehouse, rooted in the deep urban fabric is the Master’s House, a handsome tallish squarish brownish brick piece of Georgian London attributed to Thomas Leverton. Note ‘attribution’ only for much of Georgian London was formed not by great architects but by developers. The most extraordinary aspect of the Master’s House is the collection of murals adorning the two principal reception rooms overlooking the garden. Aha! The Queen Matilda Room and the Chapter Room. Such surprise, such joy! A rare explosion of period trompe l’oeil.

­­­­Charles Saumarez Smith believes that St Katharine’s has a “very atmospheric post war chapel”. The former Chief Executive of the Royal Academy of Arts London observes, “The chapel was designed by Roderick Enthoven in 1953. He obviously had a sensitivity to historic buildings because he was able to incorporate some of the surviving medieval fittings which came from the Foundation’s original home, including an Italian reredos.” Charles also notes that the carved lettering in the chapel – check out the Welsh slate altar – is by Ralph Beyer, a German sculptor who was an apprentice of Eric Gill.

The Foundation of St Katharine is a joyous blend of ages, from Festival of Britain architecture to medieval statuary. The eclectic yet harmonious group of buildings housing the Foundation encloses a peaceful garden and stylish croquet lawn. The ultimate urban oasis. Cliché perhaps, reality, yes. Above and beyond the entrance gates to St Katharine’s the Docklands Light Rail whizzes by – an ever urgent flash of red and blue. Below, in full view of the travelling tourists and commuters and locals are the Yurt Café and neighbouring converted shipping container studios. Deconstructivism meets urban renewal meets spare space meets hipsterism meets great coffee in a meaningful meanwhile use.

“The Foundation is committed to worship, service and hospitality,” explains Carol. “Some people just book a room and create their own retreat. Guests might join us for our twice daily worship or use the stillness of the chapel at other times of the day. They might sit in the garden in the sun or under the shade of our huge plane tree. They can use our small library with its comfy chairs. Or they might spend time here at St Katharine’s but also venture out to explore London, to visit some of its wonderful architecture, art galleries and theatres.”

At the turn of the 21st century, the Foundation was revitalised. The Victor Churchill Building by Matthew Lloyd Architects added seven bedrooms next to the chapel. Founding Partner Matthew Lloyd states, “This new building sensitively relates to the chapel itself and also to the adjoining 1950s extension on its west side, both in height and materiality.” Jonathan Dinnewell of Smallwood Architects reordered the chapel, increasing natural light into its interior. Following renovations and extensions by PRP Architects, there are now nine meeting rooms from the intimate Queen Philippa Room (maximum two guests) to the Queen Elizabeth Conference Room (maximum 70 guests).

Concerts, residential retreats, supper clubs and reflection days led by the likes of Muthuraj Swamy (author of the Archbishop of Canterbury’s 2019 Lent Book Reconciliation) and Pádraig Ó Tuama (poet, theologian and former leader of the Corrymeela Community, Ireland’s oldest peace and reconciliation organisation) fill the calendar of St Katharine’s. Today, Langley House Trust is recording a Christmas carol service in the chapel.

Dee Spurdle, Head of Fundraising and Communication, relates, “Langley House Trust is a Christian charity which provides accommodation based support to people at risk of offending or who have committed offences.” Chief Executive Tracy Wild, who is speaking at the carol service, adds, “Our vision is of a crime free society where no one is unfairly disadvantaged or excluded because of their past. We’ve been going for 62 years now.” As for the carol service, required to be online this year due to a pandemic: “We’ve gone from 15 carol services to one online. But when there is a blocked road ahead, you need to turn left or right. We are hoping that more people will be able to watch the carol service online. We want to increase awareness of our charity and also encourage churches to watch it.”

The Reverend Andy Rider, National Chaplain of Langley House Trust, reveals, “Langley’s Resident Worship Leader Luke Hamlyn and singer Hannah Ravenor, who also works for Langley as well as being Marketing and Engagement Manager at the charity Clean Sheet, will lead the band in ‘Joy To The World’. They are joined by the band including the violinist from Christ Church Spitalfields, Amy Mulholland. This carol will be a feature of the service amongst lots of others.” As for his message, “I am speaking on Colossians 1 – a very early hymn. Maybe we should call it the first ever Christmas carol!” Another recognised New Testament hymn which would have been sung in Greek is 1 Timothy 3:16, “He appeared in the flesh, was vindicated by the Spirit, was seen by angels, was preached among the nations, was believed on in the world, was taken up in glory.”

“Contemplation occurs naturally when we behold something of beauty. In the presence of beauty, understanding becomes suspended and analysis futile. Contemplative prayer is the act of beholding Jesus and becoming ‘lost in wonder, love and praise’.” So scribes Andy in his 2009 book Three Holy Habits. The Royal Foundation of St Katharine is the ultimate sanctuary of contemplation in London. There are no equals. And so a golden leaf strewn autumnal afternoon of how it was and how it is and how it will be can sometimes­ last forever. “You are never more than a moment away from God,” muses Reverend Rider. That moment is now. Enjoy the carol service.

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Littlehampton West Sussex + Two

The Roman Riviera

Photography is playing with light. Writing is playing with words. High 10! Here goes. Littlehampton as you’ve never seen or read about it before. England’s most haunted town. Riddled! Yes, it’s completely overrun with ghosts and ghouls and spooks and spirits and things that go bump in the night! And that’s not just reports from the manager about upstairs antics at the Arun View. The riverside pub has one first floor guest bedroom and another three on the second floor. Access is cosily squeezed behind the bar itself and up the narrow stairs. The ground floor bar and terrace are where it all happens during Thursday afterhours. Locals and blow-ins groove the night away to the Willie Austen Band.

Beside Arun View is The Steam Packet. Littlehampton Ghost Tour guide Heather Robins notes, “For more than 150 years The Steam Packet pub has stood on the River Road, Littlehampton, just by the historic footbridge across the Arun. The pub was named after the steamboat service that ran from Littlehampton to Honfleur in Normandy from 1863 to 1882.”

In the town centre, a sign on one of its windows competitively proclaims The Dolphin to be “The most haunted pub in Littlehampton”. Heather elaborates, “A pub of this name has been on this site since 1736. The Dolphin has the largest and deepest cellars of the three connected pubs and was used, not only by smugglers, but also as a mortuary for the victims of World War II bombings in Pier Road, when a row of houses was flattened, inflicting many casualties.” The Crown is just about the only pub that hasn’t had recent sightings according to the guide, “Although smugglers’ tunnels linked The Crown to The Dolphin and The White Hart, the current manager has no knowledge of less earthbound spirits inhabiting this establishment.”

As for The White Hart on Surrey Street, she comments, ““Back in the 1700s, this pub was the first Dolphin on Surrey Street. After an argument, the landlord’s brother opened a second pub called The Dolphin, which is now on the corner of Surrey Street and High Street. This original Dolphin has changed its name several times over the centuries. It may have been The White Swan, which led to The Cob and Pen, before becoming The White Hart. In the present bar, you can see a capped off glass opening to the well and tunnels.”

“Smuggling in the 18th and 19th centuries was common practice – a black economy that played a major role in everyday life, employing more than 40,000 people,” suggests Heather. “The smugglers of Kent and Sussex were the leaders in the field and it is no surprise that Littlehampton, with its gently sloping shoreline, was an active smuggling centre. Free from rocky headlands, it was easy to load and unload shallow boats and smuggle goods across the Downs or up the River Arun and on to London via the Wey and Arun Canal that linked to the Thames. Customs records from 1736 show that 229 smuggling boats were confiscated on the Sussex coast, with 200,000 gallons of brandy seized.”

Famously, Lord Byron holidayed in Littlehampton in his 18th summer. He stayed at The Dolphin in 1806 although whether or not he had ghostly experiences goes unrecorded. There’s still plenty of action in the town for the living though. Littlehampton Arts Trail is in its eighth year. The Trail features 16 venues matching artists with conducive environments. Beach Road Gallery has a joint show of Trevor Fryer and Pete Beal’s landscape photography. More photography art, this time by Shirley Bloomfield-Davies, is on show at Mewsbrook Park Café. Local Rad Radburn’s fine art is displayed at Arcade Lounge Pizza Bar and Grill.

Ah, Arcade Lounge. Such a find! A little piece of East Berlin in West Sussex. Owner Saty Dhsingh, who comes from nearby Worthing-on -Sea relates, “For Arcade Lounge, I wanted it to be something different. A small bit of Brighton! I have got lots of finds from car boot sales. My father made the benches from pieces I got from Oktoberfest. As for the Arts Trail, there are actually four art galleries in the town centre as well as all the other venues.” Littlehampton Fish and Chips – the best in town – is another Dhsingh family business.

“You can enjoy homemade pizzas, burgers and tapas here,” confirms Saty, soaking in the rays in the adjoining courtyard. “We’re in the trendiest suntrap in Littlehampton. Arcade Lounge is all about unwinding and relaxing. Littlehampton has a lot of character. The combination of beach and river and friendly people is what makes it really unique. Nearby historic ­Arundel is another great town to visit.” Blame the unseasonably sunny weather. Maybe it’s all those shady verandahs. Or the bohemian atmosphere. Or the locals’ fascinating tales. Alright, possibly it’s down to the non London measures of Pinot. But there’s something of Savannah, Georgia, in the air. Littlehampton. Beyond chilled.

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Architects Architecture Art Design People

St Mary’s Cathedral + Crypt Hamburg

Domkirche St Marien Kindertagesheim

In the second half of the 19th century, the population of Hamburg increased to include an influx of Roman Catholics, thanks to industrialisation and port expansion. Paderborn based architect Arnold Güldenpfennig was commissioned to design a new Roman Catholic parish church in the red brick neo Romanesque vein. The Church of St Mary was consecrated by Bernhard Höting, Bishop of Osnabrüch, on 28 June 1893. A dramatic pair of twin spires pierce the sky over the St Georg quarter. A century or so later, on 7 January 1995, the Archdiocese of Hamburg was reinstated and Pope John Paul II elevated the Church of St Mary to cathedral status.

Ludwig Averkamp was the first Roman Catholic Archbishop of Hamburg (1995 to 2002) of the 20th and 21st centuries. The cathedral underwent a significant rebuilding project (2007 to 2008) before being reopened by the then Archbishop of Hamburg, Werner Thissen (2003 to 2014). Since 2015, the Roman Catholic Archbishop of Hamburg has been Stefan Hesse. Aged 54, he is the youngest archbishop in Germany and is known for his forthright messages. He recently gave his slant on the immigration debate:­ “Racism and xenophobia are in contradiction to the message of Jesus.”

Hamburg based Architektur + Stadtplanung Ewers Dörnen restored the main building and added a single storey with basement extension to the southeast. A glazed cloister enclosing a garden leads to stairs descending into a crypt. A vaulted chapel opens into the columbarium. The pebble floored, gold ceilinged, geometric metal walled, exposed bricked space was designed by Klodwig + Partners of Münster. It is an extraordinary interior of great tranquillity.

Another 21st century intervention is Architektur + Stadtplanung Ewers Dörnen’s minimalist altar which is fashioned from a single sandy limestone block to represent unity. The table surface rests on three supports representing the Trinity. The limestone, all 3.5 tonnes of it, came from Vilhonneur in France. The post war stained glass windows were created by Johannes Schreiter. Inspired by the Old Testament book of Isaiah, the artist’s abstract compositions in colours ranging from white and pale grey to yellow and brown to tones of blue reflects messages from the prophet.

The Munich art school Mayer’sche Hofkunstanstalt was commissioned in the 1940s to create a mosaic over the apse. The glittering ceiling is based on the apse mosaic of Santa Maria Maggiore Church in Rome, created by Jacopo Torritti in 1295. Hanging in front of the apse is Heinz Gerhard-Bücker’s 1993 cross of 4,000 year old moor oak. On the front is a gilded Corpus Christi; on the back, a gilded lamb. St Mary’s Cathedral is a striking amalgamation of sturdy 19th century architecture and even sturdier 21st century architecture with sturdy 20th century design thrown in for good measure.

Parish Priest Monsignor Peter Mies greets visitors to the cathedral: “A warm welcome to St Marien Dom – how good that you’re here! The St Georg district is one of the Hanseatic City’s most vibrant quarters. It’s an area of the city offering light and shade: original restaurants, creative advertising agencies and a teeming multicultural backcloth are as much part of this as homelessness, prostitution and social tensions. Amidst all this stands St Marien Dom, the cathedral church of the Archbishopric of Hamburg. That the Dom should be located precisely here is a helpful sign; so too is its close proximity to all sorts and conditions of people cherishing such a variety of hopes and cares, life plans and world views. It’s precisely for them that St Marien Dom aims to be here, as an oasis offering calm, culture and fruitful encounters.

The radiant power of St Marien Dom extends far beyond its precincts. As the seat of the Bishop it is of significance throughout the Archbishopric of Hamburg, covering not just the Hanseatic City, but also Schleswig-Holstein and Mecklenburg. Roman Catholics may form a minority here, constituting around 10 percent of the population. Yet with their numerous institutions and the dedication of many full time and honorary staff, they play a crucial part in the life of northern Germany – in just the same way as the Dom stands for the area. Whatever may have brought you to us: you are most warmly welcome!”

Next door is a multidenominational Christian giftshop called Geistreich. It sells a pack of three napkin designs, each one embellished with the music to several verses of “Geh Aus Mein Herz” (“Go Out My Heart”). It is a congregation exhausting 14 verses in length. The words by Paul Gerhardt (1607 to 1676) were later set to a melody by Augustin Harder (1775 to 1813). A sacred summer song, Geh Aus Mein Herz forms part of the Lutheran hymnal.

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Architects Architecture Art Town Houses

Brahms Kontor Hamburg + Brick Expressionism

Copper Bottom

Hamburg is a city of brick buildings. Reddish, purplish, brownish. Bäckerbreitergang in Neustadt is one of the earliest examples. This red brick half timbered terrace of houses along a narrow cobblestone street is a survival from 1780 (nos. 49 and 50) and the early 19th century (nos. 51 to 58). But really brick came into its own in the opening decades of the 20th century when Expressionism swept across the city. The Brahms Kontor office building on Johannes Brahms Platz opposite Gorch Fock Wall is a brick’s throw from Bäckerbreitergang. The top two storeys of this 11 storey great purple brick pile are stepped back – Hamburgers love a good ziggurat (think Steigenberger Hotel). Architects Werner Lundt and Georg Kallmorgen’s original 1904 building was enlarged by Ferdinand Sckopp and Willhelm Vortmann in the 1920s and 1930s. Brahms Kontor is a commercial triumph of classical modernity. Six copper male nudes protruding from the side elevation considerably liven up the architecture. The Broscheks Building, now the Marriott Renaissance Hotel, is another fine example of Expressionism. In a similar purple brick to Brahms Kontor, only gilt tipped in places, it was designed by Fritz Höger in 1925.

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Neuer Wall + Alster Arcades Hamburg

They Do It Better Here

Neuer Wall is one of the classiest streets in Germany’s second largest city. This being Hamburg, it runs parallel with two canals. Neuer Wall is designer store heaven. To name a few: Acne Studios, Bottega Veneta, Burberry, Chanel, Dolce + Gabbana, Giorgio Armani, Mahlberg, Isabel Marant, Jil Sander, Dorothy Schumacher, Louise Vuitton. Occupying the majority of the southernmost urban block on the far side from Alsterfleet Canal is a development that celebrates all that is good about German town planning.

The blur of old and new architecture, public and private space, external and semi enclosed is so well handled in the rebuilding of Görtz Palais and what lies beyond. In a highly complex case of town planning par excellence, the central archway of the rebuilt Görtz Palais leads through to a sloping corridor lined with shop windows which in turn opens into an arcade with arches on one side open to Bleichenfleet Canal. Steps lead onto a series of interlinking courtyards: Stadthof, Treppenhof and Bleichenhof, all wrapped in an abundance of ceramic tiled walls. An archway reveals the best open space of all: the courtyard of Hotel Tortue. Piped classical music adds another thrill to the experience. They do it better here.

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The Cathedral + Metropolitical Church of Christ at Canterbury Kent

All That is Good

The Reverend Andy Rider is Stepney Dean of Mission and Area Dean of Tower Hamlets. He is also Chaplain at Langley House Trust, a charity that helps ex offenders. Previously, Andy was Rector of Christ Church Spitalfields for 17 years. It is one of East London’s most prominent places of worship. During his time at Christ Church, in between priestly duties, he oversaw the revivification of the historic ecclesiastical property portfolio of the parish. In particular, the Grade I listed crypt was given a new lease of life as a café, community and church space. For the first time in its history, every cubic metre of Nicholas Hawksmoor’s architectural masterpiece was put to active use. Not to mention airspace: the church band has been known to play on the roof of the nave. Reverend Rider is also a published writer of books on Christian living. So who better to talk to about Canterbury?

“What makes Canterbury special to the Anglican Church? Well, it has been the home of the Archbishop for years,” he confirms. “His leadership of not just the Church of England but also the Anglican Communion ensures that Canterbury is in the heart and prayers of pretty much every Anglican believer. Although we are seeing a rise in pilgrimage, Canterbury is probably for most a virtual pilgrimage from time to time. It was key to the spread of the Gospel north through Great Britain, meeting the Celtic Christians who were bringing the Gospel south from such places as Iona and Lindisfarne.”

The earliest remnants in Canterbury of this ancient advancement of Christianity are found at St Augustine’s Abbey, just beyond the city walls. “Augustine… built a monastery not far from the city to the eastward, in which, by his advice, Ethelbert erected from the foundation the church of the blessed Apostles, Peter and Paul, and enriched it with divers [sic] gifts; wherein the bodies of the same Augustine, and of all of the Bishops of Canterbury, and of the Kings of Kent, might be buried.” So records The Venerable Bede circa 730.

Augustine was a Benedictine monk who became the first Archbishop of Canterbury in 597. His mission to convert the Kentish King Ethelbert to Christianity was immediately successful (the Frankish Queen Bertha was already a Christian). The royal couple provided land for the abbey which would become a centre of spiritual and cultural activity for almost a millennium. That is, until the dissolution of the monasteries under King Henry VIII. St Augustine’s was dissolved in 1538 and transformed into a palace. Anne of Cleves, Henry’s fourth wife, stayed one night on her way from Deal to London. In a gorgeous story arc, the site would later become a missionary college for 99 years, opening in 1848. Acclaimed Gothic Revival architect William Butterworth built the split flint faced and red roofed St Augustine’s College amidst the ruins. A freestone library was erected over the abbot’s hall foundations. The King’s School now occupies the intact buildings.

If Kent is the Garden of England, Canterbury is the Temple. The walled city and its environs really don’t disappoint. Charles Dickens was a fan. The former Old King’s School Shop, dated 1647, a teetering tiered tower of architectural Jenga jettying over Palace Street commemorates the writer with an 1849 quote across its façade, “… a very old house bulging out over the road… leaning forward, trying to see who was passing on the narrow pavement below…” The Chaucer Bookshop on Beer Cart Lane is called after the most famous Canterbury literary connection. Street names – The Dane John Mound, Orange Street, Lady Wootton’s Green – suggest intriguing times of old.

The tight urban fabric of the city knits so tightly round the cathedral that it can only be entered through the Precincts which in turn can only be entered via four gates: Christ Church, Mint Yard, Postern and Quenin. Stretching the material metaphor, the cathedral itself is a multilayered multicoloured multitextured fabric of utter fabulousness. Benedictine cloisters; Romanesque crypts; Perpendicular nave; Gothic quire; Middle Age pulpitum crossing; Arts and Crafts stained glass; even a 12th century martyrdom: Canterbury Cathedral has it all. Statues of The Queen and Prince Philip are incorporated into the west front. But the best statue award must go to the tomb of Edward Plantagenet the Black Prince who died in 1376. The Prince’s canine companion is immortalised in marble, resting at his master’s feet.

The grandest house in the Cathedral Precincts is, predictably, the Archbishop’s Palace. Archbishop Lanfranc built a large palace to the northwest of the cathedral in circa 1086 which was remodelled throughout medieval times. Archbishops of Canterbury ignored this residence until Archbishop Frederick Temple’s succession in 1896. He sold the Archbishop’s Palace in Addington, Surrey, and ordered the rebuilding of a palace on the historic Canterbury site. William Douglas Caröe, a prolific designer of churches, was commissioned. The architect’s T shaped knapped flint and random stone dressed with Bath stone building is summed up in John Newman’s Pevsner Guide to Northeast and East Kent, 2013, “scrupulously retained medieval features woven into a rambling, fancifully detailed Free Tudor mansion completed in 1901.”

And so to the Mother Church of the Worldwide Anglican Communion and Seat of the Archbishop of Canterbury on the 15th Sunday after Trinity. The organ thunders with visceral fervour while five clergy take their seats around the Anglican Communion table. The Dean, The Very Reverend Dr Robert Willis, welcomes the congregation to the service which is The Oratory Mass set by Matthew Martin. The north side of the girls’ choir sings The Motet, a 14th century Eucharistic hymn set to music by Edward Elgar. Their angelic voices reverberate across the nave and down the centuries. Prayers are offered up for the Apostolic Church of South Sudan, Archbishop Justin, Bishop Tim of Lambeth and Bishop Rose of Dover.

It’s the last warm day of summer and soft sun streams across the hard stone floor. Pure fragrant blended incense fills the atmosphere. Vice Dean, The Reverend Andrew Dodd, preaches on the parable of the vineyard labourers’ wages and Jonah’s grumbling at God changing His mind. Unfairness is the theme. He reflects on the American Supreme Court Justice Ruth Bader Ginsburg who recently died. “She was an unlikely hero. ‘RBG’ as she was known as confronted discrimination and injustice in an extremely sensitive climate.” The Vice Dean concludes, “In God’s economy everyone is of immeasurable divine value.” The service ends with the Dismissal and the congregation pour out into a blaze of sunshine.

Andy’s spiritual journey began a long way from Canterbury or even East London. “I was sent to church as a child by non church going parents. The local church had a serious Sunday school, which I left at about age 12 when I fell out with the leader. Seven years later and having had a few scrapes with the law, gaining a criminal record, I met a couple of Christians who spoke to me about forgiveness and God’s will for our lives. This, along with my work with mentally disabled folks got me asking all sorts of questions about life and humanity. Then, playing music in a band with a Christian I began to see who God might be and who He might want me to be. So one night on an overnight bus to Blackpool on the way to some massage training – I wanted to be an osteopath – I gave my life to Jesus in Digbeth Bus Station.”

“I was ordained in 1990,” Andy relates. His first Curacy brought him south to Chatham in Kent. “I next led the All Souls Clubhouse church and community centre in London’s West End for a decade. The Bishop of London then asked me to consider the Spitalfields post. He said it needed a ‘big man’ to do the job… I sensed God’s call in his invitation and without seeing inside the church building or rectory, I accepted the post in 2003.” Under Andy’s leadership, the congregation greatly grew exponentially in numbers and strength. Ministry in the community is especially important at Christ Church: looking upwards and looking outwards.

“My new role,” Andy explains, “as Dean of Mission is principally helping churches to explore and step further into church health, growth and mission. Working with the Bishop of Stepney across three London Boroughs and some 60 churches, we need to halt the decline in Church of England attendance and – to quote a song lyric – ‘Turn this ship around’! This needs strategy, structural changes, leadership development and a new hunger across the church.” The Reverend Rider gives personal advice in his 2018 book Life is For Giving: “Your current reality will shape you for whatever is next – because God meets us where we are and wastes nothing. Your task is to read and explore your present reality, and so to see it as God sees it.”

Turn of last century author Frank William Boreham wrote over 40 books on Christianity with charming titles such as A Bunch of Everlastings, A Handful of Stars, Mountains in the Mist, Shadows on the Wall, Wisps of Wildfire. In 1948 he published My Pilgrimage An Autobiography. The author includes his testimony: “Only once in the history of this little world did a man, crucified at 33, find that He had brought His tremendous life work to absolute perfection. ‘It is finished!’ He cried. No broken column marks His sepulchre. And yet even He spoke frequently of the sublime tasks that awaited Him in the world to which He journeyed. Other people may do as they will; but, for myself, I am going to rest all my insufficiency and inefficiency on His finished and perfect Saviourhood leaving Him to complete my incompleteness in the world in which He reigns supreme.”

In his autobiography he recalls his mother telling him about her first visit as a teenager to Canterbury Cathedral. Frank’s mother arranged to go with her cousin but she didn’t turn up. An elderly gentleman approached her: “Excuse me but whilst I was chatting with the friend who has just left me, I could not help noticing that you were eagerly watching for somebody who, evidently, has not arrived. Were you thinking of inspecting the Cathedral? I wonder if you would very kindly allow me to show you round. I am deeply attached to the place and happen to know something of its story.”

Frank’s mother acquiesced and was soon taken by the stranger’s silver tongued eloquence. The teenager was treated to an exhaustive tour of the cathedral and its history, travelling back in time from Huguenot refugees to Geoffrey Chaucer to St Thomas Becket and ending with St Augustine. Or should that be beginning? As the tour drew to a close, the stranger said, “It would be very interesting to me if we might exchange cards.” Frank’s mother didn’t have one but she accepted the stranger’s card without a second glance or first for that matter. Only on the train home to Tunbridge Wells did she look at it. The card read “Charles Dickens”.

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Mary Martin London + The Return Fashion Shoot

Cinematographic Lives

No justice no fashion. How many people does it take to do a Mary Martin London fashion shoot? Counting. A host. A fashion designer. A fashion photographer. A fashion photographer’s assistant. A set photographer. A videographer. A lighting technician. A stylist. Two makeup artists. Two hairdressers. One headdress stylist. Four models. A ballerina. A chauffeur. A muse. That’ll be 20. Oh plus five security. Make that 25. Big wigs plus fashion’s finest. Everyone authentically leading their best London lives up a level. Forgetting fiction, correcting the truth. A September Sunday. No just as fashion.

On location at the Foreign and Commonwealth Office Westminster. By 9am the collective creative energy is palpable. Ballerina Omozefe is practising her moves while classical music reverberates off the marble Durbar Court. “I’m dazzled by this space. It’s amazing!” She shares, “I started learning ballet aged four. I’m five foot six inches but I’ve an unusually long inside leg measurement of 33 inches. Resilience is so important for the amount of training you need to do to be successful. You need the ability to endure pain. It’s constant training – like being an athlete. Odette and Odile in Swan Lake is every ballet dancer’s dream role!”

“This is like a film set! The lighting is lovely!” exclaims leading photographer Monika Schaible upon seeing the Grand Staircase. More exclamations follow when half Lebanese half Sierra Leonean model Yasmin Jamaal surprises in a regal black and crimson extravaganza. “TC! Totally couture!” Yasmin responds, “I feel like a queen.” Cecil Beaton said of Tallulah Bankhead, “Her entrance is always dramatic.” Yasmin, anyone? Not content with setting the catwalks alight, Yasmin has hit the silver screen. She appears in the new James Bond film No Time To Die. Her summary is: “It’s a really exciting movie. There are a lot of stunts. Working with Daniel Craig was so interesting.”

Leila Samati is another international model. Originally from the Algarve in Portugal, she came to study International Business in London. “My favourite models are Naomi Campbell and Adriana Lima who modelled for Victoria’s Secret.” Leila can add the “super” prefix to her job title: she’s been crowned Miss World, Miss Africa Great Britain and Miss Guinea-Bissau. “Mary’s dresses have amazing details,” she observes. “You can tell the hard work that goes into pieces she produces. They’re so elegant.”

The third female model on today’s shoot is Londoner Kiki Busari. “This is my first shoot with Mary. She’s so creative. I’m loving the whole period theme. It’s like an historic costume drama!” Kiki adds, “Mary is the hardest working designer I know.” She can’t wait to show her young sons Saint and Angel the stills. Freelance stylist Joel Kerroy is here “to make everyone and everything camera ready”. When not perfecting shoots, Joel puts together look books for the likes of Jeff Banks and Burberry. He thinks, “Mary’s clothes are so elegant and extravagant. They’re eleganza!”

Fellow Londoner Hassan Reese is the male model. At 6 foot four inches he is a body double for runner Usain Bolt. It’s really a cast of Hassan that is used for the athlete’s body in Madame Tussaud. He also owns Dam Model Management. “I love modelling Mary’s clothes.” He last starred in her Blood Sweat and Tears Collection show. Mary collaborated with headdress creator Elisha Griffith. Her company is Blossom Concepts. “Mary has taught me so much,” she relates. “With no Notting Hill Carnival this year I’ve enjoyed learning new skills.”

Mary reveals, “The Georgian fashion shoot that my muse Stuart Blakley modelled in last year filled me with inspiration for the period theme. The Return Collection is Marie Antoinette meets tribal meets avant garde.” Unbelievably the outfits showcasing the collection at this shoot were all designed and made by the fashion artist in just under three weeks. By early afternoon, the shoot is in full swing. There’s nowhere grander or more entrenched with story than the Foreign and Commonwealth Office and there are no grander clothes more entrenched with story than Mary Martin London.

Memorable fashion moments are fleetingly created and permanently captured. Omozefe’s tippy toed croisé,  plié and grand jeté. Yasmin working a dress of straw. Leila balancing a gargantuan Georgian wig on her head. Hassan strutting his stuff. Kiki taking a selfie with a Victorian bust. And the final memorable scene: the alternative royal family proudly descending the Grand Staircase illuminated by late afternoon sunlight. It’s as if Armand Constant Milicourt-Lefebre’s portraits of Emperor Napoleon III and Empress Eugénie have sprung to life and – joined by two Dauphines – been augmented by greater beauty, exquisiteness, relevance, and contemporaneity. High above in the golden coffered dome an inscription glitters: “Praise Thee O God Yea Let All The People Praise Thee O Let The Nations Rejoice And Be Glad”. Far below, everyone is present. Everyone is on point. Everyone is in awe. By 5pm it’s a wrap. Time to party.

“What an anointing to be filled with God’s joy!” rejoices Mary. “It gives me great pleasure to create. It’s emotional. I’ve done fashion shows and shoots all over the world. I’ve been to Ghana, South Africa, south of France, you name it, I’ve been to a lot of places. I express myself in my clothes with my moods: happy, sad, crazy, kooky, whatever it is you know I just express it on my clothes. It’s just a natural thing for me. A lot of people seem to love the eccentric clothes I make and you know I love showing the clothes and I love the catwalk. But I’ve never shown at the Foreign and Commonwealth Office before. What a privilege. This is a first! It’s all exciting for me! I’m on point!” Cecil Beaton said of Tallulah Bankhead, “Her vitality is dynamic; she can sustain fever pitch ad finitum.” Mary, anyone? At the wrap party everyone agrees this is the start of something big. Really big. First comes the Black History Month exhibition in Foreign and Commonwealth Office. And there’s more, much more to come. Justice fashion.